Something-To-Watch Saturday #13

It’s Saturday and you’ve come for some movie-watching ideas. Here’s 7 more and here’s the back catalogue if they’ve not scratched that itch – #1, #2, #3, #4, #5, #6, #7, #8, #9 , #10, #11 and #12.

Official Secrets (2020 – 112 mins – Amazon Prime)

The true story of a British whistleblower (Keira Knightley) who leaked information to the press about an illegal NSA spy operation designed to push the UN Security Council into sanctioning the 2003 invasion of Iraq. Along with a fantastic supporting cast (Matt Smith, Matthew Goode, Rhys Ifans, Ralph Fiennes and Conleth Hill) this might be one of Knightley’s finest performances, understated yet powerful. A steely and tense thriller, made all the more haunting as it really did happen.

Boys State (2020- 109 mins – Apple TV+)

A thousand 17-year-old boys from Texas join together to build a representative government from the ground up – and the results need to be seen to be believed. A truly outstanding documentary that ends up revealing so much about present day politics and 21st masculinity.

Wolfwalkers (2020- 103 mins – Apple TV+)

Cartoon Saloon is an animation studio that has a truly enviable hit-rate, with Song of the Sea , The Secret of Kells and The Breadwinner each being examples of pure perfection. And now we have this addition, a young apprentice hunter (Honor Kneafsey) and her father (Sean Bean) journey to Ireland to help wipe out the last wolf pack. But everything changes when she befriends a free-spirited girl (Eva Whittaker) from a mysterious tribe rumored to transform into wolves by night. The animation is sumptuous, the story wonderfully told and the performances just magnificent. There’s also some of the finest animated hair we’ve ever seen. If there’s any justice in the world, this film will be recognised in awards season as the best animated film of 2020.

EMMA. (2020- 122 mins – Sky/Now TV)

This might just be the finest Austen adaptation we’ve ever had. At the very least there’s no point ever adapting Emma again, as it cannot beat this one. Anya Taylor-Joy plays Emma, a woman who is well-meaning but selfish, who decides to play matchmaker out of boredom but ends up playing havoc with the lives of those around her. Taylor-Joy plays Emma wonderfully, every expression being layered in meaning and revealing so much about exactly what she is thinking but is unable to say. Johnny Flynn as Mr Knightley has ruined me for men. A magnificent ensemble cast (Angus Imrie, Gemma Whelan, Bill Nighy, Rupert Graves, Miranda Hart, Josh O’Connor, Mia Goth, Oliver Chris and Callum Turner) all bring their A-game to deliver this superb screwball comedy.

120BPM (2017 – 143 mins – Film4)

This French film, following members of the advocacy group ACT UP Paris as they demand action by the government and pharmaceutical companies to combat the AIDS epidemic in the early 1990s, is sublime. At times funny, heart-shattering at others – it’s simply unmissable.

Wild Rose (2018- 101 mins – Netflix)

One of 2018’s best films, this story – Rose-Lynn(Jessie Buckley) is a troubled young Glaswegian who dreams of becoming a Nashville country star – is a total must-see. Buckley’s central performance is extraordinary, with an immeasurable amount of depth, balancing light and shade with ease. Julie Walters is simply fantastic in the supporting role as Rose’s mother. Click here to read my full review.

Set It Up (2018 – 118 mins – Amazon Prime)

In recent years, Netflix has been at the forefront of the resurgence of the romcom whilst also dropping some of the worst of the genre. This week’s underseen romcom is a gem, that uses the tropes we know & love yet plays around with them a little. Two corporate executive assistants (Zoey Deutch and Glen Powell) hatch a plan to match-make their two bosses (Lucy Liu and Taye Diggs). Deutch and Powell have fantastic chemistry, believable and easy to root for. The end result is a charming and sweet romcom.

Tv Tuesday #6

One sentence summary – 3 suggestions of tv shows you may have missed and will probably love. Are you not entertained? Give #1, #2, #3, #4 and #5 a try.

Big Mouth (2013-2016 : 43 x 30 mins : Netflix )

In the space of a week, in two separate conversations, I had two loved ones voice genuine disbelief that I had never seen Big Mouth. Both were adamant I’d love it. Semi-reluctantly I gave it a go and, I really hate to say it, Matt and Sam were both right. I love this show so hard. I’d go into battle and fight for this show, for many reasons. There’s the comedy, it’s superbly funny with an epic voice cast (Nick Kroll, John Mulaney, Jessi Klein, Jason Mantzoukas, Fred Armisen, Maya Rudolph, Jordan Peele, Jenny Slate, Andrew Rannells and all manner of guest stars). There’s the colourful and inventive animation. And then there’s the story and content itself. Big Mouth tackles hugely important issues in an effortless, tender yet hilarious and often audacious way. I struggle to think of another show that examines sexuality, mental health, gender, body image and family dynamics to such a magnificent extent. This is a show that isn’t for teens and yet all teens need to see it.

I Hate Suzie (2020 – : 8 x 35 minutes : SKY / Now TV)

Now this is one that has a summary that doesn’t do it justice. A female celebrity (Billie Piper) has her whole life upended when her phone is hacked and a photo of her emerges in an extremely compromising position. The outcomes are regularly unexpected, sad, funny, mad and devastating. Piper is extraordinary in the lead role, with fantastic support from Daniel Ings as awful husband Cob and Leila Farzad as best friend/assistant/enabler Naomi. Click here for my full review, written for VODzilla.

Trying (2020 – : 8 x 30 minutes : Apple Tv+)

Apple TV is still in it’s infancy, but it has some gems that really do make it worth checking out. This was the first I watched and it’s still my favourite. All Nikki (Esther Smith) and Jason (Rafe Spall) want is a baby. They’ve been together for several years and it’s just not happening, till medical treatment shows it’s unlikely to ever happen. So, they decide to adopt. With their dysfunctional friends, screwball family, and chaotic lives will the adoption panel think they’re ready to be parents? With another superb ensemble cast (Ophelia Lovibond, Oliver Chris, Phil Davis, Imelda Staunton to name but a few) Trying is an effortless watch, a comedy drama as witty as it is warm.

Something-To-Watch Saturday #12

It’s Saturday and you’ve come for some movie-watching ideas. Here’s 7 more and here’s the back catalogue if they’ve not scratched that itch – #1, #2, #3, #4, #5, #6, #7, #8, #9 , #10 and #11.

Uncle Frank (2020 – 95 mins – Amazon Prime)

One of the few joys to arise in 2020 has been the amount of fantastic indie movies, which arguably have had a little bit more space this year with blockbusters having been near-universally postponed till 2021 at the earliest. Uncle Frank is very much one of the cream of the crop with a lead performance by Paul Bettany, as the eponymous Uncle Frank, that deserves awards recognition. In 1973, when Frank Bledsoe and his 18-year-old niece Beth (Sophia Lillis) take a road trip from Manhattan to Creekville, South Carolina, for the family patriarch’s funeral, they’re unexpectedly joined by Frank’s lover, Walid (Peter Macdissi). The film’s focus is Frank aligning his past trauma with his present, and his fears over his family finding out about his sexuality. The end result is a film that is softly moving, immensely charming and bittersweetly emotive. Such a delight.

Monsoon (2019 – 85 mins – BBC iPlayer)

Kit (Henry Golding) a British Vietnamese man, returns to Saigon for the first time in over 30 years, after fleeing during the Vietnam-American War. A beautifully empathetic look at the immigrant experiences, of being of two places but feeling like you belong to neither. Thoughtful, delicate and graceful.

Crazy Rich Aisans (2018- 120 mins – Amazon Prime)

This week’s underseen romcom slot also serves as a Henry Golding double bill. Here he plays the heir to an immense fortune, not that his girlfriend Rachel (Constance Wu) has any idea just how rich he is as she finds out on the way to meet his family for the first time. All the romcom tropes we know and love are here, featuring a terrific and diverse cast and some spectacular riches. A really likeable and very sweet addition to the canon. Click here to read my full review.

Galaxy Quest (1999- 102 mins – Netflix)

‘Never give up, never surrender’ – that was the catchphrase of cult tv series Galaxy Quest. It’s a phrase the show’s cast Jason (Tim Allen), Gwen (Sigourney Weaver), Alexander (Alan Rickman), Fred (Tony Shalhoub) and co. know all to well. They’ve been churning out for years at various fan conventions and promo appearances. But when they’re visited by actual aliens who think the series is an accurate documentary they quickly become drawn in a very real intergalactic conflict with thousands of lives at risk. This is one of the finest comedy films, possibly ever. It’s fantastically written, parodying fandom with much love and affection, and so well performed by a cast of total icons.

Arthur Christmas (2011 – 97 mins – Netflix)

Another Christmas gem for you, this time we’re with Santa’s (Jim Broadbent) clumsy son Arthur (James McAvoy) as he sets out on a mission with Grandsanta (Bill Nighy) to give out a present they misplaced to a young girl before it’s too late and her Christmas is ruined. A sweet and heart-warming tale, with some inventive animation and charming voice cast.

Shame (2011- 101 mins – All4)

A sex addict’s (Michael Fassbender) carefully cultivated private life falls apart after his sister (Carey Mulligan) arrives for an indefinite stay. The directorial debut of Steve McQueen (who currently has a phenomenal miniseries airing on BBC every Sunday, Small Axe – five films that are love letters to Black London history) this is an astonishing and haunting film about addiction & it’s concealment under artifice. Wonderfully shot and performed, this is a total must-see.

Pan’s Labyrinth (206 – 118 mins – Amazon Prime)

Without a doubt, one of the greatest films of the 21st century, Guillermo del Toro‘s film is set in the Falangist Spain of 1944, where the bookish young stepdaughter (Ivana Baquero)of a sadistic army officer (Sergi López) escapes into an eerie but captivating fantasy world when a magical creature (Doug Jones) gives her the chance to save her pregnant mother’s life. Insert list of superlatives here – I just love this film so so so so much. (Also, any English teachers reading this, I have a great resource using the Pale Man scene to teach GCSE English Language Paper 1, Q3 – slide into my DMs if interested…)

Mank

‘This is the business where the buyer gets nothing for his money but a memory’

A proposal – how much you enjoy a film and how much you appreciate it can provide distinctly different answers. David Fincher return to the big screen, 6 years after Gone Girl, is the epitome of this. It’s already something of a hard sell, a film following screenwriter Herman J. Mankiewicz‘s tumultuous development of Orson Welles‘ iconic 1941 masterpiece Citizen Kane. Although having watched Citizen Kane isn’t a requirement or prerequisite, prior knowledge does help certain narrative beats and jokes land. (If 119 minutes of classic cinema doesn’t appeal, The Simpsons parody ‘Rosebud’ from the show’s fifth season is one of the finest episodes it’s ever made.)

We open on Mank’s present day in 1940, with an injured and rather-down-on-his-luck Mank (Gary Oldman) pitching up to a cabin in the middle of nowhere. He’s there to write a script for new Hollywood Wonder Kid Orson Welles (Tom Burke) and he’s only got 60 days to do it, with two assistants (Lily Collins and Monika Gossmann) to aid him and decades worth of issues to get in his way. The main narrative tension is the rather age-old trope of struggling writer battling his demons – the fact we know he manages it as Citizen Kane is an actual film that exists (and is regularly voted the Greatest Film Of All Time in industry polls) does slightly undercut proceedings. Instead the drama comes from his past, the things and battles he has faced in his past that have lead him to his now – bedridden and determined to write a scathing take down of media baron William Randolph Hearst (Charles Dance). Even if it means hurting close friend, and Heart’s lover, Marion Davies (Amanda Seyfried) in the process – not to mention destroying his own reputation and any hope of a career.

It’s clear from the outset that this is a passion project for Fincher, with the screenplay itself having been written by his father (who passed away in 2003). Every frame feels personal, as if there’s a direct link between what is being told and the story behind it. Visually how that story is told is spectacular, the cinematography has such wondrous depth and full of cigarette-tinted sumptuous. The soundtrack, by long-time collaborators Trent Reznor and Atticus Ross, is moody and atmospheric – superbly enhancing the paranoia and uncertainty that plagued 1930 and 40s Hollywood, with concerns over Hitler’s rise in Germany and the homegrown fears surrounding socialism, which would go onto leading to an actual Hollywood blacklist in the late 40s. The cast mirror this tone perfectly – with Oldman disappearing into the role as the likeable but hugely flawed writer, Seyfried delivering a femme fatale-esque dame with a steely edge and a career-finest Dance as the elusive tycoon. Burke also deserves a mention for being able to capture a young and righteously indignant Welles so perfectly with not-that-much screen time.

While there are some really great scenes here, they feel too-much like a patchwork pastiche to the work that inspired. Just as with Citizen Kane, the flashbacks are used to flesh out our main character – in a search to both expose faults but also create empathy – some are more interesting or purposeful seeming that others. But the problem is it’s nigh-on impossible to form an attachment to any of these characters. Following them around is entertaining enough, but there’s something of a block between us and them that leaves the viewer feeling cold. There’s also an unevenness about the film’s tone, shifting between drama and comedy of sorts with little prep or transition time. It’s as if it’s not quite sure what it wants to be, beyond a love letter to Golden Hollywood. (Which in turn just made me want to dig out Hail Caesar (2016))

Mank is going to be the kind of film that has a limited audience, but that audience will be ardent and love it dearly. That audience will be enamoured with it’s swoony yet intellectual take on cinematic myth. The rest may just struggle with a film that isn’t quite sure what it is, other than a dense and slow-burn meditative biopic.

[3/5 stars]

Mank is out in selected UK cinemas now and on Netflix worldwide from Friday 4th December.

Tv Tuesday #5

One sentence summary – 3 suggestions of tv shows you may have missed and will probably love. Are you not entertained? Give #1, #2, #3 and #4 a try.

The Vow (2013-2016 : 9 x 60 mins : Sky/Now TV )

This documentary series may just have been the most compelling thing I have watched all year. I’d been vaguely aware of the story about self-improvement group NXIVM due to the involvement of Alison Mack, who I’d loved in early years of Superman show Smallville. But there is so, so much more the story – it really does have to be seen to be believed. In episode one we met some central members of the group who are deciding to leave, all-too aware of the consequences they may face if they do. With each episode more is revealed and unravelled. What this series does so fantastically is destroy the myth of people who believe they’re ‘too smart’ to ‘fall for’ a cult. Here we see the how and why people join such groups, and the insidious reach this group had. Darkly unnerving and hard to shake off.

Hindsight (2015: 10 x 30 minutes : Amazon Prime)

On the Pilot Tv podcast, the team end each episode with a chance to Banshee a show of their choice – a show that was cancelled too soon and/or is little scene. This would be my pick, both a show cancelled too early and that wasn’t seen by enough people, with a concept I think about a lot. Becca, as she nears 40, is about to embark on her second wedding to Andy Kelly, but her joy is tempered by the absence of her old best friend Lolly who’s a no-show, having dropped out of their relationship years ago. And so, courtesy of a time travelling lift, Becca awakes in 1995 – knowing everything about her future and with chance to change it all for the better. A wonderful story about friendship, love and choices – with also some of the best uses of 90s nostalgia in recent tv history.

Industry (2020 – : 8 x 50 minutes : BBC iPlayer)

The plot summary for this is ‘Young bankers and traders make their way in the financial world in the aftermath of the 2008 collapse.’ In all honesty, having seen all 8 episodes, I have no memory of any substantial plot-impacting mention of the 2008 collapse. Instead we follow a group of young and sexy people who work in a bank be young and sexy as they work in a bank. It shouldn’t be so engrossing, yet it really is. The main reason for that is the development of both character and story over the course of the 8 episodes. The characters become more interesting, more developed yet varying degrees of incomprehensible. The story begins to get braver, saying scathing things about the industry that finds value in everything but human lives. It’s mad, ludicrous, mostly unbelievable and yet I find myself already looking forward to season 2.

Something-To-Watch Saturday #11

It’s Saturday and you’ve come for some movie-watching ideas. Here’s 7 more and here’s the back catalogue if they’ve not scratched that itch – #1, #2, #3, #4, #5, #6, #7, #8, #9 and #10.

A Star Is Born (2018 – 136 mins – Amazon Prime)

Bradley Cooper‘s directorial debut happens to be the 4th version of the A Star Is Born story is perfectly adapted to the 21st Century. He plays country/rock megastar Jack, who drunkenly stumbles into a drag bar and meets the love of his life, an exceptionally talented singer called Ally (Lady Gaga). As she finds fame and glory, alcoholism and Jack’s own demons send him on a downward spiral. Beautiful, loving and intimate. (Click here to read my full review)

Searching For Sugar Man (2012 – 86 mins – Amazon Prime)

For a generation of South Africans, Rodriguez was their unlikely musical hero. Not knowing anything about him or why he stopped releasing music, two documentary makers go in search of him and answers. A story about the power of art, how music can soundtrack societal change and the unexpected twist of life. Stranger than fiction, this is an incredible story about a true talent.

Military Wives (2020 – 112 mins – Amazon Prime)

There’s a group of films released in March 2020 that had their release curtailed and didn’t get the release or audience they deserved. Military Wives is one of those. Inspired by the fourth series of the documentary series The Choir, where choirmaster Gareth Malone joins communities and inspired them to come together through singing. This is a lovely watch lead by two excellent performances by Kristin Scott Thomas and Sharon Horgan.

Minding The Gap (2018 – 93 mins – BBC iPlayer)

One of the finest and most personal documentaries of recent years, three young men bond together to escape volatile families in their Rust-Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. Incredibly moving and profound.

The Wedding Singer (1998 – 87 mins – Amazon Prime)

This week’s underseen RomCom is the film that results in my taking any bad Adam Sandler performances personally, as he’s just so good here. He plays Robbie, a singer, who befriends new-in-town Julia (Drew Barrymore), a waitress. Both are engaged, but to the wrong people. Fortune intervenes to help them discover each other. So funny and charming, with some excellent cameos. (Side note: The film is set in 1985, so 13 years before release. If you were to make a film with the same time gap now, it would be set in 2007…)

Our Little Sister (2015 – 127 mins – BBC iPlayer)

Three sisters (Haruka Ayase, Masami Nagasawa and Kaho) live together in the house of their Grandparents in Kamakura, Japan. The news of their estranged father’s death also results in their discovery of the existence of their half sister (Suzu Hirose). The trio invite their newly-found sister to come and live with them, leading to much change for all four young women. Exquisite filmmaking.

Nativity! (2009 – 105 mins – Netflix)

There’s a good chance I’ll end up compiling a list of Christmas movies and where to find them. For now, here’s something to start you off. An uptight but secretly heartbroken primary school teacher’s (Martin Freeman) little white lie about Hollywood coming to see his class’ nativity play grows like wildfire in his rag-tag school low on self-esteem. Maybe it’s the fact I work with young people that adds another level of funny onto this film for me, but I really think this is a underseen and endearing festive treat.

Tv Tuesday #4

One sentence summary – 3 suggestions of tv shows you may have missed and will probably love. Are you not entertained? Give #1, #2, #3 a try.

Yonderland (2013-2016 : 22 x 25 mins : Sky/Now TV )

If you love/d Horrible Histories and love Ghosts, then this one is for you. Blending fantasy and comedy, with puppets (and ‘everybody loves puppets’!) we follow married mum-of-two Debbie (Martha Howe-Douglas) as she finds out she is The Chosen One of a far away land hidden in her cupboard – a role which comes with all sorts of duties including saving Yonder Land itself. The whole HH gang are present and accounted for (Simon Farnaby, Mathew Baynton, Jim Howick, Laurence Rickard and Ben Willbond) in this witty and warm tv series. Sidenote: If this video was an intrinsic part of your teenage awakening – as it was for me – please do let me know…

Crazy Ex-Girlfriend (2015-2019 : 64 x 42 minutes : Netflix)

‘I was/ Working hard at a New York job/ Making dough, but it made me blue/ One day, I was crying a lot/ And so I decided to move to/ West Covina, California/ Brand-new pals and new career/ It happens to be where Josh lives/ But that’s not why I’m here…’ And with that, the lyrics of the opening theme song, you’ve got the gist of this show – except you have no idea of the heartbreaking joy that awaits you. Co-creator, co-write and lead  Rachel Bloom does a phenomenal job of conveying so much of what it means to be a 21st Century woman. The story starts with Rebecca Bunch (Bloom) moving to the aforementioned West Covina to ‘not’ follow her old boyfriend, but it’s about so much more – plus incredibly well written and accurate songs about the gender disparity in getting ready, confusing relationship dynamics, <a href="http://<iframe width="560" height="315" src="https://www.youtube.com/embed/brzZQBSVMX0&quot; frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen>facing your fears, <a href="http://<iframe width="560" height="315" src="https://www.youtube.com/embed/uic_3vlI5BE&quot; frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen>mental health and heavy boobs. Oh, and this total banger.

GameFace (2017-2019 : 12 x 24 minutes : All4)

Created and co-written by lead Roisin Conaty, we follow her character Marcella as she deals with all manner of life rejections – love and career – where the only constant is her driving lessons with Jon (Damien Molony). A funny and sweet love story plays out, using some familiar romcom tropes in a slightly more realistic and believable manner. The final episode of series 2 has one of my favourite pieces of dialogue in recent televisual history.

Something-To-Watch Saturday #10

Insert pithy comment here about lockdown-induced breakdowns here. Read below if you’d like some movies to watch and escape into. If you’d like to chose from 9 other combinations of seven specially chosen films, then click through here – #1, #2, #3, #4, #5, #6, #7, #8 and #9.

A Man Called Ove (2015 – 118 mins – Amazon Prime)

Speaking directly to you right now. If you’re going to pick any of these films to watch, could you please take a chance on this one? I’m sure you won’t regret it (and I’m not just saying that because I was quoted on the poster/DVD case – humblebrag noise) I called it ‘A beautiful and uplifting tale’ then and I stick with it now. Ove is a curmudgeonly figure who looms heavily over his housing estate. When he’s fired from his job it’s the final straw and he decides he’ll commit suicide. But his new neighbour and her family inadvertently interrupt his plans, uncovering Ove’s past and hidden soft side. Few films have made me simultaneously laugh and cry to this extent. The queue to the ladies toilet at Canterbury Curzon afterwards was just was a just a line of us sniffling in disbelief at how joyous this film is. So, go watch it. Please?

Whip It (2009 – 111 mins – Amazon Prime)

Directed by Drew Barrymore, starring Ellen Page, Alia Shawkat, Marcia Gay Harden, Kristen Wiig, Zoë Bell, Eve and Juliette Lewis in a movie about roller derby that happens to be one of the greatest coming-of-age movies of the 21st Century. ‘Nuff said.

The Guernsey Literary and Potato Peel Pie Society (2018 – 124 mins – Amazon Prime)

An underseen gem of a period drama, set in the aftermath of WW2 when a writer (Lily James) forms an unexpected bond with the residents of Guernsey Island (Tom Courtenay, Michiel Huisman, Katherine Parkinson) when she decides to write a book about their experiences during the war. So bloody charming.

An Education (2009 – 100 mins – Amazon Prime)

Directed by Lone Scherfig with a screenplay Nick Hornby  and astonishing central performances by Carey Mulligan and Peter Sarsgaard, this is coming-of-age story about a teenage girl in 1960s suburban London, and how her life changes with the arrival of a playboy nearly twice her age. Exquisite costumes, pitch-perfect script and a stellar supporting cast.

Down With Love (2003 – 101 mins – Amazon Prime)

This week’s underseen RomCom is set in 1962 New York City, when love blossoms between a playboy journalist (Ewan McGregor) and a feminist advice author (Renée Zellweger). A superlative pastiche and loving tribute to the era of Rock Hudson & Doris Day, that also has this sequence that is one of finest uses of comedic editing in 21st century cinema

A Simple Favour (2018 – 117 mins – BBC iPlayer)

Stephanie (Anna Kendrick) is a single mother with a parenting vlog who befriends Emily (Blake Lively), a secretive upper-class woman who has a child at the same elementary school. When Emily goes missing, Stephanie takes it upon herself to investigate. Camptastic cinema of the finest order.

Attack The Block (2011 – 88 mins – Film4)

Proof, were it ever really needed, that John Boyega has always had the charisma of a star. Written and directed by Joe Cornish, a teen gang in South London defend their block from an alien invasion. Funny, tense and a little bit scary – perfect Saturday night watching.

TV Tuesday #3

If you are also binging on good telly as a surviving mechanism for the unholy trinity that is it getting dark at 4pm, crappy weather and Lockdown 2.0 – I hope this series helps. Each week I’ll pick a trio of tv delights which you may not have seen before. Or you may have seen them before and I tempt you into a rewatch. There’s no rhyme or reason to each week’s picks, just things I spot on my streaming site travels that tickle my fancy. Here’s editions #1 and #2 if you’re in need of even more to choose from.

Crashing (2016 : 6 x 30 mins : Netflix/All4)

Last week I talked about Michela Cole’s fantastic sophomore project Chewing Gum. This week I’m talking about Phoebe Waller-Bridge‘s tv debut as writer-director. Crashing is a comedy series following the lives of six 20- and 30-somethings living together as property guardians of a large, disused hospital. And it is superb. Fans of Fleabag will see lots of now-familiar tropes within it, particularly in how Waller-Bridge manages to explore relationships in such a bittersweetly-nihilistically-hopeful manner. Such a shame it only had one series, but so good that we got that at all. I have such fondness for this show, and I really do urge you to give it a go.

Try this if you like: Fresh Meat, Fleabag, Lovesick, This Way Up, Derry Girls

Outcry (2020 : 5 x 70 mins : SkyGo/ NowTv)

Showtime really know how to put on a good tv miniseries, and this one is no exception. This five-part documentary series examines the gripping story of high school football star Greg Kelley who was arrested, convicted and jailed for sexual assault of a 4-year-old boy, and his supporters’ quest for truth and justice. I’m loathe to go into too-much detail as to why this makes for such compelling watching – such is my want not to spoil things. What I will say, this will have you hooked, horrified and outraged throughout and long after watching.

Try this if you like: The Vow, Defending Jacob, When They See Us, The Jinx

In The Flesh (2013-2014 : 9 x 60 mins : BBC iPlayer)

BBC3 regularly gets ridden off rather snobbishly with all manner of presumptions made about it’s content. If you’re in any doubt to the wonderful shows it has made and continues to produce, then rectify it with this. Four years after the Rising, the government starts to rehabilitate the Undead for reentry into society, including teenager Kieren Walker, who returns to his small Lancashire village to face a hostile reception, as well as his own demons. Whilst a zombie drama, this is more human than something like The Walking Dead – it’s quieter, more drama than action although not without a tense sequence it tends to focus more on the aftermath. Bitterly profound and immensely beautiful.

Try this if you like: Being Human, The Returned, The Fades, London Spy