Lights Out
Be aware of things that lurk in the dark…
If, like me, you are afraid of both the dark and mannequins you will pretty much be done in by the opening sequence. If they’d also included spiders I probably would have walked out… Anyway ‘Lights Out’ is a feature film adaptation of a rather successful short film (https://www.youtube.com/watch?v=tOI4bJ0-IrY). On the whole it is a very effective horror movie, utilising old-fashioned fears and old-fashioned scares to great effect.
Rebecca (Teresa Palmer) left the family home a long time ago. She now lives in an apartment on her own, far away from her mother Sophie (Maria Bello) and half-brother Martin (Gabriel Bateman). She’s been dating Bret (Alexander DiPersia) for eight months but struggles with the concept that he is her ‘boyfriend’ – these issues with relationships stem from her turbulent past with her mother that lead her to leave home as soon as she could. Several months have past since the mysterious death of her step-father Paul (Billy Burke) when her brother gets back in touch. It appears their mother, who has a history of mental illness, is struggling again. But when Martin explains some of the strange ongoings in the house, including their mother talking to a friend called Diane when she is actually talking to herself and strange things being seen in the dark, Rebecca becomes desperate to unlock the truth and soon comes face-to-face with a terror that haunts the shadows.
Horror is not exactly one of my favourite genres. Honest admission time: I’m easily scared by some of the most ridiculous things and really don’t take pleasure from being scared. Attending this preview screening at The Soho Hotel (which genuinely has the fanciest toilets in London, a comment unrelated to the fact I saw a horror film there!) seemed like a stupid notion, especially as I was going on my own, and yet I went. And I actually really enjoyed the film. Admittedly I clutched the armrest of my chair (very comfy/fancy seat I hasten to add!) for the entire running time and watched a good third of the movie through my fingers…yet I was somewhat surprised at how much I appreciated the film. Impressively for all the terror I felt I underwent I laughed a lot to, with the film not at it. It easily passed the six laugh test with intentional gags.
At just under 90 minutes long it’s taut, no time is wasted on unnecessary scenes or information. The pacing is strong and unrelenting. The story itself takes familiar tropes of horror films (‘Don’t go in the basement!’ ‘Why are you going on your own?!?’ etc.) and plays around with them. Some moments do not surprise and some moments really do. Whilst there are some rather obvious elements to the story, and a rather problematic use of mental illness to explain character behaviours/story, there is enough freshness to everything that make these issues less jarring.
This is also helped by some excellent acting by the cast. The central trio are definitely three actors to look out for. Eleven year old Bateman, playing Martin, is fantastic as one of the leads. He conveys an excellent amount of emotion and really holds his own amongst the cast. Palmer as Rebecca was certainly convincing balancing her desperate need to know with an adequate amount of logic and cynicism. DiPersia as her boyfriend was a magnetic presence on the screen and suitably charming. The only issues I had with their ‘relationship’ was the obviousness of their characters – both being dressed in black, her music choices and the themes of the posters decorating her apartment. It felt obvious what they were trying to say about her character and yet needless as this an element of the story that was not explored. Maria Bello did a good job with what she was given, although it felt undermined by the flawed use of mental illness to explain away her character and certain elements of the story.
And then there’s Diana, our villain of the story. Having a villain who can only appear in the dark is an inventive idea, one that is used to great and very effective effect. The places that she manages to pop up in..! And then there’s the noises we quickly come to associate with her – whenever she approaches the noise of fingers against a chalkboard pierces the air. Then, when she makes an attack, her roar (she literally roars) it’s actually really terrifying! Most of my deciding to watch some scenes through my fingers came from those noises. My only problem with her as a villain as how undefined her powers were, she seems to suddenly have a skill for every means and possess multiple superpowers. These skills come with no explanation or discussion and soon become convenient rather than believable. And yet she still managed to unnerve me so greatly I did sleep the following night with my bedside lamp on. Just in case.
‘Lights Out’ is a more than solid horror movie, providing thrills and chills within a neat less than 90 minute running. A great way to spent the evening watching, then much of the night trying to forget!
‘Lights Out’ is in UK cinemas from August 19th.
Charlotte Sometimes 