Stream On Vol.5

You lookin’ for fantastic films and where to find them? Then look no more! Nothing for you here? Then check out the past volumes: 1, 2, 3 and 4.

Rocks (2019 – Netflix – 93 mins)

This is the film and the eponymous role that won Bukky Bakray the 2021 EE Rising Star Award. Rarely, if ever, has an award been so deserved. Bakray is phenomenal as Rocks, a teen who should be thinking about her GCSEs but instead has to worry about keeping her and younger her brother (a scene-stealing D’angelou Osei Kissiedu) safe & well after their mother leaves them behind. It’s a heart wrenching story to follow – incredibly well directed by Sarah Gavron, written Theresa Ikoko & Claire Wilson and with some exceptional casting by Lucy Pardee. This is a love story to London, teen girls and friendship. Rocks is a total must-see.

Elle (2016 – Film4 – 130 mins)

Michèle Leblanc (Isabelle Huppert) is a powerhouse, a formidable businesswoman at the helm of a video games company. She gets caught up in a game of cat and mouse as she tracks down the unknown man who raped her. What follows is a fantastically gripping psychological thriller, that needs to be seen to be believed. Wonderfully atmospheric and rather haunting.

Animals (2019 – Film4 – 109 mins)

I recently wrote a feature for MediaMagazine on Frances Ha about it’s depiction of female friendship, how rare it is to see it’s central platonic love stories treated with a depth usually reserved for romantic ones. The same statement is applicable to Animals, showing a friendship that burns brightly, chaotically and with underlying consequences. Laura (Holliday Grainger) and Tyler (Alia Shawkat) are life partners, sharing everything with each other. But, when Laura gets engaged to Jim (Fra Fee), it’s clear the enabling dependency between both women will be placed under great strain. Funny, filthy and bitterly real.

Shazam! (2019 – Amazon Prime – 132 mins)

All of DCs output is tarnished with the same damning brush; while mostly warranted, this has to be (the only?) one of the exceptions. A newly fostered young boy in search of his mother instead finds unexpected powers – the ability to transform into a superhero (Zachary Levi) when he calls out the word ‘Shazam!’ Levi is charm personified as the Big-esque lead, fully believable as a child in a (super)man’s body. Sweet, funny and wonderfully heartfelt.

Philomena (2013 – BBC iPlayer – 98 mins)

Speaking of heartfelt, with a very different topic and tone, Judi Dench plays the eponymous Philomena. Having become pregnant as an unmarried teen, she was sent away into the charge of nuns who separated her from her child shortly after his birth. Decades having passed, with no idea where her son ended up, Steve Coogan is the world-wearly political journalist who reluctantly agrees to help with the search. A wonderful true story, gently and carefully told, lead by two extraordinary lead performances.

Stream On Vol.2

Looking for some film recommendations to get you through the Bank Holiday Weekend? Well, look no further! Here’s five top picks for your delectation. Not enough for you? Check out last week’s edition here.

Saint Frances (2019 – Netflix – 101 mins)

Bridget (Kelly O’Sullivan) is 34 and hugely adrift, in all aspects of her life. The opportunity arises to nanny a 6 year-old girl (a spectacular Ramona Edith Williams) whose parents are expecting their second child, which is forcing all manner of adjustments for all the family. An unlikely friendship forms between Bridget and Frances, and it’s such a joy to follow. An immensely likeable and utterly charming watch.

The Edge of Seventeen (2016 – Netflix – 104 mins)

Nadine’s (Hailee Steinfeld) life sucks. It’s always been sucky, she’s never quite fitted in or been all that happy – but she had her beloved dad to support her and her best friend Krista (Haley Lu Richardson) always by her side. But since her dad’s death it seemed things couldn’t get any worse – until Krista starts dating Nadine’s horrifically popular brother (Blake Jenner). Steinfeld is fantastic as the embittered beyond her years teen, with fantastic supporting performances courtesy of Woody Harrelson as Nadine’s jaded teacher and Hayden Szeto as the would-be friend could-be more – if Nadine could finally pay attention to anyone but herself. A classic of the teen movie genre.

Bumblebee (2018 – Film4 – 114 mins)

Speaking of Hailee Steinfeld, she’s also fantastic in this sci-fi gem which just happens to be the finest of the Transformers franchise. By a long, long, long shot. It feels like a throwback to vintage Spielberg, a lost teen finding solace and a sense of self in a new-found friendship with a being from another planet. The soundtrack is an 80s fest banger – if you’re looking for an action packed romp packed full of heart, this is the droid (Autobot) you’re looking for.

The Mauritanian (2021 – Amazon Prime – 129 mins)

Based on a true story, Mohamedou Ould Slahi (Tahar Rahim) was detained and imprisoned by the US government for years without charge and without trial. Lawyers Nancy (Jodie Foster) and Teri (Shailene Woodley) are fighting for his freedom. Military prosecutor Stuart (Benedict Cumberbatch) is fighting for the death penalty. A riveting legal drama that is at times difficult to watch, packed full of excellent performances – Rahim is a charismatic powerhouse, able to convey harrowing depths with his extraordinary performance.

The Way, Way Back (2013 – Disney+ – 103 mins)

With summer on it’s way, why not watch this underseen gem which is one of the finest coming of age movies of the 21st Century? Duncan (Liam James) is being forced to spend his summer vacation with his mum Pam (Toni Collette) and her newish boyfriend Trent (Steve Carell). Whilst he’d much rather be spending the holidays with his dad, he’s forced into a strange role of not-quite child and not-quite adult attending hangouts with Trent’s friends (Allison Janney, Rob Corddry and Amanda Peet) and feeling fully isolated. A job offer from unexpected friend and water park manager Owen (Sam Rockwell) offers escape but the possibilities of so much more. I cannot sing the praises of this film often enough. Just wonderful.

Stream On Vol.1

After a longer than planned or intended break, it’s time for me to get back to my weekly film recommendations. Along the lines of my previous feature Something To Watch Saturdays (all available here), each week I’ll suggest 5 film recommendations from your favourite streaming sites to keep you entertained till UK cinemas reopen on May 17th (51 days folks). Now under a new name, that should be sung to the tune of this Aerosmith banger. If you decide to watch any of the below, let me know your thoughts by getting in touch via twitter or Instagram at @sometimesmovies. Now, time to Stream On…

Blinded By The Light (2019 – 118 minutes – Netflix)

In England in 1987, a teenager from an Asian family learns to live his life, understand his family and find his own voice through the music of American rock star Bruce Springsteen. Partially based on a true story, that of writer Sarfraz Manzoor, the result is a film that is so charming and feelgood, and nigh-on impossible not to be charmed by.

The Sisters Brothers (2018 – 122 minutes – Netflix)

John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal and Riz Ahmed in a familiar yet often unexpected Western journey. Unique in tone – think buddy road trip, meets oddball humour and the brutality of the Wild West – this one that fully went under the radar upon release and really deserves a visit.

Love & Mercy (2014 – 113 minutes – BBC iplayer)

Quite possibly the finest music biopic from the past decade – at least – we follow Beach Boys founder Brian Wilson in both the 60s (when played by Paul Dano) and the 80s (John Cusack). In both eras he is a man on the edge, broken by mental health issues and addiction, to heartbreaking extents. An extraordinarily and inanimate look at the life of a musical pioneer, whose beach soundtracks belied much darkness.

One Night In Miami… (2020 – 114 minutes – Amazon Prime)

Based on a play, covering a factional night where Malcom X (Kingsley Ben-Adir), Cassius Clay (Eli Goree), Jim Brown (Aldis Hodge) and Sam Cooke (Leslie Odom Jr.) got together, this film is packed full of powerhouse performances. Reflecting on the Civil Rights Movement and the cultural upheaval of the 1960s, particularly America but in turn around the world, Regina King has directed a sublimely reflective film about the notion of celebrity and influence. Something of a slow burn, loaded with one-two gut punches. Very moving.

Dreams Of A Life (2011 – 95 minutes – All4)

Joyce Vincent’s died in a London bedsit in 2003. Her body wasn’t found for three years. With this part-documentary/part-drama, Carol Morley explores Vincent’s life, how a vivacious and much-loved woman could have been left for so long-unnoticed, through insights from her friends and family & recreation from Zawe Ashton as Vincent. A remarkable and essential watch.

Pick of the Week #6

Check out the back catalogue: #1, #2, #3, #4 and #5.

Book: I Have No Secrets by Penny Joelson (99p on Kindle)

This novel is an excellent crime novel, suited for all ages 9+ – both adults and young people will get something from reading it. It’s the story of Jemma, a 14-year-old with cerebral palsy. She can’t walk or talk or even move without assistance, which means most people seem to forget she can think and understand too. Which is why she feels utterly powerless when her carer’s boyfriend taunts her with the information that he committed a recent murder – an original and gripping thriller. The kind you’ll find yourself desperate to read in one go as you just *need* to know what happens next.

Film: The Personal History of David Copperfield (Amazon Prime)

 Director Armando Lannuci is best known for darkly funny political comedies like The Thick Of It, Veep and The Death Of Stalin. For him to make a PG adaptation of a Charles Dickens novel felt something of a choice… Yet it really paid off, with this hilariously charming movie. Dev Patel is wonderful in the central role of David Copperfield, a man whose entire life has seen him constantly bouncing between rags and riches. A wholesome and riotously funny period drama – with a cast including Tilda Swinton, Hugh Laurie, Peter Capaldi, Gwendoline Christie and Benedict Wong – to name but a few), this really is one for all the family.

TV: Soulmates (Amazon Prime)

Brett Goldstein is one of the current British stars-on-the-rise. Last year was especially good for him, with the Apple TV+ hit Ted Lasso (which he co wrote and starred in) receiving critical and commercial acclaim. Now we have this, which he co-wrote and created, an anthology series made up of six episodes. It’s 2023 and there is now technology which can read your DNA and reveal the identity of your soulmate. Each episode follows the impact the test has on a person or coupling. The most obvious point of comparison would be Black Mirror, but this one is slightly more of a character study – focusing on the micro in relationships and the consequences a test like this could or would have. 

Song: World Shut Your Mouth by Julian Cope

I love listening to this show on a Monday morning when making my coffee. I also love sing-shouting along to music. So I’ve picked this tune, which my dad used to play in the car and my brother and I would yell along with.

STWS #15

Welcome back. Lovely to see you again, even if the circumstances (what with Lockdown 3.0 and the world on fire) are decidedly less than desirable. As always, what follows are 7 film recommendations to help you with your picking what to watch.

Here’s the back catalogue: – #1#2#3, #4#5#6#7#8#9 , #10#11#12 #13 and #14.

Dredd (2012 – 85 mins – Netflix)

It’s taken over 8 years and counting, but it feels like Dredd is finally getting some of the recognition it deserves. One of the most underseen comic book movies as well as being one of the finest of the genre. It’s a fantastic take on the 2000 AD comic strip Judge Dredd with Karl Urban (currently most recognisable for his leading role in Amazon’s The Boys) playing the eponymous law enforcer. It’s brutal (strong 18) with incredible special effects, a tau thriller of a narrative and packed full of dark humour.

Pepe the Frog: Feels Good Man (2020 – 92 mins – BBC iPlayer)

I’ve slowly but surely been working my way through the Storyville series on BBC iPlayer. It’s a documentary strand that currently comprises 35 contemporary and challenging documentaries from different filmmakers gathered from across the globe. Some are familiar titles, otten with titles slightly edited, and some are unknown gems – like this one was for me. Loosely aware of the Pepe the Frog meme but knowing nothing about the context in which it was created or how it has since been horrifically warbed and used in terrifying ways, I went in totally blind with this one. Wow. Seeing this just days before the events in Washington this week added a horrific timeliness and an answer of sorts to the question ‘How did we get to this point?’

Casablanca (1942 – 102 mins – BBC iPlayer)

I started to really get into film when I was twelve. For the next few years I’d have these phases we’re I’d discover a genre/theme/actor and obsessively get into it. My discovery of Casablanca, somewhat oddly, happened in my Summer of Film Noir (yep, I was one cool kid…) If you’re yet to see it and have dismissed it as everyone always talks about it, hear me out. Give it a try this week. Why? It’s funnier than you might think, exquisitely filmed and has some sublime performances just across the board. There’s just how brave and ahead of its time it was, whilst being truly of it’s time too. This was filmed and released in 1942 – WW2 had been raging for years with no end in sight. Watch this and dare tell me it’s not audacious and revolutionary. And, I hate to carry on referring to current events but – I think we all need some hope this week.

Bridget Jones’s Diary (2001 – 97 mins – Netflix)

This film celebrates its 20th anniversary this year – isn’t that MAD?!?! (Answer, yes. v.mad) After watching this fantastic documentary over the festive period, I was compelled to rewatch the film with fresh and informed eyes. It really does hold up (workplace sexual harassment aspects aside…). As I grow closer to Bridget’s age, having had far too many entanglements and experience that could be described as Bridget Jones moments, I appreciate all the more just how bold her character is – with Renée Zellweger capturing her and the single woman experience so beautifully. And I won’t get started on Colin Firth and Hugh Grant in this film. The former has ruined my romantic expectations for life and the latter would just ruin me.

Gone Girl (2014 – 159 mins – Amazon)

And this week’s underappreciated romcom slot goes to… Ha! There’s really not much I can say about this film because you’ve either seen it already (and seeing it here now you know you want to rewatch it) or you haven’t seen it yet (and therefore I don’t want to spoil things by telling you too much about it as you should now go and watch it). A top-tier thriller by David Fincher, dark and wonderfully twisted.

Hustlers (2019 – 110 mins – Amazon Prime)

I once saw this described as ‘Goodfellas but strippers’ – whilst I appreciate the sentiments, that buzzphrase sort of misses the point. Director and co-writer Lorene Scafaria has made a modern classic here, expertly and seemingly effortlessly utilizing the female gaze. The based-on-a-true-story about a crew of savvy former strip club employees who band together to turn the tables on their Wall Street clients is just magnificent.

Instant Family (2018 – 118 mins – Sky/NowTv and, from sunday, Netflix )

I reckon it’s a safe bet to say that you looked at the below still and formed a judgement about this film based on Mark Wahlberg and, to a much smaller extent because of her varied back catalogue, Rose Byrne. At least, that’s what I did. However, skip this one at your peril as you’ll be missing out. This is one of the finest and funniest family dramas in recent year, following a couple who find themselves in over their heads when they foster three children. Inspired by the personal experience of the film’s director, Sean Anders, this really is a feelgood delight.

20 from 2020: My favourite films of the year and where to find them

It’s the last day of the year, and I’ve put off doing this list for long enough. Instead of doing a top ten films of the year, I’ve decided to do a bumper addition. 2020 brought few joys with it but quality books (as demonstrated here) and films were not in short supply. So, in no particular order, here’s my 20 films of the year. (Two disclaimers: These are of the films I’ve seen, there’s a few I just haven’t been able to fit in yet so there are a few blindspots. I’ve gone for UK release date – either in cinema or VOD where applicable.)

FilmRunning TimeAvailable to watch Current priceMy review?
The Personal History Of David Copperfield119 minsAmazon Primeincl. in subscription Film Stories
A Beautiful Day In The Neighbourhood 109 mins Sky/NOWtv incl. in subscription Feature in FS #11
Parasite132 mins  Amazon Prime incl. in subscription 
Portrait Of A Lady On Fire122 mins  AmazonMUBI add-on (free 7 day trial, then £9.99 a month) 
Emma. 124 minsSky/NOWtv incl. in subscription  Film Stories
Ema 107 mins ALL4Free  
The Assistant87 mins Sky/NOWtv   incl. in subscription  
Clemency 112 mins Sky/NOWtv incl. in subscription   
Saint Frances101 mins  CurzonRent for £1.99  
Perfect 10 83 minsBBC iplayer Free  
Babyteeth118 mins  Netflix incl. in subscription   
Les Miserables 104 minsNetflix incl. in subscription    
The Broken Hearts Gallery 109 mins AmazonPre-order for Jan 4th, £9.99 to buy  
Rocks93 mins  Netflixincl. in subscription    Movies on Weekends
THE FORTY YEAR OLD VERSION123 mins  Netflixincl. in subscription   
Lovers Rock 70 minsBBC iplayer Free  
County Lines 90 mins BFI playerRent for £10  Feature in #21 of FS
Boys State 109 mins Apple Tv+incl. in subscription    
Wolfwalkers 103 minsApple Tv+ incl. in subscription     
The Invisible Man 123 minsSky/NOWtv incl. in subscription    

Something-To-Watch Saturday #14

This will be the last edition of STWS of 2020, and we’re going out with a banger of a list. Thank you so much for reading these, I do hope they’ve been useful! Here’s the back catalogue: – #1#2#3, #4#5#6#7#8#9 , #10#11#12 and #13.

Their Finest (2016 – 117 mins – BBC iPlayer)

I’m cheating a little here when it comes to this week’s Underseen Romcom – as this is technically more of a rom-com-drama. However, it features my favourite all-time favourite trope of hate-to-love with two of the UKs finest (in both senses of the word!) actors – Gemma Arterton and Sam Claflin. She plays a former secretary, newly appointed as a scriptwriter for propaganda films, who joins the cast and crew of a major production while the Blitz rages around them. He’s the established talented writer who feels put-out being forced to work with her. The fact this story is propelled by an superb chemistry, an epic supporting cast (Richard E. Grant, Bill Nighy, Eddie Marsan, Helen McCrory, Jeremy Irons, Jake Lacy and Rachael Stirling) and is a film about making a fim – well it’s close to cinema perfection in my eyes.

Far From The Madding Crowd (2015 – 119 mins – BBC iPlayer)

Forget Darcy. Forget Rochester. You’re sleeping on Gabriel Oak. Played by Matthias Schoenaerts in this version, he’s just wonderful. He’s one of three suitors pursing Bathsheba Everdene (Carey Mulligan), a woman whose headstrong and independent nature is atypical for Victorian England. Alongside Gabriel there’s the older, prosperous and dependable bachelor William (Michael Sheen) and the young, reckless & hedonistic Sergeant Francis Troy (Tom Sturridge). An excellent adaptation with one of Mulligan’s finest & most underrated performances.

Bumblebee (2018 – 114 mins – Netflix & SkyGo)

When is a Transformer movie not really a Transformer movie? When it’s this movie. This is a wonderful action/sci-fi/adventure movie rooted in the traditions of Spielberg & other 80s classics. Nostalgia is dialled up to 11 courtesy of an epic soundtrack (The Smiths, Duran Duran, Tears For Fears and Steve Winwood to name but a few). It’s 1987, Bumblebee finds refuge in a junkyard in a small California beach town. On the cusp of turning 18 and trying to find her place in the world, Charlie Watson (Hailee Steinfeld) discovers Bumblebee, battle-scarred and broken. Such a charming delight.

Stage Mother (2020 – 93 mins – Netflix)

By no means a flawless movie (Adrian Grenier being one of it’s multiple issues) this is a really sweet, low budget indie about a conservative church choir director (Jacki Weaver) who inherits her late son’s San Francisco drag club. The by-numbers fish-out-of-water culture-clash narrative isn’t the reason to watch, the reason to give this a go is the moving performances by the club performers (Mya Taylor, Allister MacDonald and Anthony Skordi) who each portray all-too real storylines. Taylor in particular is a stand-out who hasn’t been given nearly enough opportunities since 2015’s Tangerine.

Frances Ha (2012 – 86 mins – Amazon Prime)

We don’t talk nearly enough about friendship break-ups. Speaking from personal experience, they hurt just as much – if not more – as romantic break-ups. This fim, about a New York woman played by Greta Gerwig (who doesn’t really have an apartment) who apprentices for a dance company (though she’s not really a dancer) and throws herself headlong into her dreams, even as the possibility of realizing them dwindles, is one of the few that depicts the painful disintegration of friendship. Funny, sad and bittersweet – one of Noah Baumbach‘s finest. Also, there’s some Adam Driver for all you stans out there (I see you Bleakley!)

Mary & The Witch’s Flower (2017 – 103 mins – All4)

Based on “The Little Broomstick” by Mary Stewart, a strange flower grants a girl magic powers. The less said about this one, the better. A really charming coming-of-age fantasy story that will linger with you long after watching.

I’m Your Woman (2020 – 120 mins – Amazon Prime)

There’s something wonderfully old fashioned yet brilliantly refreshing about this one. In this 1970s set crime drama, a woman (Rachel Brosnahan, unrecognisable from The Marvelous Mrs. Maisel) is forced to go on the run after her husband betrays his partners, sending her and her baby on a dangerous journey. Arinzé Kene (a man who isn’t yet as big a star as he deserves to be) is the man tasked with helping them on their journey. A slowburn packed with unexpected moments that makes for utterly enthralling watching.

Tv Tuesday #7

One sentence summary – 3 suggestions of tv shows you may have missed and will probably love. Are you not entertained? Give #1, #2, #3, #4, #5 and #6 a try.

Twenties (2020- : 8 x 30 mins : BBC iPlayer)

Hattie (Jonica T. Gibbs), a queer African American woman, hangs out with her two straight best friends Marie (Christina Elmore) and Nia (Gabrielle Graham), as they all try to make their dreams come true. The end result is as show that is as funny as it is scathing, with some of the most honest portrayals of twenty-something relationships, friendships and careers that tv has ever seen. The representation within this show doesn’t get seen enough on tv, with a show as good as this we can but hope it’s the first of many.

Home (2020 – : 12 x 27 minutes : All4)

Peter (Rufus Jones), his new partner Katy (Rebekah Staton) and her son John (Oaklee Pendergast) return home to Dorking from their first holiday together in France. Hiding in the boot of their car is Sami (Youssef Kerkour), a Syrian refugee. It is near-impossible to do this wonderful show justice – it’s so charming, compassionate and well-written. It’s feelgood without being saccharine, sentimental but honest and extremely well informed – unafraid to portray the labyrinthian bureaucracy of the UK immigration system. Staton is phenomenal as matriarch Katy, just as good as she was in the criminally underseen Raised by Wolves (which will have to be a future TV Tuesday pick). Kerkour is fantastic as Sami, countless moving moments come to mind – most involving his friendship with Aaron Neil‘s Raj. Sharp, refreshing and rather brilliant – you really won’t regret watching this one.

Upload (2020 – : 10 x 30 minutes : Amazon Prime)

Sci-fi related dramas can be a bit of a hard-sell, thankfully this one is a sci-fi romantic comedy with a side of mystery thriller. A man (Robbie Amell) is able to choose his own afterlife after his untimely death by having his consciousness uploaded into a virtual world. As he gets used to his new life and befriends his ‘angel’, Nora (Andy Allo), questions about his death arise. The fact this show isn”t spoken about really is mind-boggling. It’s speculative exploration of virtual afterlife is incredibly imaginative and thought-provoking, the relationships and character development immensely well-plotted within some pacey storytelling. Witty and winning – this is one I’m definitely counting down the days till season 2 for.

Something-To-Watch Saturday #13

It’s Saturday and you’ve come for some movie-watching ideas. Here’s 7 more and here’s the back catalogue if they’ve not scratched that itch – #1, #2, #3, #4, #5, #6, #7, #8, #9 , #10, #11 and #12.

Official Secrets (2020 – 112 mins – Amazon Prime)

The true story of a British whistleblower (Keira Knightley) who leaked information to the press about an illegal NSA spy operation designed to push the UN Security Council into sanctioning the 2003 invasion of Iraq. Along with a fantastic supporting cast (Matt Smith, Matthew Goode, Rhys Ifans, Ralph Fiennes and Conleth Hill) this might be one of Knightley’s finest performances, understated yet powerful. A steely and tense thriller, made all the more haunting as it really did happen.

Boys State (2020- 109 mins – Apple TV+)

A thousand 17-year-old boys from Texas join together to build a representative government from the ground up – and the results need to be seen to be believed. A truly outstanding documentary that ends up revealing so much about present day politics and 21st masculinity.

Wolfwalkers (2020- 103 mins – Apple TV+)

Cartoon Saloon is an animation studio that has a truly enviable hit-rate, with Song of the Sea , The Secret of Kells and The Breadwinner each being examples of pure perfection. And now we have this addition, a young apprentice hunter (Honor Kneafsey) and her father (Sean Bean) journey to Ireland to help wipe out the last wolf pack. But everything changes when she befriends a free-spirited girl (Eva Whittaker) from a mysterious tribe rumored to transform into wolves by night. The animation is sumptuous, the story wonderfully told and the performances just magnificent. There’s also some of the finest animated hair we’ve ever seen. If there’s any justice in the world, this film will be recognised in awards season as the best animated film of 2020.

EMMA. (2020- 122 mins – Sky/Now TV)

This might just be the finest Austen adaptation we’ve ever had. At the very least there’s no point ever adapting Emma again, as it cannot beat this one. Anya Taylor-Joy plays Emma, a woman who is well-meaning but selfish, who decides to play matchmaker out of boredom but ends up playing havoc with the lives of those around her. Taylor-Joy plays Emma wonderfully, every expression being layered in meaning and revealing so much about exactly what she is thinking but is unable to say. Johnny Flynn as Mr Knightley has ruined me for men. A magnificent ensemble cast (Angus Imrie, Gemma Whelan, Bill Nighy, Rupert Graves, Miranda Hart, Josh O’Connor, Mia Goth, Oliver Chris and Callum Turner) all bring their A-game to deliver this superb screwball comedy.

120BPM (2017 – 143 mins – Film4)

This French film, following members of the advocacy group ACT UP Paris as they demand action by the government and pharmaceutical companies to combat the AIDS epidemic in the early 1990s, is sublime. At times funny, heart-shattering at others – it’s simply unmissable.

Wild Rose (2018- 101 mins – Netflix)

One of 2018’s best films, this story – Rose-Lynn(Jessie Buckley) is a troubled young Glaswegian who dreams of becoming a Nashville country star – is a total must-see. Buckley’s central performance is extraordinary, with an immeasurable amount of depth, balancing light and shade with ease. Julie Walters is simply fantastic in the supporting role as Rose’s mother. Click here to read my full review.

Set It Up (2018 – 118 mins – Amazon Prime)

In recent years, Netflix has been at the forefront of the resurgence of the romcom whilst also dropping some of the worst of the genre. This week’s underseen romcom is a gem, that uses the tropes we know & love yet plays around with them a little. Two corporate executive assistants (Zoey Deutch and Glen Powell) hatch a plan to match-make their two bosses (Lucy Liu and Taye Diggs). Deutch and Powell have fantastic chemistry, believable and easy to root for. The end result is a charming and sweet romcom.