What To Watch Wednesday #8

I’m sure there’s theory for it, but when it gets darker and colder – I crave crime-related telly. If you’re the same, then this week’s 6 picks are for you….

Here’s What To Watch Wednesday #1, #2, #3, #4, #5, #6, #7.

Slow Horses (Apple TV+: 2022: 6 x 50 mins)

River Cartwright (Jack Lowden) was an up-and-coming MI5 Agent until he made a serious mistake during a live training exercise, and found himself relegated to dead end work at Slough House. Ruled over by the curmudgeonly Jackson Lamb (Gary Oldman), it’s usually the home of dead end missions – until something dangerous comes headed quickly their way. The stacked cast also includes Olivia Cooke, Kristin Scott Thomas and Jonathon Pryce – to name but a few. An excellent addition to the espionage genre.

Inside Man (BBC iPlayer: 2022: 4 x 60 mins – two episodes shown so far)

Speaking of stacked cast, we turn here to David Tennant, Dolly Wells, Lydia West and Stanley Tucci fronting this intriguingly intricate crime drama. Tucci plays Jefferson Grieff – a law lecturer turned criminal on death row. His unique skillset has people turning to him to solve crimes. Lydia West plays Beth Davenport, a journalist who’s come to interview Jefferson and is also planning to use the opportunity to ask for his help with finding new friend Janice (Wells) who was last seen going to tutor the son of Rev Harry Watling (Tennant). Pulpy and properly compelling.

Am I Being Unreasonable? (BBC iPlayer: 2022: 6 x 30 mins)

The show’s title comes from the message board of the infamous Mumsnet, an online forum where mums around the world vent about their lives – which inspired Daisy May Cooper during her own unhappy marriage that she went on to co-write a show with her best friend Seline Hizli. Nic is depressed and mourning the secret lover her oblivious husband (Dustin Demri-Jones) knows nothing about. Lonely and isolated, Nic makes friends with a new school mum. Jen (Hizli) is unlike all the other mums in the village, and her friendship quickly becomes everything Nic has ever wanted – except it seems like Jen isn’t all that she appears… Savagely funny and dark as anything, a special mention has to go to young actor Lenny Rush who is incredible as Nic’s son.

Sicario (Netflix: 2015: 121 mins)

Taylor Sheridan has written some of the most underappreciated crime movies of the 21st Century, a run that kicked off with this film. Add in the iconic director Denis Villeneuve at the helm. Round it off with cast members Emily Blunt, Josh Brolin, Benico Del Toro, Daniel Kaluuya and Jon Bernthal – I don’t think I need to say much more aside from the fact you need to be prepared for this dark and murky thriller.

Cruel Summer (Prime Video:2021: 10 x 45 mins)

In the summer of 1993 Jeanette Turner (Chiara Aurelia) was nerdy and invisible. In summer 1994 she was the most popular girl in school. By 1995, the loser outcast. Over the course of the ten episodes we hop between the three years as things begun to become more apparent. Whilst it clearly has something to do with the disappearance of beloved Kate Wallis (Olivia Holt), how exactly is Jeanette involved? Deviously twisty and turny.

Romcom of the week – While You Were Sleeping (Disney+: 1995: 103 mins)

The fun thing about this film is, it’s on the cusp of creepy and it’s down to the charm of the leads that it really isn’t and ends up being one of the finest romantic comedies of the 90s. A hopelessly romantic Chicago Transit Authority token collector (Sandra Bullock) has been lusting over commuter Peter (Peter Gallagher) for as long as she can remember. When an accident occurs, and Peter ends up in a coma, she finds herself being mistaken as his fiancée. Enamoured with his close-knit family, she decides to play the role – although a growing connection with his brother Jack (Bill Pullman) may just jeopardise everything. I know, just trust me with this one. If you’re not sure, Bill Pullman as a plaid lumberjack shirt wearing grumpy love interest should be reason enough.

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Pick of the Week #2

Recap: Every Monday, as part of my school’s radio show, I make picks of the week in the four categories of book, film, tv show and book. For your delectation here’s the picks from Monday 18th January…

Book (tie between The Thursday Murder Club by Richard Osman and After the Silence by Louise O’Neill)

I’m cheating this week and I’ve gone for two – both crime but very, very different with one light and one dark. For the light pick, Osman’s book follows four unlikely friends in a peaceful retirement village who meet up once a week to solve unsolved murders. It’s wickedly funny and so warm, playing on societal expectations, cosy yet gripping. O’Neill’s book counters this, by being brutal and scathing. I’d recommend for fans of real-life murder crime podcasts – on the ten year anniversary of a young woman on a small Irish island, a documentary team travel there to find out what really happened that day. Devastating, dark and so powerful – it’ll haunt you long after reading. 

TV (Race Across The World on BBC iPlayer)

A group of travellers are dropped off in a city, in pairs they have to race across the world to their destination using any route they like – but they’re not allowed to use their smartphones, they’re not allowed to catch a flight and their budget is only whatever the cost of a flight would be. At a time when travelling applies moving from the bedroom to living room to kitchen, this show is a wonderful escape seeing such beauty of the world. It’s also wonderful to follow the travellers as they grow in confidence and make so many discoveries about the world, and themselves.

Film (Hotel Artemis on Amazon Prime)

In a dystopian Los Angeles, a nurse (Jodie Foster) runs a secret hotel/hospital for criminals. However, the arrival of a new group of patients is about to wreck all kinds of havoc…. A blend of science fiction, action and thriller, it’s fast paced (only 93 mins) with some fantastic world building.

Song (Under Pressure by David Bowie and Queen)

This week the artist was the easy bit, as last week saw what would have been his birthday and the anniversary of his death – but the big question was the song. My favourite is The Prettiest Star, Modern Love is the one that gets me on the dancefloor. But I’ve gone for the one that should result in some cathartic sing-yelling along.

The Nice Guys

Shane Black strikes again with another brilliant buddy comedy

Kiss Kiss Bang Bang is one of my favourite films from the 21st century. Not only did it reintroduce the world to Robert Downey Jr (with Iron Man coming out three years later) and star an underrated Batman, Val Kilmer, as a character called Gay Perry, it is also a definitive example of a contemporary pulp-y neo-noir that is also truly hilarious with a side note of surreal.  I love Kiss Kiss Bang Bang so I have been impatiently waiting for The Nice Guys with desperate expectations. Thankfully those expectations were more than meet with a crime comedy that is made so much fun to watch by an awesome cast.

1977, Los Angeles. Holland March (Ryan Gosling) is a private detective, quite a good one actually although appearances can be deceptive, very deceptive… Whilst investigating the death of a porn star called Misty Mountains (Murielle Telio) he begins searching for a girl called Amelia Kuttner (Margaret Qualley) Holland comes into contact with an enforcer called Jackson Healy (Russell Crowe). More specifically Jackson breaks Holland’s arm to try and stop him from hunting down Amelia. But after a failed attempt on his life occurs Jackson realises that his case and Holland’s cases actually overlap, they may have to work together to solve their cases and stop more people from being killed.

There are three truly great things about this film. 1) Ryan Gosling is truly wonderful and properly hilarious. He appears to have a natural gift for physical comedy and it is a gift he utilizes for great effect here. His facial reactions are joyous to watch and his delivery of gags legendary. His bond with teen daughter Holly (Angourie Riceadds a wonderful dynamic and an extra layer of depth to things. But it is his rapport with another truly great thing about this film that is standout.

2) Russell Crowe has been rocking a certain blend of grizzled touch-guy for a few years now. In this film he goes full grizzled tough-guy in such a way that, thanks to his mis-matched partnership with Gosling, makes him likeable. The dynamic between the pair is founded on hate-fear rather than hate-love, with both characters being so fatally flawed they shouldn’t really spend any time with each other. At all. Yet the pairing proves hilarious with both characters finding a balance between each other as Crowe’s punch-punchy character, whose only friend is a pet fish, somewhat softens through his exchanges with Gosling who frequently ends up rivalling Buster Keaton in terms of physical comedy.

Finally, 3) The script. Few scripts are this crisp with brilliantly quotable one liners and dialogue such as this gem of a sequence:

Holland March: Look on the bright side. Nobody got hurt.

Jackson Healy: People got hurt.

Holland March: I’m saying, I think they died quickly. So I don’t think they got hurt.

Occasionally the plotting does get too convoluted, potentially it is too overambitious in its conspiracy plotting, but for the most part it’s typically sharp Shane Black with a blend full of action, comedy, aspects of hard-bitten noir and a side of social commentary. Few films out in the cinemas at the moment are this entertaining.

4 stars