Culture Bites #2

I’m back again. You’re back again. I love this for us! Here’s this week’s round-up of things I’ve seen, done and read – hope you enjoy. (Don’t be afraid of messaging and letting me know if you do like this new format, after months of being unable to write – I could do with the affirmation!)

Film: Better Man (Out in the UK December 26th)

When the director Michael Gracey (The Greatest Showman) heard Robbie Williams’ self-reflection about his career and how it felt like being ‘dragged up on stage to perform like a monkey’ – he knew the idea for his new project. And so we have a musical biopic like no other, where Robbie Williams (providing voiceover and vocals) tells us his life story, where he appears as a monkey. The brilliant thing is, that is never explained or addressed in the film. He has human family, human partners and does everything a human boy then man would do – he just happens to be a monkey. It’s simultaneously an exceptionally on-the-nose allegory and yet is oddly subtle, wonderfully entertaining, unexpectedly profound and at times immensely moving – a combination which sums up the man, myth, legend himself. Flying through it’s over two hour runtime, we learn about Robbie’s difficult relationship with his dad and how it shaped him – for better and way worse. We watch the multiple rises and falls, the glorious highs and bitterly dark lows; along with some vital reflection on addiction, mental health, masculinity and imposter syndrome. Williams is an open and honest tour guide to his past, unafraid to tell us his thoughts and admit his own mistakes. It’s closest comparison would be Elton John’s Rocketman, both films able to balance being exposing yet entertaining. Really cannot wait to see this again! [4.5/5 stars]

TV: Boybands Forever (3 x 60 mins docuseries on BBC iPlayer now)

A fantastic inadvertent companion piece to Better Man, as Robbie is one of the man talking heads who features, with episode one especially being about Take That and the struggles that went on under the surface. Covering the just-over a decade where boybands dominated the teenage hearts and music charts of the nation, we get to hear from the people who were at the centre of the madness – the ‘boys’ themselves, the music men responsible for the machinations of machine that curated them and the press who lauded and lambasted them. The result is a fascinating and extraordinarily insightful re-examining that shows both how far we have come as a society and also how, still, not nearly enough is being done to protect budding popstars from the shark-infested waters they get thrown in. [5/5 stars]

Gladiator II' Review: Ridley Scott's sequel with Superb Ensemble Cast

Film: Gladiator II (Out now)

It’s the obvious opener to this mini review, to rhetorically propose ‘are you not entertained’ by Gladiator II? The answer is, mostly entertained. Pretty much entertained. Does the job entertained. Running at 158 minutes, the film maintains interest at a steady pace – there are much shorter films that feel far longer. But, it’s not the kind of film you’ll be thinking about after, not like it’s iconic predecessor. That’s because it feels like it’s treading a lot of the same paths as it’s older sibling, but less potently. Considering the amount of deaths that occur, even within the film’s opening sequence alone, it’s surprisingly bloodless – until the odd surprise here and there. Instead of the powerhouse central lead that Russell Crowe provided, we’re split between the loyalties of two perfectly decent – if under characterised and slightly unremarkable – figures (Paul Mescal and Pedro Pascal). The entertainment, perhaps unsurprisingly, comes from our villains. Denzel Washington especially seems to be having a blast, hamming it up panto style as a plotting Iago-esque figure who steals every scene he’s in – no mean feat considering how clunky the majority of the dialogue is. Solid, if overly broody. [3.5/5 stars]

The People on Platform 5 — Clare Pooley

Book: The People on Platform 5 by Clare Pooley (Out now – currently 99p on Kindle!!!)

Stories about Found Families, and/or when an unlikely community have to come together to overcome difficult circumstances – those bad boys are my kryptonite. When the world feels bleaker, darker and scarier near-enough by the day, why wouldn’t you want to read a book where hope prevails in the fact of love & unswerving support? Having loved How To Age Disgracefully (in my top 5 releases of 2024) I was optimistic I’d like this one too, thankfully I was very right in that thinking. Short chapters, told from alternating character points-of-view, is ideal when coming out a reading slump – especially when the characters are this developed and delightful. We first meet Iona, an aging former IT girl who is clinging to her job as a magazine advice columnist. Every day she boards the 8.05 train to Waterloo, following the exact same routines, ascribing a nickname to her fellow commuters. When a near-death experience brings a group of them together, with Iona as the unexpected centre, they all come to realise that reality is often far more brilliant than the assumptions we might make. Delightfully life-affirming. [5/5 stars]

Film: Wicked (In cinemas worldwide now)

Am I intentionally burying this review at the bottom because I’m afraid it will cause a scandal? No comment. I acknowledge that this is a film that is both tailor-made for me (because I love musicals, all things camp, fantasy and gorgeous costumes) but also isn’t for me in the slightest (I have no real affection or connection to the story, I saw the stage show for the first and last time 8 years ago and thought it was perfectly fine). Aside from having Defying Gravity on my musical theatre running playlist, I don’t really know the soundtrack either. I did, however, go into the film open-minded if sceptical about the runtime. This 161 minute long film is part one of the story, which takes you up to the interval in the stage show. The stage show, in total, is 165 minutes long.

How wisely that additional amount of time is spend will depend on your overall affinity with the show, for fans this is undoubtedly an invaluable opportunity to spend even longer in this magical world you have adored from afar for so long. It certainly is immersive, the set design and costumes are beautiful. Ariana Grande and Cynthia Erivo are fantastic leads, both performances have a real sense of nuance and characterisation, even if their press tour has been side-eye inducing to say the least. Jonathan Bailey is phenomenal as Fiyero, the man has so much charisma he could impregnate a wall just by looking at it. But, where I get unstuck is the story and some of the dialogue. Without the years of nostalgia, I found myself unable to truly get on board for this adventure. [3/5 stars]

Culture Bites #1

Right. I’ve had the worst writer’s block I’ve ever had and it’s been several months I’ve written anything. As I’m writing it, I’m impressed I’m even managing to write this. This is my first blog post since May. Madness. So, after a very productive chat with my dad, I’ve come up with this hopeful antidote. Every week I see and do a lot of things, so instead of a big ol’ review for each – I’m going to try and do a weekly recap my adventures through mini reviews. Hopefully they’ll be useful to you, beloved and generous and patient readers, as well as a way of me being able to build up my writing muscles again (like the literary variant of couch to 5k!) So, here we go, welcome to Culture Bites #1.

Film: Paddington in Peru (Out now)

It feels wrong to write the words ‘Paddington’ and ‘perfectly fine’ in the same sentence, and yet… The third in the series, and the first not directed by Paul King, Paddington in Peru follows the British sitcom tradition of packing off the central ensemble to a foreign country for an adventure – in this case, trying to find Paddington’s beloved Aunt Lucy who has gone missing in the Peruvian jungle. There’s some nice moments, and we get to see the characters we love doing the things we love about them (aside from Mrs Brown now looking like Emily Mortimer rather than Sally Hawkins). But those central comedic moments (the escalator, the toothbrushing, barbers, Knuckles – to name but a few) just aren’t there. Whilst the jungle adventure is entertaining, it doesn’t provide the joy or laughter that we get from the community of Windsor Gardens. It’s not Paddington 2, but then, really, few things are. [3.5/5 stars]

Film: Conclave (Out November 29th)

Sometimes you just want to watch actors act their socks off. Ralph Fiennes. Stanley Tucci. John Lithgow. All three provide exceptional performances in this drama set during a papal conclave to elect the next pope, Fiennes is the man in charge – overseeing proceedings whilst also investigating the secrets and scandals that surround the candidates. The cinematic equivalent of sitting in a comfy leather tub chair, with a whisky on the rocks in one hand and a cigar in the other, a well-crafted drama with thriller and mystery elements. Entertaining, suspenseful and thought-provoking. [4/5 stars]

Book: So Thrilled For You by Holly Bourne (Out January 16th 2025)

Few authors write millennial women as beliveably and authentically as Holly Bourne. So Thrilled For You is no exceptional, alternating between the viewpoints of four very different women. Friends since university, nearly a decade on they are growing apart for a multitude of reasons – a prevailing one being how women in their 30s become judged then defined by their decisions over motherhood (to have or not, the choices made over birth and childrearing, or what if having them can’t happen for reasons beyond their control). An essential read to encourage and build empathy when we oft are oblivious to so many of these issues if we don’t directly experience them. A powerful and bittersweet wonder of a book. [5/5 stars]

Theatre: Dr Strangelove (Running until January 25th 2025)

To quote Dr Ian Malcolm in Jurassic Park, ‘Just because we could doesn’t mean we should.’ With Stanley Kubrick’s Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb having existed since 1964, did we really need a stage show version of it? Having seen it, the answer is – sort of, not really? Directed by Armando Iannucci, there really isn’t all that much here that is different to the film version. If anything, considering it’s an Iannucci vehicle, you’d expect the dialogue to be even crisper than what we actually get. And, considering all that is going on in the world right now, simply recreating the film goes to show just how timeless the film is and how stupid humanity is for seemingly using it as a handbook rather than a lesson. The USP of seeing this adaptation is Steve Coogan’s performance as 4 separate roles, à la Peter Sellers in the film. They’re strong performances, each character distinctive and well directed to allow for these multiple simultaneous appearances. Whilst there’s style and flair, it all feels a bit safe and reliant on star power. [4/5 stars]

TV: Say Nothing (Out now, on Disney+)

Disney+ continue to be making a name for themselves with some stellar tv. After last month’s sweet and saucy Rivals, we’ve got this exceptional and provocative drama. A 9-episode series, based on the 2019 book ‘Say Nothing: A True Story of Murder and Memory in Northern Ireland’, we learn about the lives of a group of people growing up in Belfast in the 1970s-90s – courtesy of a frame narrative of interviews that were conducted by Boston College Tapes, also known as the Belfast Project, were recordings of former IRA members discussing their involvement in the Troubles. The result is a compelling drama that features representation of the Troubles that we have never seen before; a powerful rumination on the reckoning of conflict trauma. Lola Petticrew and Hazel Doupe are extraordinary as the radicalised teen girls at the centre, as is Anthony Boyle (one of the breakout stars of Apple’s Masters of The Air) and Rory Kinnear continues to be one of the finest additions you can get to a show (if you’ve not seen The Diplomat, rectify that immediately!!!). This isn’t just a much-needed history lesson, this a revealing and exposing examination of an under-assessed part of recent history.

[5/5 stars]

(YAY! I’ve written something! My first something in MONTHS! If you made it this far, liked what you read and would like me to do more, please message me and let me know!)

Stream On #21

Another week, another set of 5 top tips to get steaming.

Still not entertained? Try a previous edition of Stream On: #1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20.

STEVE! (martin) a documentary in 2 pieces (Apple TV+ – 90 x 2 mins )

One of the best celebrity documentaries we’ve seen in ages, with part one focusing on ‘Then’ – Steve Martin’s comedy career – and ‘Now’ – an interweaving of his film career and his personal life. A perfectly balanced blend exploring his professional and personal life, a wondrous reminder of a truly talented man.

Renegade Nell (Disney+ – 8 x 45 mins)

Sally Wainwright‘s passion project is an unexpected and fascinating choice, following a quick-witted and courageous young woman framed for murder unexpectedly ((Louisa Harland) becomes the most notorious outlaw in 18th-century England. When a magical spirit called Billy (Nick Mohammed) appears, Nell realizes her destiny is bigger than she ever imagined.

A Gentleman in Moscow (Paramount+ – 8 x 60 mins)

A Russian aristocrat (Ewan McGregor) is spared from death and placed on house arrest while the Bolshevik Revolution plays out before him.

Barbie (SKY/NOW – 8 x 60 mins)

To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken. My review here.

Big Mood (Channel 4 – 6 x 60 mins)

I watched all 6 episodes in one go, in case you needed that insight into how good this show is. Best friends Maggie (Nicola Coughlan) and Eddie (Lydia West) have lived in each other’s pockets for 10 years, through thick, thin. But with the rest of their lives looming, and Maggie’s bipolar disorder making an unwelcome return, Maggie and Eddie’s relationship faces the future. One of the best looks at friendship in your 30s and an incredibly thoughtful, realistic and no-holes-barred look at mental health.

Stream On #20

Another week, another set of 5 top tips to get steaming.

Still not entertained? Try a previous edition of Stream On: #1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19.

Joy Ride (Prime Video – 95 mins )

Last year wasn’t a particularly iconic year for comedy films, but Joy Ride was one of the exceptions. When Audrey’s (Ashley Park) business trip to Asia goes sideways, she enlists the help of Lolo (Sherry Cola), her childhood best friend, Kat (Stephanie Hsu), a college friend, and Deadeye (Sabrina Wu), Lolo’s eccentric cousin to help her. What follows is an adventure that is epic and no-holds-barred levels of hilarity, whilst also being moving and heartfelt.

Palm Royale (Apple – 10 x 45 mins)

An ambitious woman schemes to secure her seat at America’s most exclusive table: Palm Beach high society circa 1969. Kristen Wiig is fantastic at the plotting Maxine Simmons, (the!) Ricky Martin delightful as the waiter regularly standing in her way and Allison Janney a joy to watch as ever.

Passenger (ITVX – 6 x 60 mins)

A close-knit community is sent spinning on its axis following a series of strange and unnatural crimes. A twisty-turny thriller with a phenomenal central performance by Wunmi Mosaku.

Helgoland 513 (SKY/NOW – 8 x 60 mins)

In 2036, the world lies in ruins, but a totalitarian government on the island of Helgoland ensures its survival by limiting the number of survivors to 513 people. When a baby is born, questions soon arise as to who will sacrifice themselves.

When Harry Met Sally (BBC iPlayer – 95 mins)

There are some films where, once you think of them, you’ll feel an urge for a rewatch. When Harry Met Sally is most definitely one of them. So, now I’ve planted that thought in your head, you probably should go and watch it now. For those of you uninitiated in one of the greatest romcoms of all time, Harry (Billy Crystal) and Sally (Meg Ryan) are certain that men & women can’t ‘just’ be friends yet somehow they seem to be the exception to the rule – but are they? Really? Now, if you’ll excuse me, I’ve got a film to rewatch…

Stream On #19

Another week, another set of 5 top tips to get steaming.

Still not entertained? Try a previous edition of Stream On: #1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18.

Taylor Swift: The Eras Tour (Disney – 169 mins )

This one probably needs the least amount of introduction a Stream On pick has ever needed. If you, like me, are one of the many who didn’t get their hands on a Tay Tay ticket – this is your chance for a front row seat in the comfort of your own home. It’s a tour de force performance, an event that needs to be seen.

All of us Strangers (Disney+ – 8 x 60 mins)

I’m cheating slightly as this isn’t up when this post goes live, you’ll have to wait until Wednesday 20th – but it’s my favourite film of the year (I know it’s only March, but it’s going to take a *lot* to push it off the top spot). A screenwriter (Andrew Scott) drawn back to his childhood home enters into a fledgling relationship with his downstairs neighbor (Paul Mescal) while discovering a mysterious new way to heal from losing his parents (Jamie Bell and Claire Foy) 30 years ago. Here’s my review, which doesn’t do the film justice.

The Dry (ITVX – 16 x 30 mins)

The Dry season one first appear in 2022 on Britbox, before eventually finding it’s way to ITV, not earning the fanfare it rightfully deserved. Now we have season 2, which is somehow even better. Shiv Sheridan (Roisin Gallagher who is spectacular) returns to Dublin after years of partying in London and tries to navigate a new phase of her life. Trying to stay sober and being back with her family is not going to be easy. Her family – made up of Pom Boyd, Ciarán Hinds, Adam John Richardson and Siobhán Cullen – are all fantastic. The show wonderfully balances all of their stories in this beautifully bittersweet comedy drama.

Ladies in Black (Netflix – 109 mins)

From 2018, this is an underappreciated period drama following the lives of a group of department store employees in 1959 Sydney. Julia Ormond, Angourie Rice, Rachael Taylor and Alison McGirr are the standouts in this gorgeously costumed and life-affirming tale.

Monk (Netflix – 124 x 45 mins)

if you’re a fan of a crime procedural with a twist, you can’t get much better than Mock. Running from 2002 – 2009, the eponymous Monk (Tony Shalhoub) is a a brilliant former San Francisco detective, who now consults with the police as a private consultant whilst battling with an obsessive-compulsive disorder. Each episode could work as stand-alone but has an overarching link, Monk trying to process his grief of the loss of his beloved wife Trudy. Regularly funny and often moving, Shalhoub is fantastic, as are supporting leads Jason Gray-Stanford, Ted Levine and Traylor Howard.

Stream On #18

Another week, another set of 5 top tips to get steaming.

Still not entertained? Try a previous edition of Stream On: #1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17.

Extraordinary (Disney+/ITVX – 16 x 30 mins )

Season 1 dropped last year and was an unexpected – and much appreciated! – treat. If you’ve not watched it already, go back and watch. The world of Extraordinary is one where everyone gets a superpower when they turn 18, everyone except Jen (Máiréad Tyers) who is heading into her 7th year without powers – without any idea as to why they never came. Funny and often bittersweet, this London-set comedy drama is such a delight.

The Gentlemen (Netflix- 8 x 60 mins)

Linked to his 2019 film of the same name, seemingly by name only (thankfully, as the review wrote on it’s release implies), Guy Ritchie has created, co-directed and co-written this crime romp that follows Eddie Horniman (Theo James) as he inherits a family estate, initially unaware its home to a drug empire run by a syndicate that has no plans to vacate. The standout is Daniel Ings (if you’ve *still* not seen Lovesick on Netflix, please rectify this immediately) his magnificent chaos energy here is the main reason to watch this.

The Program: Cons, Cults, and Kidnapping (Netflix – 3 x 30 mins)

A documentary series that follows Katherine Kubler and former classmates of hers from the Academy at Ivy Ridge, a behavior modification facility that was marketed as a boarding school, as they reflect on the abusive conditions they experienced in the program and the lasting trauma. Only a few days on from it’s release, and it’s already prompted for calls for investigation and criminal charges to be placed.

American Fiction (Prime Video – 117 mins)

One of 2024’s Best Picture nominees, this is the epitome of how powerfully comedy and drama can be blended. A novelist (Jeffrey Wright) who’s fed up with the establishment profiting from Black entertainment uses a pen name to write a book that propels him into the heart of the hypocrisy and madness he claims to disdain. Wright’s performance is masterful, as is Sterling K. Brown as his brother.

Poor Things (Disney+ – 141 mins)

Another Best Picture nominee, Emma Stone gives a career-defining performance as Bella Baxter, a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). A film that needs to be seen to be believed and then experienced.

Stream On #17

Another week, another set of 5 top tips to get steaming.

Still not entertained? Try a previous edition of Stream On: #1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16.

Shogun (Disney+ – 10 x 60 mins)

A sweeping historical epic, founded on real events, a mysterious European ship – led by English sailor John Blackthorne (a magnetic Cosmo Jarvis) is found marooned on the shores of a Japanese fishing village. Informed of it’s arrival, Lord Yoshii Toranaga (Hiroyuki Sanada) finds ways to gain power and settle scores with his enemies. Insert all the superlatives here, this is magnificent television.

Dead Hot (Prime Video – 147 mins)

A mystery thriller unlike anything you’ll have seen before. 5 years ago, Elliot (Bilal Hasna) arrived home to Peter (Olisa Odele) had vanished—with nothing left behind but his finger in a puddle of blood. Still living with Peter’s twin Jess (Vivian Oparah), they don’t know if he ran away, was kidnapped or worse. Elliot tries moving on, and after a magical date with wonderful Will, that seems possible. But when shit hits the fan, Elliot and Jess know they need to find out the truth.

Iwájú (Disney+ – 6 x 30 mins)

Tola, a young girl from a wealthy island, and her best friend, Kole, a self-taught tech expert, discover the secrets and dangers hidden in their different worlds.

Mary & George (SKY/NOW – 7 x 60 mins)

I’m cheating slightly as this doesn’t drop until Tuesday 5th March, but it’s so good I couldn’t resist. Based on Benjamin Woolley’s non-fiction book The King’s Assassin (2017), this is the tale of the affair between King James I (Tony Curran)and George Villiers (Nicholas Galitzine) – as orchestrated by George’s mother, Mary (Julianne Moore). Deliciously scandalous!

Femme (Netflix- 99 mins)

Quite possibly the most underseen film of 2023, Femme is tense and dark and all kinds of wonderful. Jules (Nathan Stewart-Jarrett) is the target of a brutal homophobic attack that derails his life completely, until he unexpectedly crosses paths with the attack ringleader, Preston (George MacKay), in a gay sauna. Preston, not recognising Jules, makes a move on him – something that Jules quickly realises he could use to his advantage to get some much-sought after revenge.

Stream On #16

Another week, another set of 5 top tips to get steaming.

Still not entertained? Try a previous edition of Stream On: #1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15.

Boarders (BBC – 6 x 60 mins)

Few things are as frustrating as when a streamer dumps a gem on their site with little fanfare. The silver lining though is the feeling you’ve discovered a corker – and that’s definitely what this is. Comedy drama following 5 underprivileged black students from inner-city London who win scholarships to an elite boarding school, stepping out of the urban metropolis and into a world they can only describe as something out of Harry Potter. Razor sharp yet powerful.

The Northman (Prime Video – 147 mins)

A young Viking prince is on a quest to avenge his father’s murder. That prince grows into Alexander Skarsgård. Directed and co-written by Robert Eggers, the result is a violent & epic visual spectacle.

Daughters of the Cult (Disney+ – 5 x 60 mins)

Based on life of cult leader Ervil Morrell LeBaron, leader of a religious fundamentalist group who ordered the mass murders of his rivals by using the religious doctrine of blood atonement to justify the killings.

The Way (BBC – 6 x 60 mins)

Co-created and directed by Michael Sheen, The Way is one of those examples of a show that feels almost prophetical, reminiscent in many ways to Russell T. Davies‘s incredible Years & Years. Giving a plot summary feels like too much of a spoiler, so I’ll let the trailer below hint at what to come. Blending speculative fiction with history and mythology, this is must-see tv.

Can I Tell You A Secret (Netflix- 105 mins)

Social Media remains the wild west, an unmonitored place where terrifying things can happen with little consequences to the perpetrator whilst the victims life is totally derailed. Three women’s lives were changed forever when a prolific stalker infiltrated their social media accounts. And they’re only a fraction of his many victims. Haunting.

Stream On: The Resurrection #15

Another week, another set of 5 top tips to get steaming.

Still not entertained? Try a previous edition of Stream On: #1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14.

Alice & Jack (Channel 4 – 6 x 60 mins)

A week after we got One Day, we get another beautiful story of an almost-relationship over the course of nearly two decades. Alice (Andrea Riseborough) and Jack (Domhnall Gleeson) meet on a dating app and have a disastrous date, but that leads to something that will tie them together forever. Closer in tone to Normal People than One Day, the result is a show that is a profoundly moving and heart shattering reflection in love in all it’s forms. Wonderful supporting roles from Sunil Patel, Aimee Lou Wood and Aisling Bea.

Players (Netflix – 103 mins)

After spending years working with her friends on ‘plays’ to win prospective partners, of the one night stand variety, a sports writer unused to relationships falls for a fling, leading her to reconsider playing the field in favour of commitment. It follows the formula and will go exactly as you expect, but the charisma of the cast keep you watching – Gina Rodriguez, Damon Wayans Jr., Tom Ellis, Augustus Prew, Joel Courtney and Liza Koshy. Special mention to Brock O’Hurn for… reasons.

Trust (Disney+ – 10 x 60 mins)

With The Iron Claw currently in UK cinemas, and the population finally getting on the Harris Dickinson train, it’s a good time to revisit this drama series about the notorious Getty family. In 1973 Rome, John Paul Getty III (Harris), the heir and younger member of an oil tycoons’ clan, is kidnapped by the Italian Mafia in order to get a ransom. It came out around the same time as another adaptation of the story, All The Money In The World – which attracted attention due to it’s reshoot drama – but this series definitely holds it’s own. Donald Sutherland is a powerhouse as the family patriarch and it’s always a joy to watch Brendan Fraser.

Past Lives (Netflix – 106 mins)

Now’s your chance to watch one of the indie standouts of this year’s award’s season. Nora and Hae Sung, two deeply connected childhood friends, are wrested apart after Nora’s family emigrates from South Korea. Twenty years later, they are reunited for one fateful week as they confront notions of love and destiny. The love triangle at the centre (Greta Lee, Teo Yoo & John Magaro) make this a movingly bittersweet watch.

Death Comes To Pemberley (Netflix– 105 mins)

Imagine, a spiritual sequel of sorts to Pride & Prejudice – but it’s a murder mystery. Written by P.D James in 2011,the BBC adapted it in 2013 – it still holds up and then some. Elizabeth (Anna Maxwell Martin) and Darcy (Matthew Rhys), now six years married, are preparing for their annual ball when festivities are brought to an abrupt halt. With an ensemble cast made up of Matthew Goode, Jenna Coleman, James Norton, Eleanor Tomlinson, Joanna Scanlan and Rebecca Front – this is a top tier period drama.

Stream On: The Resurrection #14

Another week, another set of 5 top tips to get steaming.

Still not entertained? Try a previous edition of Stream On: #1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13.

One Day (Netflix – 14 x 25-40 mins)

15 years since David Nicholl’s book became a mega hit, and 13 years since the less great film version, we’re now treated to televisual epic of an adaptation. In a move closer to the book, each episode focuses on one of the chapters – one day in the lives of Emma (Ambika Mod) and Dexter (Leo Woodall) over the course of two decades. A bittersweet exploration of love, loss and longing.

Rebel Dykes (Channel4 – 92 mins)

The story of a community of women in 1980s post-punk London who met doing art, music, politics and sex, and how they went on to change their world by becoming artists, performers, musicians and activists. So bloody badass.

The Marvels (Disney+ 105 mins)

There’s nothing to be gained from be clanging in on the current state of MCU, enough – more qualified – voices have done that. All I will say is that The Marvels deserved more love than it got and is one of the more accessible, you don’t *need* to have watched all/any of the other films to enjoy this science fiction romp following three super women (Brie Larson, Teyonah Parris and Iman Vellani) as they team up to save the universe.

Suncoast (Disney+ – 109 mins)

While caring for her brother along with her audacious mother (Laura Linney), a teenager (Nico Parker) strikes up a friendship with an eccentric activist (Woody Harrelson) who is protesting one of the most landmark medical cases of all time. A really charming coming-of-age story made all the more heart-rendering considering this is writer-director Laura Chinn‘s fictional account of her life in the early 2000s as a Florida teen with a severely ill older brother.

Upgraded (Prime Video – 105 mins)

Arriving to Prime Video with a Rotten Tomatoes rating of 74% freshness, an infuriatingly and unjustly infrequent high score for a 21st Century romcom, should suggest to you that this is one to check out asap. When Ana (Camila Mendes) is upgraded to first class on a work trip, she meets handsome Will (Archie Renaux), who mistakes her for her boss (Marisa Tomei). The white lie that sets off a glamorous chain of events, romance, and opportunity, until her fib threatens to surface.