Independence Day: Resurgence

“Get ready for a close encounter, bitch!”

They’re back! 20 years on from the aliens first visit they are back. This time, with a bigger ship which is apparently 3,000 miles wide. Only one man can save the day – David Levinson (Jeff Goldblum). Well not really, there are many other people who come into play but yet again the thinking woman’s crumpet steals the show (I acknowledge the fact he is old enough to be my Grandfather but choose to ignore/embrace it). Whilst this sequel does not desecrate the first film, or taint it in anyway, it’s neither better nor worse than its predecessor.  And, considering how dark things seem in news and politics at the moment, this may just be the escapism everyone needs.

In the twenty years since the first alien attack Earth has changed completely. All of the world’s nations are united with a level of global peace never seen before. Instead all of the world is working together, using the alien technology that was left behind, to build the Earth Space Defense (ESD) programme. Overseen by President Lanford (Sela Ward), General Adams (William Fichtner) and Director David Levinson, its figurehead is Dylan Hiller (Jessie T. Usher playing the step-son of Will Smith’s absent character). When visiting the ESD base on the Moon, and squaring up to old friend/rival Jake Morrison (Liam Hemsworth), an alien mothership attacks the moonbase and heads straight for Earth. It’s a call to arms for old faces – such as President Whitmore (Bill Pullman) and Dr Brakish Okun (Brent Spiner) – as this could just be Earth’s final stand.

This is a sequel that is full both of pretty awe-inducing spectacle and amusing cheesiness. From the above headline, a line uttered by Jessie T. Usher without any hint of irony or knowingness, to every line uttered by Judd Hirsch as Mr Levinson Sr this is a film full of enough laughs to entertain. Considering the amount of death and devastation that occurs (I gave up trying to estimate the death toll) there is still enough comic relief that you do manage to leave the cinema smiling. In case you didn’t get my oh-so-subtle hints I loved every scene featuring Jeff Goldblum – he has got the nerdy/cool thing nailed! – and his quasi-science. 

This does lead me to my main issue with this sequel. Promo material and comments from many of those involved in the film have discussed how this is Independance Day for the new generation. It’s a pointless thing to aim for for two reasons. A) I was two when the original film came out. Does that mean ‘It’s not for me’?  B) The best thing about this film is the use of the ‘old’ cast. It is their scenes that are the highlight, not just for purposes of nostalgia but also in terms of character and entertainment. Jessie T.Usher gets sidelined by Liam Hemsworth who is playing a ‘maverick’ who is so bland and vanilla. The actress playing Hemsworth’s fiancee Patricia Whitmore (Maika Monroe), the daughter of the original film’s president, gets to some cool stuff but still needs to be rescued in the process. Travis Tope as Charlie Miller, best friend of Liam Hemsworth’s character, is a great addition in terms of comedy, although he is rather too fixated on a character who looks pretty gets about four lines (Angelababy playing Rain Lo).

Furthermore, the plot itself magpies (it’s my polite preference to steal) a lot from a wide range of other sources. From Alien, to 2001, to Close Encounters and even Deep Impact. In many ways it’s quite a distracting element to see so obviously the ‘influences’ of a film. There’s also the fact the film starts off so big – destruction of several continents big – that manages to be so large it’s almost ineffective. We are starting to see what could easily be described as a type of fatigue from audiences in terms of big explosions – it’s no longer shocking seeing a big screen explosion of a national/international landmark. Sometimes smaller works better. I think that’s why I enjoyed the second half of the film far more than the third. When the battle occurs within a slightly smaller radius, the many different sub-plots start to connect together, and the jokes are flying, that’s when this film really hits its stride.

All in all, this does the job. It’s more than entertaining enough, looks great and doesn’t require too much brain power. Perfect way to while away an evening.

stars

Hunger Games Mockingjay Part 2

The least ‘Hunger Games’ of the ‘Hunger Games’ Franchise 

After 7 years it is time to say goodbye to Katniss Everdeen and the dystopian post-apocalyptic nation of Panem. Suzanne Collins mega-success trilogy was given what shall hereby be known as ‘The Harry Potter Treatment’ and had its final book split into two films *cough for more money cough*. How successful that decision actually was will divide audiences. Part two picks up straight after part one, literally straight after, with Katniss awakening from her reunion/fight with love-interest Peeta.

[2/3 of this review will be spoiler-free, the final 1/3 entitled ‘Ugly’ will not be]

Katniss (Jennifer Lawrence) awakens with injuries both physical (damaged vocal chords, swelling and bruising around her neck) and mental (having witnessed her once-fiancee’s resulting psychotic break after mental torture). Aware that the gentle and warm Ying to her brusque and cold Yang has been tortured, possibly beyond repair, her endeavour to destroy the totalitarian regime of President Snow (Donald Sutherland) is stronger and more determined than ever. Whilst continuing to undertake the P.R stunts set for her by President Coin (Julianne Moore) Katniss decides to set her own agenda by sneaking into the Capital and wreak her own personal vengeance against Snow. 

The Good

The acting in this film is absolutely top-class. Lawrence is continually astounding as Katniss, playing her with a believable and engaging distance. Katniss has seen and done to many horrific things – Jennifer manages to present this in such a way that the audience still manages to connect with Katniss even when Katniss disconnects herself from everyone on-screen. Moore is fantastic as President Coin, presenting a character with understated depth. Woody Harrelson is as enjoyable as ever as Haymitch, as is Elizabeth Banks as Effie. Though have far less to do in this than the three other films their roles are still scene-stealing. Donald Sutherland is so good at being bad, presenting Snow almost as Nero watching Rome burn. The stand-out has to be Plutarch as played by Phillip Seymour Hoffmann (who sadly passed away on Feb 2nd 2014, mid-way through filming this movie). Although Hoffmann’s presence in the film is not unexpected, he was present in the previous two films, there is still a slight and devastating surprise at seeing him on-screen. The success of his character is a staunch reminder of what a great loss he was.

The Bad

For many, ‘Mockingjay’ is the weakest of the literary trilogy. Tonally it is very different from the other two books, less ‘Battle Royale’ and more political assassination. With the film adaptations ‘Mockingjay Part One’ was rather exposition-heavy, a lot of talking and borderline critique of politics. This film is almost-stoppy starty in tone, with time often needlessly given to scenes which did not require quite-so-much screen time. There are many sequences in the film which are stand-out. When the Games themselves are brought into the Capital there are some real frights.  However there are many scenes which almost drag-along, talking about what characters are going to do next then showing them as opposed to getting straight into the action. The whole ’76th Hunger Games’ aspect is cut too-short far too-soon. There is also too much screentime given to pontifications on leadership and power, speeches which become rather mawkish after a certain amount of time.

The Ugly (Herebe the Spoilers!)

The ending. When referring to the ending I don’t mean the final face-off between Katniss and Snow, or Katniss’s decision over her love interests. I mean that final 2 minute long sequence with Katniss five years into the future. It’s exactly how the book ended, though that was set further into the future and was perhaps reduced to minimize any necessity for  Harry Potter epilogue-esque aging make-up, so arguably it’s the source material which is being questioned here as opposed to the film-makers.  It is truly hard to really feel comfortable with ‘that’ ending (with Katniss, Peeta and their two young children sat in a field). For a film which prides itself on it’s strong female lead, who was not laden with any limiting feminine attributes and could truly hold her own on a battlefield, then ending with the ‘reward’ of children and a nuclear family. On the one hand it could be read as symbolic, thanks to the actions of their parents these two children will not have to undergo the horrors of the Hunger Games. Yet it could easily be read as a patriarchal return, shedding her warrior status for frumpily-dressed mother. Either way, the ending is less than a bang and more of a whimper.

If you’ve seen the previous three films it makes sense to see the finale on the big screen. But lower your expectations, set them to’ very slightly disappointing’ and embrace the film for what it is. Whilst it may have uneven pacing, the ensemble cast present a masterclass in acting. Focus on enjoying the stand-out sequences and saying goodbye to some fantastic characters.