Stream On Vol. 7

Ladies, gentlemen and those of us who know better – there are 9 days till cinemas reopen in the UK. 9 DAYS till we can return to that dark palace where we can disappear into other worlds and universes. I, for one, cannot wait – so much so I just booked my ticket for a screening of Sound Of Metal on Monday 17th May. It’ll be a first watch, I’ve saved it so I can see it with the best soundscape possible. Here’s some more small screen suggestions to help you get through the final stretch… Not enough for you here? Try volumes 1, 2, 3, 4, 5 and 6

Nomadland (2020 : Disney+ : 107 mins)

Speaking of cinemas reopening, the other big, big screen release is this gem. Directed by Chloé Zhao, for which she won the 2020 Oscar for Best Director (the second woman in the awards 93-year history…) and Best Picture, a woman in her sixties (Frances McDormand) lives out her days travelling America whilst living in a van, having lost everything in the Great Recession of 2007/09. McDormand produced the film too, and won the Oscar for Best Actress – her performance really is extraordinary. Watch it now on Disney+ or wait for the big screen, either way you’re in for an epic watch.

Bill (2015 – 94 mins – BBC iPlayer)

Thanks to TikTok, I have discovered I was not alone in being a teenage girl who adored the tv series Horrible Histories for the comedy, the education and the men-folk. If you’ve not seen it, it’s all on Netflix if you wish to rectify matters. The central team have since gone on to make two fantastic other series, Yonderland (all 3 series on SkyGo) and Ghosts (all 2 series and counting on BBC iPlayer). And, in between all that fantastic telly – they even made a film! Bill explores what may have happened during William Shakespeare’s lost years upon arriving in London to hilarious effect.

The Favourite (2018 – Disney+ – 119 mins)

Directed by the incredible Yorgos Lanthimos, we’re in early 18th-century England, where the status quo at the court is upset when a new servant (Emma Stone) arrives and endears herself to a frail Queen Anne (Olivia Colman). But leaves long-standing favourite Lady Sarah (Rachel Weisz) won’t give up her status without a fight… Just sublime.

School of Rock (2003 – Netflix – 109 mins)

It feels futile to really tell you why you should watch this one. Either you’ve seen it already and this is a reminder of its brilliance and how you should go rewatch it immediately. Or you’ve never seen it and you’ve realised from my tone here that you need to fix that immediately. Now go and STEP OFF!

The Descent (2005 – ALL4 – 109 mins)

I rarely recommend horror movies as I am a scaredy cat and avoid watching them as much as possible… But, I’m making an exception here when I spotted this one, it’s available on ALL4 for 16 days and it’s very worth a watch if you’re horror-inclined. A caving expedition goes horribly wrong, as the explorers become trapped and ultimately pursued by a strange breed of predators. It’s terrifying and I’ll never watch it again as nerves couldn’t handle it, but it is bloody brilliant.

Stream On Vol.6

It’s a bank holiday weekend and you’re not sure what to watch? No problem! Check out 5 film suggestions below and even more in previous editions – 1, 2, 3, 4 and 5. Have fun and Stream On!

The Mitchells Vs The Machines (2021 – Netflix – 113 mins)

From the team behind Spider-Man: Into the Spider-Verse (also available on Netflix), this wonderful animation follows a strained family on their road trip to drop the eldest daughter off at college – a journey that gets intercepted by a robot apocalypse. Hilarious, tenderly and beautifully told. I can’t wait to see it on a big screen and with ‘my people’.

Rocketman (2019 – Netflix – 121 mins)

Director Dexter Fletcher continues his streak of full-of-heart jukebox musicals with this total gem. Taron Egerton is Elton John, opening at his lowest point in group therapy we go back to the beginning to chart the loves and trauma that made the man, the myth and the legendary songs.

Promising Young Woman (2020 – Sky/Now – 113 mins)

One of the most talked about films from this year’s awards season, this one has to be seen and discussed at length. Cassandra (Carey Mulligan) is traumatised by an event in her past, so devotes her present to getting vengeance of sorts. A fantastically made, wonderfully performed and powerfully landing film – with the most perfect use of a Paris Hilton single that has ever happened.

Dangerous Liaisons (1988 – BBC – 119 mins)

Les Liaisons Dangereuses by Pierre Choderlos de Laclos was published in 1782 and remains an incredibly sumptuous tale of seduction, revenge and malice. The 1999 adaption Cruel Intentions may be better known than this one, but you’re missing out on a treat. Glenn Close, John Malkovich, Michelle Pfeiffer, Keanu Reeves and Uma Thurman star in this deliciously malicious treat. And without it we wouldn’t have this music video…

Widows (2018 – Amazon Prime – 129 mins)

Some day, this film will get the acclaim and attention it deserves. Until then, we must continue to spread the word of mouth. Directed by Steve McQueen, we follow Veronica (Viola Davis), Linda (Michelle Rodriguez) and Alice (Elizabeth Debicki) when the deaths of their criminal husbands leave behind a large debt and great danger. Recruiting Belle (Cynthia Erivo) as their getaway driver, they face grave danger in the form of brothers Jamal (Brian Tyree Henry) & Jatemme (Daniel Kaluuya) and politician Jack (Colin Farrell). Beautifully performed and shot, a proper must-see thriller.

Stream On Vol.5

You lookin’ for fantastic films and where to find them? Then look no more! Nothing for you here? Then check out the past volumes: 1, 2, 3 and 4.

Rocks (2019 – Netflix – 93 mins)

This is the film and the eponymous role that won Bukky Bakray the 2021 EE Rising Star Award. Rarely, if ever, has an award been so deserved. Bakray is phenomenal as Rocks, a teen who should be thinking about her GCSEs but instead has to worry about keeping her and younger her brother (a scene-stealing D’angelou Osei Kissiedu) safe & well after their mother leaves them behind. It’s a heart wrenching story to follow – incredibly well directed by Sarah Gavron, written Theresa Ikoko & Claire Wilson and with some exceptional casting by Lucy Pardee. This is a love story to London, teen girls and friendship. Rocks is a total must-see.

Elle (2016 – Film4 – 130 mins)

Michèle Leblanc (Isabelle Huppert) is a powerhouse, a formidable businesswoman at the helm of a video games company. She gets caught up in a game of cat and mouse as she tracks down the unknown man who raped her. What follows is a fantastically gripping psychological thriller, that needs to be seen to be believed. Wonderfully atmospheric and rather haunting.

Animals (2019 – Film4 – 109 mins)

I recently wrote a feature for MediaMagazine on Frances Ha about it’s depiction of female friendship, how rare it is to see it’s central platonic love stories treated with a depth usually reserved for romantic ones. The same statement is applicable to Animals, showing a friendship that burns brightly, chaotically and with underlying consequences. Laura (Holliday Grainger) and Tyler (Alia Shawkat) are life partners, sharing everything with each other. But, when Laura gets engaged to Jim (Fra Fee), it’s clear the enabling dependency between both women will be placed under great strain. Funny, filthy and bitterly real.

Shazam! (2019 – Amazon Prime – 132 mins)

All of DCs output is tarnished with the same damning brush; while mostly warranted, this has to be (the only?) one of the exceptions. A newly fostered young boy in search of his mother instead finds unexpected powers – the ability to transform into a superhero (Zachary Levi) when he calls out the word ‘Shazam!’ Levi is charm personified as the Big-esque lead, fully believable as a child in a (super)man’s body. Sweet, funny and wonderfully heartfelt.

Philomena (2013 – BBC iPlayer – 98 mins)

Speaking of heartfelt, with a very different topic and tone, Judi Dench plays the eponymous Philomena. Having become pregnant as an unmarried teen, she was sent away into the charge of nuns who separated her from her child shortly after his birth. Decades having passed, with no idea where her son ended up, Steve Coogan is the world-wearly political journalist who reluctantly agrees to help with the search. A wonderful true story, gently and carefully told, lead by two extraordinary lead performances.

Stream On Vol.2

Looking for some film recommendations to get you through the Bank Holiday Weekend? Well, look no further! Here’s five top picks for your delectation. Not enough for you? Check out last week’s edition here.

Saint Frances (2019 – Netflix – 101 mins)

Bridget (Kelly O’Sullivan) is 34 and hugely adrift, in all aspects of her life. The opportunity arises to nanny a 6 year-old girl (a spectacular Ramona Edith Williams) whose parents are expecting their second child, which is forcing all manner of adjustments for all the family. An unlikely friendship forms between Bridget and Frances, and it’s such a joy to follow. An immensely likeable and utterly charming watch.

The Edge of Seventeen (2016 – Netflix – 104 mins)

Nadine’s (Hailee Steinfeld) life sucks. It’s always been sucky, she’s never quite fitted in or been all that happy – but she had her beloved dad to support her and her best friend Krista (Haley Lu Richardson) always by her side. But since her dad’s death it seemed things couldn’t get any worse – until Krista starts dating Nadine’s horrifically popular brother (Blake Jenner). Steinfeld is fantastic as the embittered beyond her years teen, with fantastic supporting performances courtesy of Woody Harrelson as Nadine’s jaded teacher and Hayden Szeto as the would-be friend could-be more – if Nadine could finally pay attention to anyone but herself. A classic of the teen movie genre.

Bumblebee (2018 – Film4 – 114 mins)

Speaking of Hailee Steinfeld, she’s also fantastic in this sci-fi gem which just happens to be the finest of the Transformers franchise. By a long, long, long shot. It feels like a throwback to vintage Spielberg, a lost teen finding solace and a sense of self in a new-found friendship with a being from another planet. The soundtrack is an 80s fest banger – if you’re looking for an action packed romp packed full of heart, this is the droid (Autobot) you’re looking for.

The Mauritanian (2021 – Amazon Prime – 129 mins)

Based on a true story, Mohamedou Ould Slahi (Tahar Rahim) was detained and imprisoned by the US government for years without charge and without trial. Lawyers Nancy (Jodie Foster) and Teri (Shailene Woodley) are fighting for his freedom. Military prosecutor Stuart (Benedict Cumberbatch) is fighting for the death penalty. A riveting legal drama that is at times difficult to watch, packed full of excellent performances – Rahim is a charismatic powerhouse, able to convey harrowing depths with his extraordinary performance.

The Way, Way Back (2013 – Disney+ – 103 mins)

With summer on it’s way, why not watch this underseen gem which is one of the finest coming of age movies of the 21st Century? Duncan (Liam James) is being forced to spend his summer vacation with his mum Pam (Toni Collette) and her newish boyfriend Trent (Steve Carell). Whilst he’d much rather be spending the holidays with his dad, he’s forced into a strange role of not-quite child and not-quite adult attending hangouts with Trent’s friends (Allison Janney, Rob Corddry and Amanda Peet) and feeling fully isolated. A job offer from unexpected friend and water park manager Owen (Sam Rockwell) offers escape but the possibilities of so much more. I cannot sing the praises of this film often enough. Just wonderful.

Stream On Vol.1

After a longer than planned or intended break, it’s time for me to get back to my weekly film recommendations. Along the lines of my previous feature Something To Watch Saturdays (all available here), each week I’ll suggest 5 film recommendations from your favourite streaming sites to keep you entertained till UK cinemas reopen on May 17th (51 days folks). Now under a new name, that should be sung to the tune of this Aerosmith banger. If you decide to watch any of the below, let me know your thoughts by getting in touch via twitter or Instagram at @sometimesmovies. Now, time to Stream On…

Blinded By The Light (2019 – 118 minutes – Netflix)

In England in 1987, a teenager from an Asian family learns to live his life, understand his family and find his own voice through the music of American rock star Bruce Springsteen. Partially based on a true story, that of writer Sarfraz Manzoor, the result is a film that is so charming and feelgood, and nigh-on impossible not to be charmed by.

The Sisters Brothers (2018 – 122 minutes – Netflix)

John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal and Riz Ahmed in a familiar yet often unexpected Western journey. Unique in tone – think buddy road trip, meets oddball humour and the brutality of the Wild West – this one that fully went under the radar upon release and really deserves a visit.

Love & Mercy (2014 – 113 minutes – BBC iplayer)

Quite possibly the finest music biopic from the past decade – at least – we follow Beach Boys founder Brian Wilson in both the 60s (when played by Paul Dano) and the 80s (John Cusack). In both eras he is a man on the edge, broken by mental health issues and addiction, to heartbreaking extents. An extraordinarily and inanimate look at the life of a musical pioneer, whose beach soundtracks belied much darkness.

One Night In Miami… (2020 – 114 minutes – Amazon Prime)

Based on a play, covering a factional night where Malcom X (Kingsley Ben-Adir), Cassius Clay (Eli Goree), Jim Brown (Aldis Hodge) and Sam Cooke (Leslie Odom Jr.) got together, this film is packed full of powerhouse performances. Reflecting on the Civil Rights Movement and the cultural upheaval of the 1960s, particularly America but in turn around the world, Regina King has directed a sublimely reflective film about the notion of celebrity and influence. Something of a slow burn, loaded with one-two gut punches. Very moving.

Dreams Of A Life (2011 – 95 minutes – All4)

Joyce Vincent’s died in a London bedsit in 2003. Her body wasn’t found for three years. With this part-documentary/part-drama, Carol Morley explores Vincent’s life, how a vivacious and much-loved woman could have been left for so long-unnoticed, through insights from her friends and family & recreation from Zawe Ashton as Vincent. A remarkable and essential watch.

Pick of the Week #1

I’ve decided I’m going to rebrand some of my regular features here. This one will replace TV Tuesdays. I’ve started a stint on our school radio station doing weekly recommendations, so I thought I’d share them here too. Here’s the back catalogue of TV Tuesdays: #1, #2, #3, #4, #5 , #6 and #7.

Tv: Pandemonium 

Shown over the Festive period, and currently a one-off sitcom at only 29 minutes long, this is a bit of gem. It’s one of the few shows so far to have been filed, set in pandemic and is about the effect it has on families – told in a darkly comic way. We see the family on their October holiday – determined to have a family break even if won’t be as good as that trip-of-a-lifetime to the states they had planned. The editing, cutting between October and earlier in the year, is just so superb. Bitterly funny and with some winning lines from Alison Steadman.

Film: Wild Rose

There’s this tradition in British cinema for underdog stories – of those with unlikely talents in unlikely positions dreaming of more. This is up there with the best of them, with Glaswegian Rose (played by Jessie Buckley) dreaming of being a country singing sensation and a life beyond on the estate she lives on. Sad yet hopeful, and so feelgood.

Book: This Time Next Year by Sophie Cousens

As a unabashed and unashamed fan of the romcom, I end up reading a lot of them. This top tier, needs to be adapted into a tv series asap. Minnie ends up spending New Year’s Eve locked in a toilet cubicle, rescued hours into the New Year by Quinn. It turns out it’s not their first meeting, and it certainly won’t be their last. Hoping between povs and different time periods – this book beautifully balances very romantic romance with hysterical comedy.

Song: “You Make Me Feel (Mighty Real)” by Sylvester

Released in 1978, in a time where there was so much turmoil in lots of communities across the world, this disco anthem incredible for how it’s a joyous celebration of love and life, finding hope and happiness within the dark times -which feels apt for these times we currently find ourselves in.

STWS #15

Welcome back. Lovely to see you again, even if the circumstances (what with Lockdown 3.0 and the world on fire) are decidedly less than desirable. As always, what follows are 7 film recommendations to help you with your picking what to watch.

Here’s the back catalogue: – #1#2#3, #4#5#6#7#8#9 , #10#11#12 #13 and #14.

Dredd (2012 – 85 mins – Netflix)

It’s taken over 8 years and counting, but it feels like Dredd is finally getting some of the recognition it deserves. One of the most underseen comic book movies as well as being one of the finest of the genre. It’s a fantastic take on the 2000 AD comic strip Judge Dredd with Karl Urban (currently most recognisable for his leading role in Amazon’s The Boys) playing the eponymous law enforcer. It’s brutal (strong 18) with incredible special effects, a tau thriller of a narrative and packed full of dark humour.

Pepe the Frog: Feels Good Man (2020 – 92 mins – BBC iPlayer)

I’ve slowly but surely been working my way through the Storyville series on BBC iPlayer. It’s a documentary strand that currently comprises 35 contemporary and challenging documentaries from different filmmakers gathered from across the globe. Some are familiar titles, otten with titles slightly edited, and some are unknown gems – like this one was for me. Loosely aware of the Pepe the Frog meme but knowing nothing about the context in which it was created or how it has since been horrifically warbed and used in terrifying ways, I went in totally blind with this one. Wow. Seeing this just days before the events in Washington this week added a horrific timeliness and an answer of sorts to the question ‘How did we get to this point?’

Casablanca (1942 – 102 mins – BBC iPlayer)

I started to really get into film when I was twelve. For the next few years I’d have these phases we’re I’d discover a genre/theme/actor and obsessively get into it. My discovery of Casablanca, somewhat oddly, happened in my Summer of Film Noir (yep, I was one cool kid…) If you’re yet to see it and have dismissed it as everyone always talks about it, hear me out. Give it a try this week. Why? It’s funnier than you might think, exquisitely filmed and has some sublime performances just across the board. There’s just how brave and ahead of its time it was, whilst being truly of it’s time too. This was filmed and released in 1942 – WW2 had been raging for years with no end in sight. Watch this and dare tell me it’s not audacious and revolutionary. And, I hate to carry on referring to current events but – I think we all need some hope this week.

Bridget Jones’s Diary (2001 – 97 mins – Netflix)

This film celebrates its 20th anniversary this year – isn’t that MAD?!?! (Answer, yes. v.mad) After watching this fantastic documentary over the festive period, I was compelled to rewatch the film with fresh and informed eyes. It really does hold up (workplace sexual harassment aspects aside…). As I grow closer to Bridget’s age, having had far too many entanglements and experience that could be described as Bridget Jones moments, I appreciate all the more just how bold her character is – with Renée Zellweger capturing her and the single woman experience so beautifully. And I won’t get started on Colin Firth and Hugh Grant in this film. The former has ruined my romantic expectations for life and the latter would just ruin me.

Gone Girl (2014 – 159 mins – Amazon)

And this week’s underappreciated romcom slot goes to… Ha! There’s really not much I can say about this film because you’ve either seen it already (and seeing it here now you know you want to rewatch it) or you haven’t seen it yet (and therefore I don’t want to spoil things by telling you too much about it as you should now go and watch it). A top-tier thriller by David Fincher, dark and wonderfully twisted.

Hustlers (2019 – 110 mins – Amazon Prime)

I once saw this described as ‘Goodfellas but strippers’ – whilst I appreciate the sentiments, that buzzphrase sort of misses the point. Director and co-writer Lorene Scafaria has made a modern classic here, expertly and seemingly effortlessly utilizing the female gaze. The based-on-a-true-story about a crew of savvy former strip club employees who band together to turn the tables on their Wall Street clients is just magnificent.

Instant Family (2018 – 118 mins – Sky/NowTv and, from sunday, Netflix )

I reckon it’s a safe bet to say that you looked at the below still and formed a judgement about this film based on Mark Wahlberg and, to a much smaller extent because of her varied back catalogue, Rose Byrne. At least, that’s what I did. However, skip this one at your peril as you’ll be missing out. This is one of the finest and funniest family dramas in recent year, following a couple who find themselves in over their heads when they foster three children. Inspired by the personal experience of the film’s director, Sean Anders, this really is a feelgood delight.

20 from 2020: My favourite films of the year and where to find them

It’s the last day of the year, and I’ve put off doing this list for long enough. Instead of doing a top ten films of the year, I’ve decided to do a bumper addition. 2020 brought few joys with it but quality books (as demonstrated here) and films were not in short supply. So, in no particular order, here’s my 20 films of the year. (Two disclaimers: These are of the films I’ve seen, there’s a few I just haven’t been able to fit in yet so there are a few blindspots. I’ve gone for UK release date – either in cinema or VOD where applicable.)

FilmRunning TimeAvailable to watch Current priceMy review?
The Personal History Of David Copperfield119 minsAmazon Primeincl. in subscription Film Stories
A Beautiful Day In The Neighbourhood 109 mins Sky/NOWtv incl. in subscription Feature in FS #11
Parasite132 mins  Amazon Prime incl. in subscription 
Portrait Of A Lady On Fire122 mins  AmazonMUBI add-on (free 7 day trial, then £9.99 a month) 
Emma. 124 minsSky/NOWtv incl. in subscription  Film Stories
Ema 107 mins ALL4Free  
The Assistant87 mins Sky/NOWtv   incl. in subscription  
Clemency 112 mins Sky/NOWtv incl. in subscription   
Saint Frances101 mins  CurzonRent for £1.99  
Perfect 10 83 minsBBC iplayer Free  
Babyteeth118 mins  Netflix incl. in subscription   
Les Miserables 104 minsNetflix incl. in subscription    
The Broken Hearts Gallery 109 mins AmazonPre-order for Jan 4th, £9.99 to buy  
Rocks93 mins  Netflixincl. in subscription    Movies on Weekends
THE FORTY YEAR OLD VERSION123 mins  Netflixincl. in subscription   
Lovers Rock 70 minsBBC iplayer Free  
County Lines 90 mins BFI playerRent for £10  Feature in #21 of FS
Boys State 109 mins Apple Tv+incl. in subscription    
Wolfwalkers 103 minsApple Tv+ incl. in subscription     
The Invisible Man 123 minsSky/NOWtv incl. in subscription    

Something-To-Watch Saturday #14

This will be the last edition of STWS of 2020, and we’re going out with a banger of a list. Thank you so much for reading these, I do hope they’ve been useful! Here’s the back catalogue: – #1#2#3, #4#5#6#7#8#9 , #10#11#12 and #13.

Their Finest (2016 – 117 mins – BBC iPlayer)

I’m cheating a little here when it comes to this week’s Underseen Romcom – as this is technically more of a rom-com-drama. However, it features my favourite all-time favourite trope of hate-to-love with two of the UKs finest (in both senses of the word!) actors – Gemma Arterton and Sam Claflin. She plays a former secretary, newly appointed as a scriptwriter for propaganda films, who joins the cast and crew of a major production while the Blitz rages around them. He’s the established talented writer who feels put-out being forced to work with her. The fact this story is propelled by an superb chemistry, an epic supporting cast (Richard E. Grant, Bill Nighy, Eddie Marsan, Helen McCrory, Jeremy Irons, Jake Lacy and Rachael Stirling) and is a film about making a fim – well it’s close to cinema perfection in my eyes.

Far From The Madding Crowd (2015 – 119 mins – BBC iPlayer)

Forget Darcy. Forget Rochester. You’re sleeping on Gabriel Oak. Played by Matthias Schoenaerts in this version, he’s just wonderful. He’s one of three suitors pursing Bathsheba Everdene (Carey Mulligan), a woman whose headstrong and independent nature is atypical for Victorian England. Alongside Gabriel there’s the older, prosperous and dependable bachelor William (Michael Sheen) and the young, reckless & hedonistic Sergeant Francis Troy (Tom Sturridge). An excellent adaptation with one of Mulligan’s finest & most underrated performances.

Bumblebee (2018 – 114 mins – Netflix & SkyGo)

When is a Transformer movie not really a Transformer movie? When it’s this movie. This is a wonderful action/sci-fi/adventure movie rooted in the traditions of Spielberg & other 80s classics. Nostalgia is dialled up to 11 courtesy of an epic soundtrack (The Smiths, Duran Duran, Tears For Fears and Steve Winwood to name but a few). It’s 1987, Bumblebee finds refuge in a junkyard in a small California beach town. On the cusp of turning 18 and trying to find her place in the world, Charlie Watson (Hailee Steinfeld) discovers Bumblebee, battle-scarred and broken. Such a charming delight.

Stage Mother (2020 – 93 mins – Netflix)

By no means a flawless movie (Adrian Grenier being one of it’s multiple issues) this is a really sweet, low budget indie about a conservative church choir director (Jacki Weaver) who inherits her late son’s San Francisco drag club. The by-numbers fish-out-of-water culture-clash narrative isn’t the reason to watch, the reason to give this a go is the moving performances by the club performers (Mya Taylor, Allister MacDonald and Anthony Skordi) who each portray all-too real storylines. Taylor in particular is a stand-out who hasn’t been given nearly enough opportunities since 2015’s Tangerine.

Frances Ha (2012 – 86 mins – Amazon Prime)

We don’t talk nearly enough about friendship break-ups. Speaking from personal experience, they hurt just as much – if not more – as romantic break-ups. This fim, about a New York woman played by Greta Gerwig (who doesn’t really have an apartment) who apprentices for a dance company (though she’s not really a dancer) and throws herself headlong into her dreams, even as the possibility of realizing them dwindles, is one of the few that depicts the painful disintegration of friendship. Funny, sad and bittersweet – one of Noah Baumbach‘s finest. Also, there’s some Adam Driver for all you stans out there (I see you Bleakley!)

Mary & The Witch’s Flower (2017 – 103 mins – All4)

Based on “The Little Broomstick” by Mary Stewart, a strange flower grants a girl magic powers. The less said about this one, the better. A really charming coming-of-age fantasy story that will linger with you long after watching.

I’m Your Woman (2020 – 120 mins – Amazon Prime)

There’s something wonderfully old fashioned yet brilliantly refreshing about this one. In this 1970s set crime drama, a woman (Rachel Brosnahan, unrecognisable from The Marvelous Mrs. Maisel) is forced to go on the run after her husband betrays his partners, sending her and her baby on a dangerous journey. Arinzé Kene (a man who isn’t yet as big a star as he deserves to be) is the man tasked with helping them on their journey. A slowburn packed with unexpected moments that makes for utterly enthralling watching.