‘I made you look like a prince on the outside, but I didn’t change anything on the inside’
‘We’re all family here.’
‘We’re all family here.’
“Our team is the elite of the elite.”
“What we lost in the fire, we found in the ashes.”
To begin with, a confession. I’ve not actually seen 1960 original of ‘The Magnificent Seven’ (I type this whilst wearing an expression of utter chastisement)… So this review will be unique as I won’t be comparing the two films but writing about this version on its own merit (she types whilst hiding desperately in the hope of not losing her wannabe film critic status!) Now we can begin!
In 1870’s American corrupt industrialist and baron Bartholomew Bart (Sarsgaard) is determined to takeover the mining town of Rose Creek. An impromptu meeting results in the death of many town’s people, including the husband of Emma Cullen (Bennett). She’s determined to save her town and get revenge for her husband’s murder so calls upon the help of bounty hunter Sam Chisolm (Washington) who brings together a group of gunslingers to help him.
Where this film excels is in providing fun. Whilst utilising a diverse cast it still uses the cliches we’d expect from a Western and plays around with them. We’ve got the gambler, the sharpshooter, a knife-wielding assassin, a tracker, a warrior and an outlaw being fronted by an officer of the law. They all say and do the things we’d expect them to do, yet the film and the actors themselves do this so successfully that we end up being unable to resist the charm of the whole affair. The cast are all fantastic and truly bring their characters to life.
Washington provides a winning performance as a man closed-off and haunted by his past, determined to get the revenge he has been seeking for decades.Hawke and Lee make for an excellent double act and have an instantaneously excellent rapport. Garcia-Rulfo has an intriguing charisma, although rarely at the centre front you are constantly aware of his presence. Sensmeier is superb as the Comanche warrior who says little but does a lot. D’ Onofrio ends up being very sweet as Jack Horne, a ‘bear in people’s clothes’. MVP has to be Chris Pratt providing another charmer you hate-to-love. He’s as watchable as ever (just look at that face and tell me otherwise) and provides some of the best gags.
There’s something endearingly old-fashioned about the movie – the characterisation, the lack of any blood whatsoever and the representation of violence. Most exchanges end up with a lot of death which the film doesn’t ponder the morality of. In fact the film goes for the ‘guns are cool’ approach which somewhats conflicts with the more modern elements of the show.
Whether this remake ‘needed’ to happen is not being debated here (as I cannot do so due to my ineptitude as a film person!) However it’s a more than entertaining thriller and it’s a true pleasure to see some old-fashioned heroes on the big screen. There’s a whole lotta charm if not quite magnificence in this throwback to old school Hollywood.
Country:USA Year: 2016 Run time: 132 minutes
The Magnificent Seven opened in UK cinemas on September 23rd.
It’s really a Bare Necessity that you see it!
For reasons somewhat unknown and potentially puzzling for many fans, Disney has decided to make a series of live-action versions of their animated classics. Apparently there are even 15 currently being planned. If they are all even half as good as this one then it’s not something to worry over. The Jungle Book (2016) is a marvelously wonderful adaptation that is both true to the original 1968 film yet with enough of its own nuances for a fresh-feel.
Mowgli was only a baby when he was found alone in the jungle by Bagheera the black panther (Ben Kingsley). Bagheera took Mowgli to the group of animals in the jungle who would best be able to care for him and protect him – the wolf pack. Raised by surrogate mother Raksha (Lupita Nyong’o) and pack leader Akela (Giancarlo Esposito) and bought up alongside their wolf cubs Mowgli learns the ways of the wolves, but as he is getting older Mowgli’s (Neel Sethi) progress is starting to lag behind his wolf siblings. One day, during the dry season, all the animals of the jungle are gathered to drink what remains of The Water Truce when Bengal tiger Shere Khan (Idris Elba) makes a reappearance after years away. Shere Khan smells Mowgli’s scent and warns the wolfpack to get rid of him or face the consequences. Bagheera offers to escort Mowgli back to the land of the man but the pair get separated on the journey. A close encounter with an enormous Indian python called Kaa (Scarlett Johansson) leads to Mowgli meeting Baloo the bear (Bill Murray). A true friendship begins to form between them but how long can it last with Shere Khan still desperate to hunt and kill Mowgli?
There are three key things that have been perfected to make this film as good as it is. Hopefully one of the things you noticed as you read the above plot summary is the cast. Firstly, how good is that cast!?! Look at the incredible group of actors that were brought together. Then look individually at each actor and the character they play. It’s not often you get to say that every casting choice is perfect within a movie and it’s something that you can say applies to this film. Kingsley provides the necessary paternal warmth hidden under layers of no-nonsense concern. Nyong’o as Raksha is a wolf fiercely protective and not afraid to speak out when it’s needed. Elba is fantastic, a properly scary villain, who growls around the land. Johansson’s Kaa is suitably seductive and hypnotic. But the award for most outstanding vocal contribution has to go to Bill Murray providing a performance that is un-bear-ably endearing and amusing in equal measure. How young newcomer Neel Sethi manages to hold his own is an incredible feat which he appears to do with ease. Let alone the fact he spends the film acting alongside CGI animals…
Leading to the second area in which this film excels – the visuals. I’m on the fence about 3D usually. After seeing too many films which claim 3d status yet do little to warrant it I tend not to be overly excited when having to choose between 2d and 3d showings.The Jungle Book is the first film in an age where I’ve been so glad I booked that 3d ticket. The depth of the frame, the landscape, the animals fur, the movement of the water and the curse of the red flower. All of these aspects are superbly enhanced by the 3d. Whilst aware of the cost it can add to a cinema visit I would firmly recommend seeing this film in 3d to access the added textures and wondrous depths it provides. The animals themselves are beautiful and almost life-like in how they look and move.I now desperately want to cuddle a baby wolf and sit upon a giant bears stomach as we float through the river.
Thirdly there’s the direction.Director Jon Favreau ensure first and foremost that this is a children’s movie whilst avoiding any pandering or talking down to the children. The film has enough darkness to give it bite – mildly frightening as opposed to truly scary. There’s even a lesson or two to be learned along the way. Unlike the original animation this film is not a musical but two of the classic songs are included – ‘The Bare Necessities’ is sung by Mowgli and Baloo during the aforementioned river floating sequences and Christopher Walken talk-sings his way through ‘Wanna Be Like You’ in such a wonderfully charming yet ultimately threatening manner – that feel like a natural fit as opposed to being shoe-horned in.
This may just be the most enchanting film of the year so far. It’s a marvellous visual spectacle told with wit and warmth. A treat for the eyes, ears and heart.