Something-To-Watch Saturday #12

It’s Saturday and you’ve come for some movie-watching ideas. Here’s 7 more and here’s the back catalogue if they’ve not scratched that itch – #1, #2, #3, #4, #5, #6, #7, #8, #9 , #10 and #11.

Uncle Frank (2020 – 95 mins – Amazon Prime)

One of the few joys to arise in 2020 has been the amount of fantastic indie movies, which arguably have had a little bit more space this year with blockbusters having been near-universally postponed till 2021 at the earliest. Uncle Frank is very much one of the cream of the crop with a lead performance by Paul Bettany, as the eponymous Uncle Frank, that deserves awards recognition. In 1973, when Frank Bledsoe and his 18-year-old niece Beth (Sophia Lillis) take a road trip from Manhattan to Creekville, South Carolina, for the family patriarch’s funeral, they’re unexpectedly joined by Frank’s lover, Walid (Peter Macdissi). The film’s focus is Frank aligning his past trauma with his present, and his fears over his family finding out about his sexuality. The end result is a film that is softly moving, immensely charming and bittersweetly emotive. Such a delight.

Monsoon (2019 – 85 mins – BBC iPlayer)

Kit (Henry Golding) a British Vietnamese man, returns to Saigon for the first time in over 30 years, after fleeing during the Vietnam-American War. A beautifully empathetic look at the immigrant experiences, of being of two places but feeling like you belong to neither. Thoughtful, delicate and graceful.

Crazy Rich Aisans (2018- 120 mins – Amazon Prime)

This week’s underseen romcom slot also serves as a Henry Golding double bill. Here he plays the heir to an immense fortune, not that his girlfriend Rachel (Constance Wu) has any idea just how rich he is as she finds out on the way to meet his family for the first time. All the romcom tropes we know and love are here, featuring a terrific and diverse cast and some spectacular riches. A really likeable and very sweet addition to the canon. Click here to read my full review.

Galaxy Quest (1999- 102 mins – Netflix)

‘Never give up, never surrender’ – that was the catchphrase of cult tv series Galaxy Quest. It’s a phrase the show’s cast Jason (Tim Allen), Gwen (Sigourney Weaver), Alexander (Alan Rickman), Fred (Tony Shalhoub) and co. know all to well. They’ve been churning out for years at various fan conventions and promo appearances. But when they’re visited by actual aliens who think the series is an accurate documentary they quickly become drawn in a very real intergalactic conflict with thousands of lives at risk. This is one of the finest comedy films, possibly ever. It’s fantastically written, parodying fandom with much love and affection, and so well performed by a cast of total icons.

Arthur Christmas (2011 – 97 mins – Netflix)

Another Christmas gem for you, this time we’re with Santa’s (Jim Broadbent) clumsy son Arthur (James McAvoy) as he sets out on a mission with Grandsanta (Bill Nighy) to give out a present they misplaced to a young girl before it’s too late and her Christmas is ruined. A sweet and heart-warming tale, with some inventive animation and charming voice cast.

Shame (2011- 101 mins – All4)

A sex addict’s (Michael Fassbender) carefully cultivated private life falls apart after his sister (Carey Mulligan) arrives for an indefinite stay. The directorial debut of Steve McQueen (who currently has a phenomenal miniseries airing on BBC every Sunday, Small Axe – five films that are love letters to Black London history) this is an astonishing and haunting film about addiction & it’s concealment under artifice. Wonderfully shot and performed, this is a total must-see.

Pan’s Labyrinth (206 – 118 mins – Amazon Prime)

Without a doubt, one of the greatest films of the 21st century, Guillermo del Toro‘s film is set in the Falangist Spain of 1944, where the bookish young stepdaughter (Ivana Baquero)of a sadistic army officer (Sergi López) escapes into an eerie but captivating fantasy world when a magical creature (Doug Jones) gives her the chance to save her pregnant mother’s life. Insert list of superlatives here – I just love this film so so so so much. (Also, any English teachers reading this, I have a great resource using the Pale Man scene to teach GCSE English Language Paper 1, Q3 – slide into my DMs if interested…)

Tv Tuesday #5

One sentence summary – 3 suggestions of tv shows you may have missed and will probably love. Are you not entertained? Give #1, #2, #3 and #4 a try.

The Vow (2013-2016 : 9 x 60 mins : Sky/Now TV )

This documentary series may just have been the most compelling thing I have watched all year. I’d been vaguely aware of the story about self-improvement group NXIVM due to the involvement of Alison Mack, who I’d loved in early years of Superman show Smallville. But there is so, so much more the story – it really does have to be seen to be believed. In episode one we met some central members of the group who are deciding to leave, all-too aware of the consequences they may face if they do. With each episode more is revealed and unravelled. What this series does so fantastically is destroy the myth of people who believe they’re ‘too smart’ to ‘fall for’ a cult. Here we see the how and why people join such groups, and the insidious reach this group had. Darkly unnerving and hard to shake off.

Hindsight (2015: 10 x 30 minutes : Amazon Prime)

On the Pilot Tv podcast, the team end each episode with a chance to Banshee a show of their choice – a show that was cancelled too soon and/or is little scene. This would be my pick, both a show cancelled too early and that wasn’t seen by enough people, with a concept I think about a lot. Becca, as she nears 40, is about to embark on her second wedding to Andy Kelly, but her joy is tempered by the absence of her old best friend Lolly who’s a no-show, having dropped out of their relationship years ago. And so, courtesy of a time travelling lift, Becca awakes in 1995 – knowing everything about her future and with chance to change it all for the better. A wonderful story about friendship, love and choices – with also some of the best uses of 90s nostalgia in recent tv history.

Industry (2020 – : 8 x 50 minutes : BBC iPlayer)

The plot summary for this is ‘Young bankers and traders make their way in the financial world in the aftermath of the 2008 collapse.’ In all honesty, having seen all 8 episodes, I have no memory of any substantial plot-impacting mention of the 2008 collapse. Instead we follow a group of young and sexy people who work in a bank be young and sexy as they work in a bank. It shouldn’t be so engrossing, yet it really is. The main reason for that is the development of both character and story over the course of the 8 episodes. The characters become more interesting, more developed yet varying degrees of incomprehensible. The story begins to get braver, saying scathing things about the industry that finds value in everything but human lives. It’s mad, ludicrous, mostly unbelievable and yet I find myself already looking forward to season 2.

Something-To-Watch Saturday #11

It’s Saturday and you’ve come for some movie-watching ideas. Here’s 7 more and here’s the back catalogue if they’ve not scratched that itch – #1, #2, #3, #4, #5, #6, #7, #8, #9 and #10.

A Star Is Born (2018 – 136 mins – Amazon Prime)

Bradley Cooper‘s directorial debut happens to be the 4th version of the A Star Is Born story is perfectly adapted to the 21st Century. He plays country/rock megastar Jack, who drunkenly stumbles into a drag bar and meets the love of his life, an exceptionally talented singer called Ally (Lady Gaga). As she finds fame and glory, alcoholism and Jack’s own demons send him on a downward spiral. Beautiful, loving and intimate. (Click here to read my full review)

Searching For Sugar Man (2012 – 86 mins – Amazon Prime)

For a generation of South Africans, Rodriguez was their unlikely musical hero. Not knowing anything about him or why he stopped releasing music, two documentary makers go in search of him and answers. A story about the power of art, how music can soundtrack societal change and the unexpected twist of life. Stranger than fiction, this is an incredible story about a true talent.

Military Wives (2020 – 112 mins – Amazon Prime)

There’s a group of films released in March 2020 that had their release curtailed and didn’t get the release or audience they deserved. Military Wives is one of those. Inspired by the fourth series of the documentary series The Choir, where choirmaster Gareth Malone joins communities and inspired them to come together through singing. This is a lovely watch lead by two excellent performances by Kristin Scott Thomas and Sharon Horgan.

Minding The Gap (2018 – 93 mins – BBC iPlayer)

One of the finest and most personal documentaries of recent years, three young men bond together to escape volatile families in their Rust-Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. Incredibly moving and profound.

The Wedding Singer (1998 – 87 mins – Amazon Prime)

This week’s underseen RomCom is the film that results in my taking any bad Adam Sandler performances personally, as he’s just so good here. He plays Robbie, a singer, who befriends new-in-town Julia (Drew Barrymore), a waitress. Both are engaged, but to the wrong people. Fortune intervenes to help them discover each other. So funny and charming, with some excellent cameos. (Side note: The film is set in 1985, so 13 years before release. If you were to make a film with the same time gap now, it would be set in 2007…)

Our Little Sister (2015 – 127 mins – BBC iPlayer)

Three sisters (Haruka Ayase, Masami Nagasawa and Kaho) live together in the house of their Grandparents in Kamakura, Japan. The news of their estranged father’s death also results in their discovery of the existence of their half sister (Suzu Hirose). The trio invite their newly-found sister to come and live with them, leading to much change for all four young women. Exquisite filmmaking.

Nativity! (2009 – 105 mins – Netflix)

There’s a good chance I’ll end up compiling a list of Christmas movies and where to find them. For now, here’s something to start you off. An uptight but secretly heartbroken primary school teacher’s (Martin Freeman) little white lie about Hollywood coming to see his class’ nativity play grows like wildfire in his rag-tag school low on self-esteem. Maybe it’s the fact I work with young people that adds another level of funny onto this film for me, but I really think this is a underseen and endearing festive treat.

Something-To-Watch Saturday #10

Insert pithy comment here about lockdown-induced breakdowns here. Read below if you’d like some movies to watch and escape into. If you’d like to chose from 9 other combinations of seven specially chosen films, then click through here – #1, #2, #3, #4, #5, #6, #7, #8 and #9.

A Man Called Ove (2015 – 118 mins – Amazon Prime)

Speaking directly to you right now. If you’re going to pick any of these films to watch, could you please take a chance on this one? I’m sure you won’t regret it (and I’m not just saying that because I was quoted on the poster/DVD case – humblebrag noise) I called it ‘A beautiful and uplifting tale’ then and I stick with it now. Ove is a curmudgeonly figure who looms heavily over his housing estate. When he’s fired from his job it’s the final straw and he decides he’ll commit suicide. But his new neighbour and her family inadvertently interrupt his plans, uncovering Ove’s past and hidden soft side. Few films have made me simultaneously laugh and cry to this extent. The queue to the ladies toilet at Canterbury Curzon afterwards was just was a just a line of us sniffling in disbelief at how joyous this film is. So, go watch it. Please?

Whip It (2009 – 111 mins – Amazon Prime)

Directed by Drew Barrymore, starring Ellen Page, Alia Shawkat, Marcia Gay Harden, Kristen Wiig, Zoë Bell, Eve and Juliette Lewis in a movie about roller derby that happens to be one of the greatest coming-of-age movies of the 21st Century. ‘Nuff said.

The Guernsey Literary and Potato Peel Pie Society (2018 – 124 mins – Amazon Prime)

An underseen gem of a period drama, set in the aftermath of WW2 when a writer (Lily James) forms an unexpected bond with the residents of Guernsey Island (Tom Courtenay, Michiel Huisman, Katherine Parkinson) when she decides to write a book about their experiences during the war. So bloody charming.

An Education (2009 – 100 mins – Amazon Prime)

Directed by Lone Scherfig with a screenplay Nick Hornby  and astonishing central performances by Carey Mulligan and Peter Sarsgaard, this is coming-of-age story about a teenage girl in 1960s suburban London, and how her life changes with the arrival of a playboy nearly twice her age. Exquisite costumes, pitch-perfect script and a stellar supporting cast.

Down With Love (2003 – 101 mins – Amazon Prime)

This week’s underseen RomCom is set in 1962 New York City, when love blossoms between a playboy journalist (Ewan McGregor) and a feminist advice author (Renée Zellweger). A superlative pastiche and loving tribute to the era of Rock Hudson & Doris Day, that also has this sequence that is one of finest uses of comedic editing in 21st century cinema

A Simple Favour (2018 – 117 mins – BBC iPlayer)

Stephanie (Anna Kendrick) is a single mother with a parenting vlog who befriends Emily (Blake Lively), a secretive upper-class woman who has a child at the same elementary school. When Emily goes missing, Stephanie takes it upon herself to investigate. Camptastic cinema of the finest order.

Attack The Block (2011 – 88 mins – Film4)

Proof, were it ever really needed, that John Boyega has always had the charisma of a star. Written and directed by Joe Cornish, a teen gang in South London defend their block from an alien invasion. Funny, tense and a little bit scary – perfect Saturday night watching.

Something-to-watch Saturday #8

It’s the first Saturday of Lockdown 2: Electric Avenue. You want some movies to watch? Then you’ve come to the right place. What follows may just be the most eclectic mix so far, because you’re worth it. #1, #2, #3, #4, #5, #6 and #7.

Locke (2013 – 85 mins – Amazon Prime)

Tom Hardy on his own in a car for 85 mins may sound appealing for only a certain demographic – but you’d be mistaken. This tense and taut film follows Ivan Locke (Hardy), a dedicated family man and successful construction manager as he receives a phone call on the eve of the biggest challenge of his career. A call that will set in motion a series of events that threaten his carefully cultivated existence. Written and directed by Steven Knight (creator of Hardy-starring series’ Peaky Blinders and Taboo) is fantastic thriller. If you ever find yourself in ay doubts of Hardy’s acting prowess, rectify those thoughts by watching this.

Parasite (2019 – 132 Mins – Amazon Prime)

Parasite winning the Oscar for Best Picture may have been the only good thing to happen this year (so far… *wink wink*). If you’ve not seen it yet, now is your chance and hopefully you’re going into it completely blind – which is why I’ll hold back on any plot summaries. Pop it on and watch master director Bong Joon Ho at work.

Uncorked (2020 – 104 mins – Netflix)

I strongly believe we’ve only just scratched the surface when it comes to the power of Mamoudou Athie as an actor. With his scene-stealing turn in the wonderful Patti Cake$ and an underutilised role in The Front Runner, Jurassic World: Dominion might finally propel him to the forefront. Watch Uncorked to see what I’m going on about. In Uncorked he plays Elijah, a young man balancing his dream of becoming a master sommelier with his father’s expectations that he carry on the family’s Memphis BBQ joint. A quiet yet moving drama.

Assassination Nation (2018 – 108 mins – Netflix)

You know how a film can define a particular period of time? I reckon this will be one that defines the Trump era. A blistering – very much 18-age-rating – movie set in the perpetually American town of Salem, when a malicious data hack exposes the residents secrets, chaos descends and four girls must fight to survive, while coping with the hack themselves. This is the film The Purge wishes it could be – full of rage. If cinema holds up a mirror to society then this film lets us see what we truly are, which is UGLY*. (* Yes, the She’s The Man reference was intentional – adding a bit of light relief to the cold hard truth of this film…)

Spider-Man: Into The Spider-Verse (2018 – 117 mins – Netflix)

Seeing this film was my all-time favourite film watching experience. At a press screening at Leicester Square Imax, surrounded my by friends, seeing a film I’d heard a lot of hype about (the US reactions dropped earlier that day) but not quite believing. The hype was real guys. Teen Miles Morales becomes the Spider-Man of his universe, and must join with five spider-powered individuals from other dimensions to stop a threat for all realities. Beautifully animated and powerfully told – this is all kinds of wonderful.

Eddie The Eagle (2015 – 106 mins – Amazon Prime)

One of the most feelgood films of the past decade, Taron Egerton is almost unrecognisable as Eddie Edwards, the notoriously tenacious British underdog ski jumper who charmed the world at the 1988 Winter Olympics. Hugh Jackman plays his coach, a composite character inspired by figures Edwards met along the way of his infamous Olympic career. Dexter Fletcher‘s film is charming, funny and totally endearing.

Plus One (2019 – 98 mins – Netflix)

Jack Quaid is currently best known for his role in Amazon’s bloody comic book adaptation The Boys, but if you fancy seeing him do something different then this, my pick for underseen romcom of the week, is the one for you. Here he plays Ben, a longtime singleton who agrees to be the plus one to his friend Alice (Maya Erskine) at every wedding they’ve been invited to, in order to help each other endure a summer of wedding fever. This one feels less like a movie, than hanging with two friends you’re desperate to get together. Understated and really delightful. (Click here to read my full review for Film Stories)

TV Tuesday #1

As there’s a good chance any of us will be watching a *lot* more telly over the coming month, I thought I’d start up with some recommendations again. So begins this new feature (which I like to sing to the tune of Ruby Tuesday by The Rolling Stones). Each week I’ll pick three tv series – most likely at random – that I think may appeal for all manner of reasons…

The West Wing (1999 – 2006)

7 seasons – 156 episodes – Free on All4

I’ve always wanted to watch The West Wing as I was always certain I’d love it. Why? ‘Because I’m a lily-livered, bleeding-heart, liberal, egghead communist.’ Shying away from the commitment of buying on DVD or VOD, I hoped I’d get around to it at some point. Then, on October 21st 2020, all 156 episodes dropped on All4. And fellows, it is *everything* everyone has ever said about it and more. It’s superbly written, constructed and performed. It’s been optimistic balm for this weary soul (which may have inadvertently made the fast-approaching US election result even more terrifying). I’m 22 episodes in, I fancy and am in love with pretty much all of the cast at this point, have felt weepy on average once an episode and sobbed my way through one truly masterful episode that might just have been the most perfect piece of TV I have ever seen. In short? Go watch it, then let’s walk and talk.

Below Deck (2013 – )

105+ episodes : Season 1, 2 and 3 Amazon Prime (Season 4 onwards requires hayu subscription)

And now for something very different, something which I’m still trying to pinpoint how and why I am so addicted to. I started to work it out in this VodZilla article for the similarly themed Selling Sunset but it’s still not conclusive. Is it the exotic locations? The guests who are varying degrees of trash? The crew who can be varying degrees of trash? The work-place conflict? The 21st Century Marie Antoinette levels of excess and indulgence? Or all of the above? I binged this like I have never binged before. I thought season 1 was okay, but once I found out the fact the guests have no inkling of the crew’s dramas I was sold (competence and professionalism ftw!) It’s just so good guys, but I think you need to indulge to truly believe it. Pure trashy reality tv that I’d like plugged into my veins during this difficult time. Oh, and if approx. 5250 minutes (and counting) of this tropical trash is not enough for you, Amazon also has both Below Deck spinoffs Mediterranean (85 episodes) and Sailing Yacht (17 episodes).

Lovesick (2014 – 2018)

3 series : 22 episodes : Netflix

A lot of people got put off this show with it’s series one title of ‘Scrotal Recall’ (which, child that I am, still makes me smirk each time I say it..) which is a real shame as this show started out rather brilliantly then became something so beautiful and profound. It’s the story of Dylan (Johnny Flynn, swoon) testing positive for an STD and deciding to use the informing his exes of his status as an opportunity to find out where he went wrong in their relationships. Along for the journey are his housemates Luke (Daniel Ings, swoon) and Evie (Antonia Thomas, swoon). The result is a realistic romantic comedy, funny and sweet yet occasionally dark and melancholy. It’s well-written, charming and immensely feelgood.

Something-To-Watch Saturday #

Welcome back for another edition of STW-S. Here’s this week’s 7 movie recommendations of unseen gems. Not enough for you? Check out the past editions here: #1, #2, #3, #4, #5 and #6.

The Farewell (2019 – 100 mins – Amazon Prime)

To start with, a joyful happy-sad story about Chinese family discovering their grandmother has only a short while left to live and decide to keep her in the dark, scheduling a wedding to gather before she dies. The fact it’s based on writer-director Lulu Wang‘s real life experiences only adds the poignancy.

Crazy Stupid Love (2011 – 118 mins – Amazon Prime)

This week’s underrated romcom slot goes to a film I find myself rewatching regularly for two reasons. The first is the cast Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone, Kevin Bacon and Marisa Tomei. The second is just how well the story is told, with every plot point weaved in and playing out so perfectly. A middle-aged husband’s (Carell) life changes dramatically when his wife (Moore) asks him for a divorce. He seeks to rediscover his manhood with the help of a newfound friend, Jacob (Gosling), learning to pick up girls at bars.

Only You (2018 – 119 mins – Netflix)

Elena (Laia Costa) and Jake (Josh O’Connor) meet by chance on New Years Eve, arguing for the same taxi. However, instead of going their separate ways after sharing a taxi ,they start a passionate relationship. The end result is a film that is quietly profound and full of intimacy, just beautiful.

Fish Tank (2009 – 123 mins – Netflix)

This film, by writer-director Andrea Arnold, is one of the finest British movies of the 21st Century. Everything changes for 15-year-old Mia (Katie Jarvis) when her mum brings home a new boyfriend (Michael Fassbender). With his breakthrough performance here, there was no doubt that Fassbender was going to be a star. But if you come for his performance, you’ll stay for Jarvis. A nonprofessional actor who got the role after being scouted during an argument with her then-boyfriend, she’s extraordinary as an older-than-her-years teen who has little reason to hope for more than she has.

Game Night (2018 – 100 mins – Netflix)

I’ve said it before and I’ll say it again, comedy is the hardest genre for cinema to get right – a fact that was truly clear when this film came out as it truly stood out and continues to stand out. An action-comedy about a group of friends (Jason Bateman, Rachel McAdams, Sharon Horgan, Billy Magnussen, Lamorne Morris, Kylie Bunbury) who meet regularly for game nights find themselves entangled in a real-life mystery when the shady brother (Kyle Chandler) of one of them is seemingly kidnapped by dangerous gangsters.

20 Feet From Stardom (2013 – 91 mins – Netflix)

The winner of the Oscar for best documentary, this is another total must-watch. Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we’ve had no idea who these singers are or what lives they lead, until now. If you’re a fan of any songs from 1950s onwards, you’re going to want to watch this. (My favourite anecdote is the one about The Rolling Stones – Gimme Shelter, which is one of my all-time favourite songs.)

Apostasy (2017 – 95 mins – BBC iplayer)

Screening as part of the British Film Premiere season from BBC Film and the BFI, Apostasy follows Ivanna (Siobhan Finneran), a faithful Jehovah’s Witness who lives with her two grown-up daughters Alex (Molly Wright) and Luisa (Sacha Parkinson). A religious transgression means that Luisa is shunned by her community and her family. As the separation draws out, Alex starts to question the meaning of God’s love.

Something-To-Watch Saturday #5

Are you new around here? Then let me catch you up. Every Saturday I’ll be publishing a list of 7 movie suggestions of films from various streaming sites, saving you time and decision-making by helping you decide what to watch. Like what you see, then just leave a comment. Want even more suggestions? Check out issues #1, #2, #3 and #4.

The Princess Bride (1987 – 98 mins – Amazon Prime)

To start with, I’m chucking out the big guns. My favourite film of all-time. If you know me, you know this fact already – you’ve probably heard me harp on about it enough. A film that is as funny as it is charming as it is romantic. This is a film perfect for every mood, with truly medical qualities. Here’s a piece I wrote for Den Of Geek about why I love it so much.

Edge of Tomorrow (2014 – 113 mins – Amazon Prime)

Easily one of the finest science fiction movies of the past decade, think Groundhog Day meets Independence Day – where a soldier (Tom Cruise) fighting aliens gets to relive the same day over and over again, the day restarting every time he dies. His fellow soldier (Emily Blunt), may just be the answer to saving both he and the entire world.

Hunt For The Wilderpeople (2016 – 101 – Amazon Prime)

I first saw this movie at Genesis Cinema (East London), a month prior to it’s release – in screen 4 with an audience made up of folk from New Zealand and Australia. It was the perfect audience for such a hysterically funny film. A comedy adventure film set when a national manhunt is ordered for a rebellious kid Ricky Baker (Julian Dennison) and his foster uncle Hec (Sam Neill) who go missing in the wild New Zealand bush. ‘ I didn’t choose the skuxx life, the skuxx life chose me.’

Man Up (2015 – 88 mins – BBC iPlayer)

This week’s underseen romantic comedy slot goes to this gem of a Brit flick. Nancy (Lake Bell) is in her mid-30s, fed up of being single but also fed up of her friend’s awful attempts at set-ups. After literally bumping into Jack (Simon Pegg), who believes she’s the woman he’s meant to be headed on a date with, Nancy decides not to correct him and go on the date. A night they’ll never forget soon follows. Wonderfully written by Tess Morris, this is a seriously funny film with a fantastic ensemble cast. Adhering to romcom tropes, yet playing wonderfully with them, any film that has a dance-off to this tuuuune has me sold.

Southside With You (2016 – 84 mins – BBC iPlayer)

Sometimes, when present day politics terrifies me (aka, most days) I think about the Barack Obama era, with the same degree of nostalgia one would an ex partner who you ended things with on mutually respecting yet loving terms. Should you be the same, this is an indie gem for you. It’s a fictionalised account of the first date between Barack (Parker Sawyers) and Michelle (Tika Sumpter). Understated, charming and really endearing.

The Personal History of David Copperfield (2019 – 119 mins – Amazon Prime)

Armando Iannucci deciding to follow up the scathing satire The Death of Stalin with a Dickens adaptation felt like something of a choice. Thankfully, we any doubts were kicked away within the film’s opening moments. From then on it’s a charming and hilarious riot of laugher, that had me grinning like the Cheshire Cat the entire time. Dev Patel is the eponymous David in a riches-to-rags-to-riches-to-rags tale starring Peter Capaldi, Gwendoline Christie, Morfydd Clark, Daisy May Cooper, Hugh Laurie, Anna Maxwell Martin, Tilda Swinton, Paul Whitehouse, Ben Whishaw and Benedict Wong. Click here to read my film review.

Life, Animated (2016 – 92 mins – Netflix)

If you were to ask me the oddly specific question, ‘What are you favourite five documentaries of all time?’, this would definitely be making an appearance. A story that hits me on a personal level (as I mention here), we follow Owen Suskind as he gets ready to leave his family home and move away to live on his home for the first time. It’s a situation his parents’ would never have foreseen when he stopped suddenly speaking aged 3 and a diagnosis of autism soon followed. This is a film about the magic of parents and of Disney – two powerful forces that should never be underestimated.

Something-To-Watch Saturday #3


Welcome to the third edition of Something-To-Watch Saturday. Missed the first two instalments? Then just click here (#1) or here (#2) to sate that sense of intrigue.

Rocks (2019 – 93 mins – Netflix)

2020 has seen a quick turnaround of films popping up on VOD, and the window between their cinema release has definitely been shortened – but Rocks might just have the record of roughly two weeks from cinema to Netflix. Which is fortunate for many as Rocks is one of the finest films of this year. A beautifully moving and truly heartfelt story of an East London teenage girl (Bukky Bakray) and her younger brother (D’angelou Osei Kissiedu) left to fend for themselves when their mother leaves them behind. An extraordinarily powerful story of female friendship, one of the best movies about teenagers and one of the best British movies we’ve had in years. (Click here to read my full review)

Short Term 12 (2013 – 96 mins – Amazon Prime)

This is a perfect example of a film that is truly excellent on first watch then, when you return to it years later, you realise that a) it’s still excellent and b) the incredible success that deservedly followed for the ensemble cast. Grace (Brie Larson) is a supervisor at a group home for troubled teenagers, where she works with her partner Mason (John Gallagher Jr.). The young people in their care include Marcus (LaKeith Stanfield) and (Jayden) Kaitlyn Dever. Stephanie Beatriz and Rami Malek help round out the familiar faces at the start of their career cast. It’s a quietly moving drama, so brilliantly written and performed.

The Riot Club (2014 – 107 mins – Amazon Prime)

Speaking of retrospectively incredible ensemble cast, but with a completely different topic, The Riot Club has Harry Lloyd, Max Irons, Sam Claflin, Holliday Grainger, Sam Reid, Douglas Booth, Freddie Fox, Josh O’Connor, Olly Alexander, Ben Schnetzer, Samuel West, Tom Hollander, Jessica Brown Findlay and Natalie Dormer – a group that would be almost impossible to get together again now as so many of their careers have truly taken off. Directed by the incredible Lone Scherfig, The Riot Club is based on a play called ‘Posh’ by Laura Wade – the story of two first year students at Oxford University who are initiated into a secret society, where they learn how reputations can be made or broken over the course of a single evening. If you ever find yourself aghast at the current state of British politics, this might give you some of the answers – but don’t say I didn’t warn you…

Crimson Peak (2015 – 118 mins – Netflix)

I love Guillermo del Toro and I love Gothic cinema. There was little doubt I’d love this – thankfully I *adore* this film. A true victim of inaccurate marketing, which pitched the film as a horror – which it isn’t – this is a film that will finally get the recognition it deserves with time. Beautiful to look at – every still could be framed and on a wall – this is the story of a young woman Edith (Mia Wasikowska), her mysterious first love Thomas (Tom Hiddleston) and his strange sister (Jessica Chastain). When Edith and Thomas marry, and he takes her back to his family estate – she quickly realises all is not what it appears. (Click here to read my full review.)

Zodiac (2007 – 150 mins – BBC iPlayer)

Impeccable ensemble casts appears to have become an inadvertent theme here, as Zodiac is yet another. Helmed by David Fincher we have Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr., Brian Cox, Chloë Sevigny in this modern classic, which may just be the finest crime movie to have been made this century. Based on a true story, in the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree. A phenomenally gripping tale that haunts long after watching.

Brooklyn (2015 – 111 mins – Amazon Prime)

It’s due to continue raining in London for the next 48 hours, which means you deserve some good quality comfort watching. May I present you with this delight of a film, set in the 1950s, it’s the story of  Irish immigrant Eilis (Saoirse Ronan) who arrives in Brooklyn desperately homesick. A chance encounter with Emory Cohen’s Tony brings her more joy than she could ever imagined, but when she’s forced to return home she’s faced with making a choice. Should she stay in Ireland with Jim (Domhnall Gleeson) or go back to Tony and her new home? The sets are extraordinary, the costumes exquisite, the writing beautiful and the acting sublime. You don’t just want to watch this, you deserve it. (Click here to read my full review)

Juliet, Naked (2018 – 105 mins – Netflix)

Of these seven slots, I think I’m going to try and always reserve one for an underseen romantic comedy. Last week was The Incredible Jessica James, this week has to be this adaptation of Nick Hornby’s 2009 novel of the same name. It’s the story of Annie (Rose Byrne), the long-suffering girlfriend of Duncan (Chris O’Dowd). Duncan’s one true love isn’t Annie, it’s an elusive musician he’s never met – Tucker Crowe (Ethan Hawke). When a never-heard-before Tucker Crowe demo arrives at their door, it could just be the ending of something and the start of something new… A charming, well-written and well-acted romantic comedy.

Something-To-Watch Saturday #2


Welcome to the second edition of Something-To-Watch Saturday. Missed the first instalment? Then just click here to sate that sense of intrigue.

RBG (2018 – 98 mins – Netflix)

Why should I watch this? Ruth Bader Ginsburg, who passed away on 18th September 2020 aged 87, was a true icon. Given the loving nickname ‘The Notorious RBG’ in recent years, when she finally started to receive the attention and appreciation she finally deserved, this is documentary is the perfect introduction to those who knew nothing about her or for fans to celebrate her life. I could tell you here all about the amazing work she did, for men and women, and how she blazed the trail for so many people – but I think you should watch this instead and bask in her glory.

Honey Boy (2019 – 94 mins – Amazon Prime)

Why should I watch this? Shia LaBeouf started his career aged just ten, performing stand-up at comedy clubs. Film and TV roles soon followed, with Disney’s Even Stevens being the role that bought him to most people’s attention. Now 34, he’s grown up in front of the camera, with all sorts of hardships and trauma going on behind it. Honey Boy, written by LaBeouf and directed by Alma Har’el, is the closely inspired by his life story of a young actor’s stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health. A wonderfully tender evocative movie, made all the more heart rendering by it’s layers of autobiography.

A Matter of Life and Death (1946 – 104 mins – BBC iPlayer)

Why should I watch this? I first watched A Matter of Life and Death during the second half of my first year of uni, were I was starting to fall out of love with film – unfortunate as my course was film studies… This film made me fall back in love and then some, so much so it’s still my 3rd favourite film of all time. Only upon seeing it can you appreciate just how ahead of a time this film is – the visuals and special effects, the story and its themes, the fact it was made in the shadows of WW2 – simply extraordinary. A British fantasy-romance that is truly timeless.

A Street Cat Named Bob (2016 – 103 mins – Amazon Prime)

Why should I watch this? Based on a true story, that has since resulted in 9 books, Bob was a street cat who adopted a human called James Bowen (planned in the film by Luke Treadaway). In 2007 Bowen enrolled on a methadone programme, busking in Covent Garden, and living in a supported housing programme in Tottenham, London. One night he returned home to a ginger cat (Bob, playing himself) in his hallway. When no-one claimed Bob, decided to help Bob and keep him. In doing so, James’ life was changed forever, as recounted in this very sweet feelgood movie. Click here to read my full review.

Hotel Artemis (2018 – 94 mins – Amazon Prime)

Why should I watch this? Hotel Artemis sure isn’t perfect, but it is ambitious and so entertaining. Set in riot-torn, near-future Los Angeles, the film follows the Nurse (Jodie Foster), who runs a secret, members-only emergency room for criminals. With a cast that includes Sterling K. Brown, Sofia Boutella, Jeff Goldblum, Brian Tyree Henry, Jenny Slate, Zachary Quinto and Dave Bautista, Hotel Artemis is an immensely entertaining romp. It’s also made even more impressive when considering it’s relatively small budget of $15.5 million. There’s some superb world building going on here with an immensely compelling narrative. Click here to read my full review.

A Man Called Ove (2017 – 115 mins – Amazon Prime)

Why should I watch this? This is an example of a film that should persuade you to look past it’s subtitles if you are someone who is usually resistant to them. This Swedish film is an adaption of Fredrik Backman‘s novel of the same name. Ove (Rolf Lassgård) is a true curmudgeon, old and ill-tempered, he has cut himself off from the world since the death of his wife the previous year – and even then he had as little as possible to do with anyone as he could. He’s finally given up on life when his boisterous new neighbours inadvertently interrupt his plans. Darkly funny and uplifting, this is a real gem of a film.

The Incredible Jessica James (2017 – 83 mins – Netflix)

Why should I watch this? One of Netflix’s many own movies that seem to slip under the radar, this is a real treat to watch. It’s the story of Jessica James (a magnetic Jessica Williams) who strikes up a new friendship with Boone (Chris O’Dowd) whilst rebounding from a break-up with Damon (LaKeith Stanfield) whilst also working out what on earth she should be doing with her life. A really charming way to spend 83 mins!