I’ve decided I’m going to rebrand some of my regular features here. This one will replace TV Tuesdays. I’ve started a stint on our school radio station doing weekly recommendations, so I thought I’d share them here too. Here’s the back catalogue of TV Tuesdays: #1, #2, #3, #4, #5 , #6 and #7.
Shown over the Festive period, and currently a one-off sitcom at only 29 minutes long, this is a bit of gem. It’s one of the few shows so far to have been filed, set in pandemic and is about the effect it has on families – told in a darkly comic way. We see the family on their October holiday – determined to have a family break even if won’t be as good as that trip-of-a-lifetime to the states they had planned. The editing, cutting between October and earlier in the year, is just so superb. Bitterly funny and with some winning lines from Alison Steadman.
Film: Wild Rose
There’s this tradition in British cinema for underdog stories – of those with unlikely talents in unlikely positions dreaming of more. This is up there with the best of them, with Glaswegian Rose (played by Jessie Buckley) dreaming of being a country singing sensation and a life beyond on the estate she lives on. Sad yet hopeful, and so feelgood.
Book: This Time Next Year by Sophie Cousens
As a unabashed and unashamed fan of the romcom, I end up reading a lot of them. This top tier, needs to be adapted into a tv series asap. Minnie ends up spending New Year’s Eve locked in a toilet cubicle, rescued hours into the New Year by Quinn. It turns out it’s not their first meeting, and it certainly won’t be their last. Hoping between povs and different time periods – this book beautifully balances very romantic romance with hysterical comedy.
Song: “You Make Me Feel (Mighty Real)” by Sylvester
Released in 1978, in a time where there was so much turmoil in lots of communities across the world, this disco anthem incredible for how it’s a joyous celebration of love and life, finding hope and happiness within the dark times -which feels apt for these times we currently find ourselves in.
Welcome back. Lovely to see you again, even if the circumstances (what with Lockdown 3.0 and the world on fire) are decidedly less than desirable. As always, what follows are 7 film recommendations to help you with your picking what to watch.
It’s taken over 8 years and counting, but it feels like Dredd is finally getting some of the recognition it deserves. One of the most underseen comic book movies as well as being one of the finest of the genre. It’s a fantastic take on the 2000 AD comic strip Judge Dredd with Karl Urban (currently most recognisable for his leading role in Amazon’s The Boys) playing the eponymous law enforcer. It’s brutal (strong 18) with incredible special effects, a tau thriller of a narrative and packed full of dark humour.
I’ve slowly but surely been working my way through the Storyville series on BBC iPlayer. It’s a documentary strand that currently comprises 35 contemporary and challenging documentaries from different filmmakers gathered from across the globe. Some are familiar titles, otten with titles slightly edited, and some are unknown gems – like this one was for me. Loosely aware of the Pepe the Frog meme but knowing nothing about the context in which it was created or how it has since been horrifically warbed and used in terrifying ways, I went in totally blind with this one. Wow. Seeing this just days before the events in Washington this week added a horrific timeliness and an answer of sorts to the question ‘How did we get to this point?’
I started to really get into film when I was twelve. For the next few years I’d have these phases we’re I’d discover a genre/theme/actor and obsessively get into it. My discovery of Casablanca, somewhat oddly, happened in my Summer of Film Noir (yep, I was one cool kid…) If you’re yet to see it and have dismissed it as everyone always talks about it, hear me out. Give it a try this week. Why? It’s funnier than you might think, exquisitely filmed and has some sublime performances just across the board. There’s just how brave and ahead of its time it was, whilst being truly of it’s time too. This was filmed and released in 1942 – WW2 had been raging for years with no end in sight. Watch this and dare tell me it’s not audacious and revolutionary. And, I hate to carry on referring to current events but – I think we all need some hope this week.
This film celebrates its 20th anniversary this year – isn’t that MAD?!?! (Answer, yes. v.mad) After watching this fantastic documentary over the festive period, I was compelled to rewatch the film with fresh and informed eyes. It really does hold up (workplace sexual harassment aspects aside…). As I grow closer to Bridget’s age, having had far too many entanglements and experience that could be described as Bridget Jones moments, I appreciate all the more just how bold her character is – with Renée Zellweger capturing her and the single woman experience so beautifully. And I won’t get started on Colin Firth and Hugh Grant in this film. The former has ruined my romantic expectations for life and the latter would just ruin me.
And this week’s underappreciated romcom slot goes to… Ha! There’s really not much I can say about this film because you’ve either seen it already (and seeing it here now you know you want to rewatch it) or you haven’t seen it yet (and therefore I don’t want to spoil things by telling you too much about it as you should now go and watch it). A top-tier thriller by David Fincher, dark and wonderfully twisted.
I once saw this described as ‘Goodfellas but strippers’ – whilst I appreciate the sentiments, that buzzphrase sort of misses the point. Director and co-writer Lorene Scafaria has made a modern classic here, expertly and seemingly effortlessly utilizing the female gaze. The based-on-a-true-story about a crew of savvy former strip club employees who band together to turn the tables on their Wall Street clients is just magnificent.
Instant Family (2018 – 118 mins – Sky/NowTv and, from sunday, Netflix )
I reckon it’s a safe bet to say that you looked at the below still and formed a judgement about this film based on Mark Wahlberg and, to a much smaller extent because of her varied back catalogue, Rose Byrne. At least, that’s what I did. However, skip this one at your peril as you’ll be missing out. This is one of the finest and funniest family dramas in recent year, following a couple who find themselves in over their heads when they foster three children. Inspired by the personal experience of the film’s director, Sean Anders, this really is a feelgood delight.