Stream On Vol. 16

After a four week break (July was rough, let’s just all agree to move on and leave it behind!) we’re back baby. Welcome to volume sixteen of Stream On, where I recommend 5 things you could watch on some of your favourite streaming sites. Not enough for you here? Try the previous volumes – volumes 1234567891011121314 and 15.

Summer Of Soul (2021: Disney+: 118 minutes)

1969 is viewed as the year of Woodstock, with Harlem Cultural Festival which celebrated African American music and culture, and promoted Black pride and unity being forgotten in the sands of time. A beautifully balanced documentary, favouring performance footage with the addition of talking heads and archive footage, we get to be in the room (park) where it happens. The music is out of this world, powerful and extraordinary.

I Capture The Castle (2003: BBC iPlayer: 107 minutes)

After William Goldman’s The Princess Bride, Dodie Smith’s (who also wrote The Hundred and One Dalmatians) I Capture The Castle is my second favourite book of all time. This is a solid adaptation of the book, but a great 1930s-set period drama in its own right. 17-year-old Cassandra Mortmain (Romola Garai) lives in a decaying English castle with her eccentric family, they are running out of money as their author father (Bill Nighy) continues to struggle with writers block. When their new landlords arrive, Americans Simon (Henry Thomas) and Neil (Marc Blucas), the former looks set to catch the heart of Cassandra’s sister Rose (Rose Byrne) whilst Stephen (Henry Cavill) continues to wistfully long for Cassandra.

Beast (2017: All4: 107 mins)

A troubled woman (Jessie Buckley) living in an isolated community finds herself pulled between the control of her oppressive family and the allure of a secretive outsider (Johnny Flynn) suspected of a series of brutal murders. An intriguing and atmospheric gem.

The Founder (2016 :Amazon Prime: 115 mins)

The story of Ray Kroc (Michael Keaton), a salesman who turned two brothers’ (Nick Offerman and John Carroll Lynch) innovative fast food eatery, McDonald’s, into the biggest restaurant business in the world, with a combination of ambition, persistence, and ruthlessness. Pacey and well crafted.

Barb & Star Go To Vista Del Mar (2021: Sky/Now: 107 mins)

If you’re a fan of oddball comedy a la Step Brothers, there’s a good chance you’ll love this one as much as I do. Lifelong friends Barb (Annie Mumolo) and Star (Kristen Wiig) embark on the adventure of a lifetime when they decide to leave their small Midwestern town for the first time – ever. And then there’s Jamie Dornan in his best role ever. This song and performance will never not make me smile.

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Something-To-Watch Saturday #

Welcome back for another edition of STW-S. Here’s this week’s 7 movie recommendations of unseen gems. Not enough for you? Check out the past editions here: #1, #2, #3, #4, #5 and #6.

The Farewell (2019 – 100 mins – Amazon Prime)

To start with, a joyful happy-sad story about Chinese family discovering their grandmother has only a short while left to live and decide to keep her in the dark, scheduling a wedding to gather before she dies. The fact it’s based on writer-director Lulu Wang‘s real life experiences only adds the poignancy.

Crazy Stupid Love (2011 – 118 mins – Amazon Prime)

This week’s underrated romcom slot goes to a film I find myself rewatching regularly for two reasons. The first is the cast Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone, Kevin Bacon and Marisa Tomei. The second is just how well the story is told, with every plot point weaved in and playing out so perfectly. A middle-aged husband’s (Carell) life changes dramatically when his wife (Moore) asks him for a divorce. He seeks to rediscover his manhood with the help of a newfound friend, Jacob (Gosling), learning to pick up girls at bars.

Only You (2018 – 119 mins – Netflix)

Elena (Laia Costa) and Jake (Josh O’Connor) meet by chance on New Years Eve, arguing for the same taxi. However, instead of going their separate ways after sharing a taxi ,they start a passionate relationship. The end result is a film that is quietly profound and full of intimacy, just beautiful.

Fish Tank (2009 – 123 mins – Netflix)

This film, by writer-director Andrea Arnold, is one of the finest British movies of the 21st Century. Everything changes for 15-year-old Mia (Katie Jarvis) when her mum brings home a new boyfriend (Michael Fassbender). With his breakthrough performance here, there was no doubt that Fassbender was going to be a star. But if you come for his performance, you’ll stay for Jarvis. A nonprofessional actor who got the role after being scouted during an argument with her then-boyfriend, she’s extraordinary as an older-than-her-years teen who has little reason to hope for more than she has.

Game Night (2018 – 100 mins – Netflix)

I’ve said it before and I’ll say it again, comedy is the hardest genre for cinema to get right – a fact that was truly clear when this film came out as it truly stood out and continues to stand out. An action-comedy about a group of friends (Jason Bateman, Rachel McAdams, Sharon Horgan, Billy Magnussen, Lamorne Morris, Kylie Bunbury) who meet regularly for game nights find themselves entangled in a real-life mystery when the shady brother (Kyle Chandler) of one of them is seemingly kidnapped by dangerous gangsters.

20 Feet From Stardom (2013 – 91 mins – Netflix)

The winner of the Oscar for best documentary, this is another total must-watch. Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we’ve had no idea who these singers are or what lives they lead, until now. If you’re a fan of any songs from 1950s onwards, you’re going to want to watch this. (My favourite anecdote is the one about The Rolling Stones – Gimme Shelter, which is one of my all-time favourite songs.)

Apostasy (2017 – 95 mins – BBC iplayer)

Screening as part of the British Film Premiere season from BBC Film and the BFI, Apostasy follows Ivanna (Siobhan Finneran), a faithful Jehovah’s Witness who lives with her two grown-up daughters Alex (Molly Wright) and Luisa (Sacha Parkinson). A religious transgression means that Luisa is shunned by her community and her family. As the separation draws out, Alex starts to question the meaning of God’s love.