comedy
Moana
“The 0cean chose me for a reason’
Doctor Strange
“Might I offer you some advice? Forget everything that you think you know.”
War on Everyone (Mini review)
“Oh shit…Hey, we are the cops!”
Hunt for the Wilderpeople
“I didn’t choose the skuxx life, the skuxx life chose me.”
Sausage Party
Further proof that I have the sense of humour of a teenage boy
Bad Moms
Mike & Dave Need Wedding Dates
The men might have their names in the title but it’s the women who steal the show.
It you’re in need of an antidote to disappointing blockbusters (see Suicide Squad), you’re not a big fan of science fiction (see Star Trek Beyond) and for whatever reason can’t stand kids films (erm maybe you’re heartless…see Finding Dory, I guess..?) then this film just about does the job. If you like your frat pack movies and love watching a bit of raunch then you’re going to love this.
Mike (Adam Devine) and his younger brother Dave (Zac Efron) are renowned for their behaviour at family events. They think they get the party started, their family think they end all the parties with reckless and dangerous behaviour after getting each other relied up. Their sister Jeanie (Sugar Lyn Beard) is about to get married to Eric (Sam Richardson) so the family issue the brothers an ultimatum to prevent them from running their big day – if they want to attend they must bring wedding dates. They post an ad on Craigslist – offering an all expenses trip to Hawaii for two ‘nice girls’ in return for accompanying them as their wedding dates. The ad goes viral, with the brothers even going on tv to discuss their search. That when definitely not ‘nice girls’ Tatiana (Aubrey Plaza) and Alice (Anna Kendrick) find out about the search, deciding to pose as ‘nice girls’ they end up accompanying Mike and Dave to the wedding. The boys quickly discover their newfound companions are far wilder than expected.
This film is not the greatest comedy to come out of this millennium. In fact once this summer finishes I doubt it will ever be remembered. And yet, for right now, it more than serves its purpose of a summer comedy. It easily passes the six laugh test and most of the jokes are hits rather than misses. And even with the misses the jokes come so frequently the miss is quickly remedied. The standout joke, which was so throwaway you might even miss it, has to be when Tatiana is talking about one experience when she was so high she read a shampoo bottle for 13 hours. The delivery and the punchline itself caused me to giggle myself silly, so much so I nearly had tears of laughter.
The story rarely strays from an unexpected path and is at times rather predictable – though this is not a huge problem considering how entertaining it ends up being. Based ‘sort of’ on a true story (one which I fully intend to investigate further) it’s great fun to watch the situation escalate with a series of raucous situations. The film is reliant, almost overly, on it’s cast to provide the personality and charm of the characters. Yet, rather pleasingly, it’s something all of the cast succeed at.
We’ll go in order of introduction. Mike, played by Devine in his first leading man role, does well. He brings the oddball charm he’s most known for providing in both Pitch Perfect movies (here’s my review of the sequel ) and tv series Modern Family whilst going to even more extreme lengths. Whether it’s the fact he shares most of his screen time with old pro Efron (old pro aged 28- ha!) it occasionally comes across that he is trying to too-hard leading his character to be gratingly over-the-top. On the whole, however, he provides many laughs. Best moment: his meltdown over his behaviour.

Then there’s Dave. Efron plays the role with ease, providing a nice and easy comic groove he has been displaying in recent years. His character here is far more likeable than his character in Bad Neighbours 2 and plays the more rational of the two brothers very well. At times it does feel like he’s coasting on his admittedly innate charm and yet then brings it out with some excellent delivery. Best moment: his relationship with Alice.

The film’s most valued player has to be Aubrey Plaza. She plays Tatiania to deadpan perfection – think April from Parks & Rec but wilder and raunchier. She easily out-grosses and out-does the boys. Her adept skill at manipulating the boys and concealing their boozy and stoned behaviours provides much hilarity. Best moment: the aforementioned shampoo gag.

The big surprise from the four had to be Anna Kendrick as Alice. Kendrick USP tends to be character who are clever, deadpan and kick-ass with a bit of goofiness. Here she is more than a bit ditzy, a bit dim and completely goofy. Normally she seems really with it and together, here she’s a total loose cannon. It really works, bringing a sweetness and sincerity that balances well with Plaza’s powers of evisceration. Best moment: her flashbacks of her not-quite wedding.

It’s down to the chemistry and in-syncness of the four leads that allow this film to work so well. It’s crude, rather rude, not massively memorable and yet funny enough to fill in 100 minutes running time. If the heatwave we are promised in the upcoming weeks does actually arrive this film is a great excuse to hide in an air conditioned cinema!

‘Mike and Dave Need Wedding Dates’ is in UK cinema now.
Central Intelligence
A surprisingly hilarious Summer comedy
Central Intelligence does not try to reinvent the wheel, it has the typical rhythms and beats of a Summer buddy-movie, but this is not a bad thing. Though it may have the cliches and lazy set-up it is a genuinely hilarious movie that works far better than you’d expect. Plus, some unexpected and on point Sixteen Candles references for the 80’s movie connoisseurs among us (as in I started cry-laughing at one point..)
In 1996, during the last senior assembly school legend Calvin Joyner (Kevin Hart) is awarded the school prize for ‘Most Likely To Succeed’. In the very same assembly overweight school loser Richard Wheirdicht (Dwayne Johnson) is thrown into the room by the school bullies, completely naked. Richard leaves school and is never seen again. 20 years later and a school reunion is on the horizon. Calvin, who married his high school sweetheart Maggic (Danielle Nicolet), is refusing to go as he does not feel he has truly ‘succeeded’ at life and feels like he peaked at high school. Seemingly by coincidence, on the day before the reunion, a mysterious ‘Bob Stone’ adds Calvin on Facebook. It turns out that is the name Richard now goes by. The two meet and Calvin cannot believe the transformation Richard/Bob has undergone. He also can’t believe the series of events that follow which result in his being wanted by the CIA…
In terms of storyline this film will not win awards for originality, the school reunion as a concept is an overused plot point. As is the ‘wrong man’ story arc. As is the generic misunderstandings and bland gunplay that occurs as a result. And yet, in terms of execution, Central Intelligence does an excellent job of standing out from the rest of the crowd. This is primarily due to the star power the film has, which it utilizes to it’s fullest. Kevin Hart does his usual Kevin Hart schtick – lots of shrieking combined with lots of race and short jokes – yet it ends up being more bearable than usual. This is down to the fact that his character Calvin is rather well-rooted, a conflicted character who we end up actually caring for. It’s a universal fear to worry that you have not fulfilled your potential, that you should/could/would have done things differently. His character arc covers this well and ends with a resolution that isn’t all that cloying.
However, this is Dwayne Johnson’s show. The man is a comedic revelation – creating a character who is imposing physically yet haunted by insecurities, truly funny both intentionally and unintentionally, and a proper oddball. This is a man who wears a unicorn tee with pride, unironically owns fanny packs (aka bum-bags) and whose favourite movie is Sixteen Candles.He could also hurt or kill you very easily. Yet what Johnson manages to do, in a film that isn’t perhaps the most nuanced seeming, is provide his character with more than one dimension. As goofy as his character appears he still seems rather real, rather loveable and rather riotous.
Although it is the two leads that drive the movie and make it as unexpectedly entertaining as it is honourable mentions have to go to the supporting cast. Amy Ryan is excellent as the deadpan CIA boss. Jason Bateman awful (as in nasty character, Bateman is never awful!) yet brilliant as the school bully. Aaron Paul as Bob Stone’s ex CIA partner is brilliant. There’s also a cameo from a female comedy actress that I don’t want to spoil (it’s a small part but a goody). Also, for the Veronica Mars fans amongst you Ryan Hansen (Dick Casablancas) plays the kind of character you’d expect and that he does oh so well.
Central Intelligence will surprise you. It will make you laugh more than you’d think and has a lovely feel good message. Plus, for a mainstream Hollywood comedy, it has a superb amount of oddness that makes it something of a rarity. Unpredictably delightful.

Maggie’s Plan
A film well worth planning to see
You have a choice this weekend. You could see cold and divisive Neon Demon (click here for my review) or you could see this proper gem of a movie. It’s so warm and smart, meandering about with utterly superb dialogue. It’s immensely well observed and occasionally practically profound – just how much can we plan and how much do we leave to the hands of destiny?
Maggie (Greta Gerwig) wants a baby. Needs one even. Except she hasn’t got a partner so she’s going to go it alone and use a sperm donor. A friend from college, Guy (Travis Fimmel), is more than happy to help. Best friend Tony (Bill Hader) and his wife Felicia (Maya Rudolph) think she should wait a bit longer, just in case she meets someone. She does, and her plan is interupted by a meet-cute with married John (Ethan Hawke). An affair follows and he leaves his wife, Georgette (Julianne Moore), for Maggie. Three years later and Maggie has the child she was desperate for, but she’s starting to have serious doubts about her relationship with John. Maybe she can give him back to his first wife..?
Several reviews are referring to this film as a screwball comedy. Personally I think the pace is slightly too slow to categorise it as screwball – not a criticism as I love the pace but screwball comedies are noted for their break-neck speed of story and delivery. However, this has many other elements of screwball. Think Woody Allen meets Jane Austen in terms of the characters and their dialogue.Greta Gerwig provides another knitwear-atired delight (I really wish I was friends with her!) who is utterly sympathetic in a role that could easily not be. Maggie is simillar to Emma (title character of Austen’s 1815 novel) as she is a matchmaker who loves to be in control, who is unable to let other forces control hers or others lives.
Hawke is fantastic as John, both glorifying and sending up the figure of intellectual. He also delivers what will most likely be my favourite line of 2016 cinema – “Like is a language condom.” It’s obvious that he is having the time of his life playing this character, which hugely pays off as it’s delightful to watch. The interactions he has with Maggie both convert then subvert the expectations of the romantic comedy, resulting in the film being both old-fashioned yet astutely modern.
The scenes when Gerwig and Moore share screen time are truly electric. All too rarely do we get such well-rounded female figures on the screen at the same time, they bounce off each other and the result is electric. What’s fantastic is how layered Moore’s character is. It would have been all too easy to have her as a woman scorned, who pushed her incredible man away with the glacial and disinterested temperament. We quickly learn there is more to her character than her ex-husband revealed, and that John is far from a perfect husband.
A quick note has to be made of just how fantastic the supporting cast are. Bill Hader, yet again, is superb (I want to be his friend too!), Maya Rudolph has little screen time but contributes massively, Travis Fimmel is really likeable as Guy (far more interesting here than he was in Warcraft) and Wallace Shawn has a lovely little cameo.
It’s funny and quirky, may not be for everyone, but for many it will be a winning comedy-drama. An utter delight to watch!
