Another example of a sequel that is a poor imitation of the original.
In 2001 (15 years ago!) the world was posed a question, a question for the ages, “Have you ever wondered if there was more to life, other than being really, really, ridiculously good looking?” Derek Zoolander found the answer by the end of the film (spoiler alert!) with family, friends and a charity project running “The Derek Zoolander Center For Kids Who Can’t Read Good And Wanna Learn To Do Other Stuff Good Too.” Within the first three minutes of the sequel all of that resolution is turned on it head, then burned to the ground and thrown away. If the intent was to then set up the sequel as being completely different, and ‘fresh’ compared to the original, then the fatal flaw in that plan is writing a film that’s funniest (and only) laugh-inducing moments are references to the original…
Justin Bieber is dead. After running away from assassins on motorbikes (having displayed some serious parkour moves) he is shot countless times. In his dying moments he manipulates his face into Blue Steel and takes a selfie, then gives into his fatal injuries. He is the latest in a long line of celebrities to be assassinated, taking a Derek Zoolander-themed selfie before dying. The fashion division of Interpol need his help but no-one knows where he is. Seven years ago, after the death of his wife and losing custody of his child, he decided to become a ‘Hermit Crab’ and go into hiding. Only one man can bring him out of his slump…
From the opening sequence alone you can tell how the rest of the ‘humour’ of the film will play out. An opening sequence is so key to a film, so crucial for setting the tone and level of the rest of the film. In this case? Well, it’s such a pandering sequence – ‘Hey! You average Joe, you hate Justin Bieber right? So we’re going to kill him off to make you laugh. We can make your dreams a reality. Love us!’ It’s a problematic choice for multiple reasons.
1) Hating Justin Bieber seems so last year/s. He’s had a bit of a renaissance in the past 18 months so the hate has become, for most, either ambivalence or embarrassed adoration. Therefore the slightly dated nature of the script becomes apparent. He’s also an easy target, one of many that are used to minimal effect, within a script seemingly tailored from social media circa 2013/4.
2) It’s an overlong sequence. Stretching out the humour becomes a motif of the film. Pacing of jokes never really seemed an issue with the first film (queue my rewatching it ASAP) but it is a real issue here. The ratio between gag build-up and punchline is definitely off.
3) Having Bieber appearing to do parkour, then being shot at least 30 times before taking a selfie before dying demonstrates how overblown and tacky the film will be. Zoolander No.2 presumably has a bigger budget, gladly and gawdly shows this fact off.
4) He is one of the countless celebrities to be shoehorned into an overwrought and clunky script. Though his role in the events of the story is clear (if rather ineffective) many others are not. A few stand out in terms of strange but also strangely funny (I’m looking at you here Benedict Cumberbatch and Kiefer Sutherland) but others are borderline pitiful (Anna Wintour and your crew, you didn’t, to quote Tim Guun, ‘make it work!’)
Zoolander No.2 is a difficult watching experience for fans of the original. The plot is thin, the jokes humiliate rather than delight and the frivolity leaves the film rather throwaway. Like its eponymous character, Zoolander No.2 is empty and full of air. It may be filled of those who are ‘really really ridiculously good-looking’ but it’s forgotten that there’s more to life than that.
I hope they had more fun making the film that I had watching it. Disappointing.