STWS #15

Welcome back. Lovely to see you again, even if the circumstances (what with Lockdown 3.0 and the world on fire) are decidedly less than desirable. As always, what follows are 7 film recommendations to help you with your picking what to watch.

Here’s the back catalogue: – #1#2#3, #4#5#6#7#8#9 , #10#11#12 #13 and #14.

Dredd (2012 – 85 mins – Netflix)

It’s taken over 8 years and counting, but it feels like Dredd is finally getting some of the recognition it deserves. One of the most underseen comic book movies as well as being one of the finest of the genre. It’s a fantastic take on the 2000 AD comic strip Judge Dredd with Karl Urban (currently most recognisable for his leading role in Amazon’s The Boys) playing the eponymous law enforcer. It’s brutal (strong 18) with incredible special effects, a tau thriller of a narrative and packed full of dark humour.

Pepe the Frog: Feels Good Man (2020 – 92 mins – BBC iPlayer)

I’ve slowly but surely been working my way through the Storyville series on BBC iPlayer. It’s a documentary strand that currently comprises 35 contemporary and challenging documentaries from different filmmakers gathered from across the globe. Some are familiar titles, otten with titles slightly edited, and some are unknown gems – like this one was for me. Loosely aware of the Pepe the Frog meme but knowing nothing about the context in which it was created or how it has since been horrifically warbed and used in terrifying ways, I went in totally blind with this one. Wow. Seeing this just days before the events in Washington this week added a horrific timeliness and an answer of sorts to the question ‘How did we get to this point?’

Casablanca (1942 – 102 mins – BBC iPlayer)

I started to really get into film when I was twelve. For the next few years I’d have these phases we’re I’d discover a genre/theme/actor and obsessively get into it. My discovery of Casablanca, somewhat oddly, happened in my Summer of Film Noir (yep, I was one cool kid…) If you’re yet to see it and have dismissed it as everyone always talks about it, hear me out. Give it a try this week. Why? It’s funnier than you might think, exquisitely filmed and has some sublime performances just across the board. There’s just how brave and ahead of its time it was, whilst being truly of it’s time too. This was filmed and released in 1942 – WW2 had been raging for years with no end in sight. Watch this and dare tell me it’s not audacious and revolutionary. And, I hate to carry on referring to current events but – I think we all need some hope this week.

Bridget Jones’s Diary (2001 – 97 mins – Netflix)

This film celebrates its 20th anniversary this year – isn’t that MAD?!?! (Answer, yes. v.mad) After watching this fantastic documentary over the festive period, I was compelled to rewatch the film with fresh and informed eyes. It really does hold up (workplace sexual harassment aspects aside…). As I grow closer to Bridget’s age, having had far too many entanglements and experience that could be described as Bridget Jones moments, I appreciate all the more just how bold her character is – with Renée Zellweger capturing her and the single woman experience so beautifully. And I won’t get started on Colin Firth and Hugh Grant in this film. The former has ruined my romantic expectations for life and the latter would just ruin me.

Gone Girl (2014 – 159 mins – Amazon)

And this week’s underappreciated romcom slot goes to… Ha! There’s really not much I can say about this film because you’ve either seen it already (and seeing it here now you know you want to rewatch it) or you haven’t seen it yet (and therefore I don’t want to spoil things by telling you too much about it as you should now go and watch it). A top-tier thriller by David Fincher, dark and wonderfully twisted.

Hustlers (2019 – 110 mins – Amazon Prime)

I once saw this described as ‘Goodfellas but strippers’ – whilst I appreciate the sentiments, that buzzphrase sort of misses the point. Director and co-writer Lorene Scafaria has made a modern classic here, expertly and seemingly effortlessly utilizing the female gaze. The based-on-a-true-story about a crew of savvy former strip club employees who band together to turn the tables on their Wall Street clients is just magnificent.

Instant Family (2018 – 118 mins – Sky/NowTv and, from sunday, Netflix )

I reckon it’s a safe bet to say that you looked at the below still and formed a judgement about this film based on Mark Wahlberg and, to a much smaller extent because of her varied back catalogue, Rose Byrne. At least, that’s what I did. However, skip this one at your peril as you’ll be missing out. This is one of the finest and funniest family dramas in recent year, following a couple who find themselves in over their heads when they foster three children. Inspired by the personal experience of the film’s director, Sean Anders, this really is a feelgood delight.

20 from 2020: My favourite films of the year and where to find them

It’s the last day of the year, and I’ve put off doing this list for long enough. Instead of doing a top ten films of the year, I’ve decided to do a bumper addition. 2020 brought few joys with it but quality books (as demonstrated here) and films were not in short supply. So, in no particular order, here’s my 20 films of the year. (Two disclaimers: These are of the films I’ve seen, there’s a few I just haven’t been able to fit in yet so there are a few blindspots. I’ve gone for UK release date – either in cinema or VOD where applicable.)

FilmRunning TimeAvailable to watch Current priceMy review?
The Personal History Of David Copperfield119 minsAmazon Primeincl. in subscription Film Stories
A Beautiful Day In The Neighbourhood 109 mins Sky/NOWtv incl. in subscription Feature in FS #11
Parasite132 mins  Amazon Prime incl. in subscription 
Portrait Of A Lady On Fire122 mins  AmazonMUBI add-on (free 7 day trial, then £9.99 a month) 
Emma. 124 minsSky/NOWtv incl. in subscription  Film Stories
Ema 107 mins ALL4Free  
The Assistant87 mins Sky/NOWtv   incl. in subscription  
Clemency 112 mins Sky/NOWtv incl. in subscription   
Saint Frances101 mins  CurzonRent for £1.99  
Perfect 10 83 minsBBC iplayer Free  
Babyteeth118 mins  Netflix incl. in subscription   
Les Miserables 104 minsNetflix incl. in subscription    
The Broken Hearts Gallery 109 mins AmazonPre-order for Jan 4th, £9.99 to buy  
Rocks93 mins  Netflixincl. in subscription    Movies on Weekends
THE FORTY YEAR OLD VERSION123 mins  Netflixincl. in subscription   
Lovers Rock 70 minsBBC iplayer Free  
County Lines 90 mins BFI playerRent for £10  Feature in #21 of FS
Boys State 109 mins Apple Tv+incl. in subscription    
Wolfwalkers 103 minsApple Tv+ incl. in subscription     
The Invisible Man 123 minsSky/NOWtv incl. in subscription    

Something-To-Watch Saturday #14

This will be the last edition of STWS of 2020, and we’re going out with a banger of a list. Thank you so much for reading these, I do hope they’ve been useful! Here’s the back catalogue: – #1#2#3, #4#5#6#7#8#9 , #10#11#12 and #13.

Their Finest (2016 – 117 mins – BBC iPlayer)

I’m cheating a little here when it comes to this week’s Underseen Romcom – as this is technically more of a rom-com-drama. However, it features my favourite all-time favourite trope of hate-to-love with two of the UKs finest (in both senses of the word!) actors – Gemma Arterton and Sam Claflin. She plays a former secretary, newly appointed as a scriptwriter for propaganda films, who joins the cast and crew of a major production while the Blitz rages around them. He’s the established talented writer who feels put-out being forced to work with her. The fact this story is propelled by an superb chemistry, an epic supporting cast (Richard E. Grant, Bill Nighy, Eddie Marsan, Helen McCrory, Jeremy Irons, Jake Lacy and Rachael Stirling) and is a film about making a fim – well it’s close to cinema perfection in my eyes.

Far From The Madding Crowd (2015 – 119 mins – BBC iPlayer)

Forget Darcy. Forget Rochester. You’re sleeping on Gabriel Oak. Played by Matthias Schoenaerts in this version, he’s just wonderful. He’s one of three suitors pursing Bathsheba Everdene (Carey Mulligan), a woman whose headstrong and independent nature is atypical for Victorian England. Alongside Gabriel there’s the older, prosperous and dependable bachelor William (Michael Sheen) and the young, reckless & hedonistic Sergeant Francis Troy (Tom Sturridge). An excellent adaptation with one of Mulligan’s finest & most underrated performances.

Bumblebee (2018 – 114 mins – Netflix & SkyGo)

When is a Transformer movie not really a Transformer movie? When it’s this movie. This is a wonderful action/sci-fi/adventure movie rooted in the traditions of Spielberg & other 80s classics. Nostalgia is dialled up to 11 courtesy of an epic soundtrack (The Smiths, Duran Duran, Tears For Fears and Steve Winwood to name but a few). It’s 1987, Bumblebee finds refuge in a junkyard in a small California beach town. On the cusp of turning 18 and trying to find her place in the world, Charlie Watson (Hailee Steinfeld) discovers Bumblebee, battle-scarred and broken. Such a charming delight.

Stage Mother (2020 – 93 mins – Netflix)

By no means a flawless movie (Adrian Grenier being one of it’s multiple issues) this is a really sweet, low budget indie about a conservative church choir director (Jacki Weaver) who inherits her late son’s San Francisco drag club. The by-numbers fish-out-of-water culture-clash narrative isn’t the reason to watch, the reason to give this a go is the moving performances by the club performers (Mya Taylor, Allister MacDonald and Anthony Skordi) who each portray all-too real storylines. Taylor in particular is a stand-out who hasn’t been given nearly enough opportunities since 2015’s Tangerine.

Frances Ha (2012 – 86 mins – Amazon Prime)

We don’t talk nearly enough about friendship break-ups. Speaking from personal experience, they hurt just as much – if not more – as romantic break-ups. This fim, about a New York woman played by Greta Gerwig (who doesn’t really have an apartment) who apprentices for a dance company (though she’s not really a dancer) and throws herself headlong into her dreams, even as the possibility of realizing them dwindles, is one of the few that depicts the painful disintegration of friendship. Funny, sad and bittersweet – one of Noah Baumbach‘s finest. Also, there’s some Adam Driver for all you stans out there (I see you Bleakley!)

Mary & The Witch’s Flower (2017 – 103 mins – All4)

Based on “The Little Broomstick” by Mary Stewart, a strange flower grants a girl magic powers. The less said about this one, the better. A really charming coming-of-age fantasy story that will linger with you long after watching.

I’m Your Woman (2020 – 120 mins – Amazon Prime)

There’s something wonderfully old fashioned yet brilliantly refreshing about this one. In this 1970s set crime drama, a woman (Rachel Brosnahan, unrecognisable from The Marvelous Mrs. Maisel) is forced to go on the run after her husband betrays his partners, sending her and her baby on a dangerous journey. Arinzé Kene (a man who isn’t yet as big a star as he deserves to be) is the man tasked with helping them on their journey. A slowburn packed with unexpected moments that makes for utterly enthralling watching.

Something-To-Watch Saturday #13

It’s Saturday and you’ve come for some movie-watching ideas. Here’s 7 more and here’s the back catalogue if they’ve not scratched that itch – #1, #2, #3, #4, #5, #6, #7, #8, #9 , #10, #11 and #12.

Official Secrets (2020 – 112 mins – Amazon Prime)

The true story of a British whistleblower (Keira Knightley) who leaked information to the press about an illegal NSA spy operation designed to push the UN Security Council into sanctioning the 2003 invasion of Iraq. Along with a fantastic supporting cast (Matt Smith, Matthew Goode, Rhys Ifans, Ralph Fiennes and Conleth Hill) this might be one of Knightley’s finest performances, understated yet powerful. A steely and tense thriller, made all the more haunting as it really did happen.

Boys State (2020- 109 mins – Apple TV+)

A thousand 17-year-old boys from Texas join together to build a representative government from the ground up – and the results need to be seen to be believed. A truly outstanding documentary that ends up revealing so much about present day politics and 21st masculinity.

Wolfwalkers (2020- 103 mins – Apple TV+)

Cartoon Saloon is an animation studio that has a truly enviable hit-rate, with Song of the Sea , The Secret of Kells and The Breadwinner each being examples of pure perfection. And now we have this addition, a young apprentice hunter (Honor Kneafsey) and her father (Sean Bean) journey to Ireland to help wipe out the last wolf pack. But everything changes when she befriends a free-spirited girl (Eva Whittaker) from a mysterious tribe rumored to transform into wolves by night. The animation is sumptuous, the story wonderfully told and the performances just magnificent. There’s also some of the finest animated hair we’ve ever seen. If there’s any justice in the world, this film will be recognised in awards season as the best animated film of 2020.

EMMA. (2020- 122 mins – Sky/Now TV)

This might just be the finest Austen adaptation we’ve ever had. At the very least there’s no point ever adapting Emma again, as it cannot beat this one. Anya Taylor-Joy plays Emma, a woman who is well-meaning but selfish, who decides to play matchmaker out of boredom but ends up playing havoc with the lives of those around her. Taylor-Joy plays Emma wonderfully, every expression being layered in meaning and revealing so much about exactly what she is thinking but is unable to say. Johnny Flynn as Mr Knightley has ruined me for men. A magnificent ensemble cast (Angus Imrie, Gemma Whelan, Bill Nighy, Rupert Graves, Miranda Hart, Josh O’Connor, Mia Goth, Oliver Chris and Callum Turner) all bring their A-game to deliver this superb screwball comedy.

120BPM (2017 – 143 mins – Film4)

This French film, following members of the advocacy group ACT UP Paris as they demand action by the government and pharmaceutical companies to combat the AIDS epidemic in the early 1990s, is sublime. At times funny, heart-shattering at others – it’s simply unmissable.

Wild Rose (2018- 101 mins – Netflix)

One of 2018’s best films, this story – Rose-Lynn(Jessie Buckley) is a troubled young Glaswegian who dreams of becoming a Nashville country star – is a total must-see. Buckley’s central performance is extraordinary, with an immeasurable amount of depth, balancing light and shade with ease. Julie Walters is simply fantastic in the supporting role as Rose’s mother. Click here to read my full review.

Set It Up (2018 – 118 mins – Amazon Prime)

In recent years, Netflix has been at the forefront of the resurgence of the romcom whilst also dropping some of the worst of the genre. This week’s underseen romcom is a gem, that uses the tropes we know & love yet plays around with them a little. Two corporate executive assistants (Zoey Deutch and Glen Powell) hatch a plan to match-make their two bosses (Lucy Liu and Taye Diggs). Deutch and Powell have fantastic chemistry, believable and easy to root for. The end result is a charming and sweet romcom.

Something-To-Watch Saturday #12

It’s Saturday and you’ve come for some movie-watching ideas. Here’s 7 more and here’s the back catalogue if they’ve not scratched that itch – #1, #2, #3, #4, #5, #6, #7, #8, #9 , #10 and #11.

Uncle Frank (2020 – 95 mins – Amazon Prime)

One of the few joys to arise in 2020 has been the amount of fantastic indie movies, which arguably have had a little bit more space this year with blockbusters having been near-universally postponed till 2021 at the earliest. Uncle Frank is very much one of the cream of the crop with a lead performance by Paul Bettany, as the eponymous Uncle Frank, that deserves awards recognition. In 1973, when Frank Bledsoe and his 18-year-old niece Beth (Sophia Lillis) take a road trip from Manhattan to Creekville, South Carolina, for the family patriarch’s funeral, they’re unexpectedly joined by Frank’s lover, Walid (Peter Macdissi). The film’s focus is Frank aligning his past trauma with his present, and his fears over his family finding out about his sexuality. The end result is a film that is softly moving, immensely charming and bittersweetly emotive. Such a delight.

Monsoon (2019 – 85 mins – BBC iPlayer)

Kit (Henry Golding) a British Vietnamese man, returns to Saigon for the first time in over 30 years, after fleeing during the Vietnam-American War. A beautifully empathetic look at the immigrant experiences, of being of two places but feeling like you belong to neither. Thoughtful, delicate and graceful.

Crazy Rich Aisans (2018- 120 mins – Amazon Prime)

This week’s underseen romcom slot also serves as a Henry Golding double bill. Here he plays the heir to an immense fortune, not that his girlfriend Rachel (Constance Wu) has any idea just how rich he is as she finds out on the way to meet his family for the first time. All the romcom tropes we know and love are here, featuring a terrific and diverse cast and some spectacular riches. A really likeable and very sweet addition to the canon. Click here to read my full review.

Galaxy Quest (1999- 102 mins – Netflix)

‘Never give up, never surrender’ – that was the catchphrase of cult tv series Galaxy Quest. It’s a phrase the show’s cast Jason (Tim Allen), Gwen (Sigourney Weaver), Alexander (Alan Rickman), Fred (Tony Shalhoub) and co. know all to well. They’ve been churning out for years at various fan conventions and promo appearances. But when they’re visited by actual aliens who think the series is an accurate documentary they quickly become drawn in a very real intergalactic conflict with thousands of lives at risk. This is one of the finest comedy films, possibly ever. It’s fantastically written, parodying fandom with much love and affection, and so well performed by a cast of total icons.

Arthur Christmas (2011 – 97 mins – Netflix)

Another Christmas gem for you, this time we’re with Santa’s (Jim Broadbent) clumsy son Arthur (James McAvoy) as he sets out on a mission with Grandsanta (Bill Nighy) to give out a present they misplaced to a young girl before it’s too late and her Christmas is ruined. A sweet and heart-warming tale, with some inventive animation and charming voice cast.

Shame (2011- 101 mins – All4)

A sex addict’s (Michael Fassbender) carefully cultivated private life falls apart after his sister (Carey Mulligan) arrives for an indefinite stay. The directorial debut of Steve McQueen (who currently has a phenomenal miniseries airing on BBC every Sunday, Small Axe – five films that are love letters to Black London history) this is an astonishing and haunting film about addiction & it’s concealment under artifice. Wonderfully shot and performed, this is a total must-see.

Pan’s Labyrinth (206 – 118 mins – Amazon Prime)

Without a doubt, one of the greatest films of the 21st century, Guillermo del Toro‘s film is set in the Falangist Spain of 1944, where the bookish young stepdaughter (Ivana Baquero)of a sadistic army officer (Sergi López) escapes into an eerie but captivating fantasy world when a magical creature (Doug Jones) gives her the chance to save her pregnant mother’s life. Insert list of superlatives here – I just love this film so so so so much. (Also, any English teachers reading this, I have a great resource using the Pale Man scene to teach GCSE English Language Paper 1, Q3 – slide into my DMs if interested…)

Mank

‘This is the business where the buyer gets nothing for his money but a memory’

A proposal – how much you enjoy a film and how much you appreciate it can provide distinctly different answers. David Fincher return to the big screen, 6 years after Gone Girl, is the epitome of this. It’s already something of a hard sell, a film following screenwriter Herman J. Mankiewicz‘s tumultuous development of Orson Welles‘ iconic 1941 masterpiece Citizen Kane. Although having watched Citizen Kane isn’t a requirement or prerequisite, prior knowledge does help certain narrative beats and jokes land. (If 119 minutes of classic cinema doesn’t appeal, The Simpsons parody ‘Rosebud’ from the show’s fifth season is one of the finest episodes it’s ever made.)

We open on Mank’s present day in 1940, with an injured and rather-down-on-his-luck Mank (Gary Oldman) pitching up to a cabin in the middle of nowhere. He’s there to write a script for new Hollywood Wonder Kid Orson Welles (Tom Burke) and he’s only got 60 days to do it, with two assistants (Lily Collins and Monika Gossmann) to aid him and decades worth of issues to get in his way. The main narrative tension is the rather age-old trope of struggling writer battling his demons – the fact we know he manages it as Citizen Kane is an actual film that exists (and is regularly voted the Greatest Film Of All Time in industry polls) does slightly undercut proceedings. Instead the drama comes from his past, the things and battles he has faced in his past that have lead him to his now – bedridden and determined to write a scathing take down of media baron William Randolph Hearst (Charles Dance). Even if it means hurting close friend, and Heart’s lover, Marion Davies (Amanda Seyfried) in the process – not to mention destroying his own reputation and any hope of a career.

It’s clear from the outset that this is a passion project for Fincher, with the screenplay itself having been written by his father (who passed away in 2003). Every frame feels personal, as if there’s a direct link between what is being told and the story behind it. Visually how that story is told is spectacular, the cinematography has such wondrous depth and full of cigarette-tinted sumptuous. The soundtrack, by long-time collaborators Trent Reznor and Atticus Ross, is moody and atmospheric – superbly enhancing the paranoia and uncertainty that plagued 1930 and 40s Hollywood, with concerns over Hitler’s rise in Germany and the homegrown fears surrounding socialism, which would go onto leading to an actual Hollywood blacklist in the late 40s. The cast mirror this tone perfectly – with Oldman disappearing into the role as the likeable but hugely flawed writer, Seyfried delivering a femme fatale-esque dame with a steely edge and a career-finest Dance as the elusive tycoon. Burke also deserves a mention for being able to capture a young and righteously indignant Welles so perfectly with not-that-much screen time.

While there are some really great scenes here, they feel too-much like a patchwork pastiche to the work that inspired. Just as with Citizen Kane, the flashbacks are used to flesh out our main character – in a search to both expose faults but also create empathy – some are more interesting or purposeful seeming that others. But the problem is it’s nigh-on impossible to form an attachment to any of these characters. Following them around is entertaining enough, but there’s something of a block between us and them that leaves the viewer feeling cold. There’s also an unevenness about the film’s tone, shifting between drama and comedy of sorts with little prep or transition time. It’s as if it’s not quite sure what it wants to be, beyond a love letter to Golden Hollywood. (Which in turn just made me want to dig out Hail Caesar (2016))

Mank is going to be the kind of film that has a limited audience, but that audience will be ardent and love it dearly. That audience will be enamoured with it’s swoony yet intellectual take on cinematic myth. The rest may just struggle with a film that isn’t quite sure what it is, other than a dense and slow-burn meditative biopic.

[3/5 stars]

Mank is out in selected UK cinemas now and on Netflix worldwide from Friday 4th December.

Something-To-Watch Saturday #11

It’s Saturday and you’ve come for some movie-watching ideas. Here’s 7 more and here’s the back catalogue if they’ve not scratched that itch – #1, #2, #3, #4, #5, #6, #7, #8, #9 and #10.

A Star Is Born (2018 – 136 mins – Amazon Prime)

Bradley Cooper‘s directorial debut happens to be the 4th version of the A Star Is Born story is perfectly adapted to the 21st Century. He plays country/rock megastar Jack, who drunkenly stumbles into a drag bar and meets the love of his life, an exceptionally talented singer called Ally (Lady Gaga). As she finds fame and glory, alcoholism and Jack’s own demons send him on a downward spiral. Beautiful, loving and intimate. (Click here to read my full review)

Searching For Sugar Man (2012 – 86 mins – Amazon Prime)

For a generation of South Africans, Rodriguez was their unlikely musical hero. Not knowing anything about him or why he stopped releasing music, two documentary makers go in search of him and answers. A story about the power of art, how music can soundtrack societal change and the unexpected twist of life. Stranger than fiction, this is an incredible story about a true talent.

Military Wives (2020 – 112 mins – Amazon Prime)

There’s a group of films released in March 2020 that had their release curtailed and didn’t get the release or audience they deserved. Military Wives is one of those. Inspired by the fourth series of the documentary series The Choir, where choirmaster Gareth Malone joins communities and inspired them to come together through singing. This is a lovely watch lead by two excellent performances by Kristin Scott Thomas and Sharon Horgan.

Minding The Gap (2018 – 93 mins – BBC iPlayer)

One of the finest and most personal documentaries of recent years, three young men bond together to escape volatile families in their Rust-Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. Incredibly moving and profound.

The Wedding Singer (1998 – 87 mins – Amazon Prime)

This week’s underseen RomCom is the film that results in my taking any bad Adam Sandler performances personally, as he’s just so good here. He plays Robbie, a singer, who befriends new-in-town Julia (Drew Barrymore), a waitress. Both are engaged, but to the wrong people. Fortune intervenes to help them discover each other. So funny and charming, with some excellent cameos. (Side note: The film is set in 1985, so 13 years before release. If you were to make a film with the same time gap now, it would be set in 2007…)

Our Little Sister (2015 – 127 mins – BBC iPlayer)

Three sisters (Haruka Ayase, Masami Nagasawa and Kaho) live together in the house of their Grandparents in Kamakura, Japan. The news of their estranged father’s death also results in their discovery of the existence of their half sister (Suzu Hirose). The trio invite their newly-found sister to come and live with them, leading to much change for all four young women. Exquisite filmmaking.

Nativity! (2009 – 105 mins – Netflix)

There’s a good chance I’ll end up compiling a list of Christmas movies and where to find them. For now, here’s something to start you off. An uptight but secretly heartbroken primary school teacher’s (Martin Freeman) little white lie about Hollywood coming to see his class’ nativity play grows like wildfire in his rag-tag school low on self-esteem. Maybe it’s the fact I work with young people that adds another level of funny onto this film for me, but I really think this is a underseen and endearing festive treat.

Something-To-Watch Saturday #10

Insert pithy comment here about lockdown-induced breakdowns here. Read below if you’d like some movies to watch and escape into. If you’d like to chose from 9 other combinations of seven specially chosen films, then click through here – #1, #2, #3, #4, #5, #6, #7, #8 and #9.

A Man Called Ove (2015 – 118 mins – Amazon Prime)

Speaking directly to you right now. If you’re going to pick any of these films to watch, could you please take a chance on this one? I’m sure you won’t regret it (and I’m not just saying that because I was quoted on the poster/DVD case – humblebrag noise) I called it ‘A beautiful and uplifting tale’ then and I stick with it now. Ove is a curmudgeonly figure who looms heavily over his housing estate. When he’s fired from his job it’s the final straw and he decides he’ll commit suicide. But his new neighbour and her family inadvertently interrupt his plans, uncovering Ove’s past and hidden soft side. Few films have made me simultaneously laugh and cry to this extent. The queue to the ladies toilet at Canterbury Curzon afterwards was just was a just a line of us sniffling in disbelief at how joyous this film is. So, go watch it. Please?

Whip It (2009 – 111 mins – Amazon Prime)

Directed by Drew Barrymore, starring Ellen Page, Alia Shawkat, Marcia Gay Harden, Kristen Wiig, Zoë Bell, Eve and Juliette Lewis in a movie about roller derby that happens to be one of the greatest coming-of-age movies of the 21st Century. ‘Nuff said.

The Guernsey Literary and Potato Peel Pie Society (2018 – 124 mins – Amazon Prime)

An underseen gem of a period drama, set in the aftermath of WW2 when a writer (Lily James) forms an unexpected bond with the residents of Guernsey Island (Tom Courtenay, Michiel Huisman, Katherine Parkinson) when she decides to write a book about their experiences during the war. So bloody charming.

An Education (2009 – 100 mins – Amazon Prime)

Directed by Lone Scherfig with a screenplay Nick Hornby  and astonishing central performances by Carey Mulligan and Peter Sarsgaard, this is coming-of-age story about a teenage girl in 1960s suburban London, and how her life changes with the arrival of a playboy nearly twice her age. Exquisite costumes, pitch-perfect script and a stellar supporting cast.

Down With Love (2003 – 101 mins – Amazon Prime)

This week’s underseen RomCom is set in 1962 New York City, when love blossoms between a playboy journalist (Ewan McGregor) and a feminist advice author (Renée Zellweger). A superlative pastiche and loving tribute to the era of Rock Hudson & Doris Day, that also has this sequence that is one of finest uses of comedic editing in 21st century cinema

A Simple Favour (2018 – 117 mins – BBC iPlayer)

Stephanie (Anna Kendrick) is a single mother with a parenting vlog who befriends Emily (Blake Lively), a secretive upper-class woman who has a child at the same elementary school. When Emily goes missing, Stephanie takes it upon herself to investigate. Camptastic cinema of the finest order.

Attack The Block (2011 – 88 mins – Film4)

Proof, were it ever really needed, that John Boyega has always had the charisma of a star. Written and directed by Joe Cornish, a teen gang in South London defend their block from an alien invasion. Funny, tense and a little bit scary – perfect Saturday night watching.

Something-To-Watch Saturday #9

You know the drill. It’s November, it’s dark at 4pm and the weather is rubbish. It’s the second weekend of Lockdown 2: The Second Cummings (or goings, amiright?!?) You want some movies to watch and escape in. I’m happy to provide with 7 here, and 7 more in each of these. That’s 63 to choose from, that’s how good I am to you. #1, #2, #3, #4, #5, #6, #7 and #8.

Adult Life Skills (2016 – 96 mins – Netflix & Amazon Prime)

Anna (Jodie Whittaker) is stuck: she’s approaching 30 and living like a hermit in her mum’s garden shed, avoiding fully living her life due to the fact that she is crippled by the loss of her twin brother. A week before her birthday, her mother (Lorraine Ashbourne) sets her an ultimatum – move out of the shed and move on with life. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local real estate agent (Brett Goldstein) whose awkward interpersonal skills continually undermine his attempts to seduce her. The feature debut of writer-director Rachel Tunnard, this is a such a charming bittersweet British indie. Just delightful.

Long Shot (2019 – 125 mins – Netflix)

This week’s underseen romcom is a fairly recent one. I last rewatched this in April, during Lockdown 1, and I found myself craving the considerate and empathetic political career of main character Charlotte Field (Charlize Theron) in her run for the presidency, and the really positive and well-balanced burgeoning relationship she has with journalist Fred Flarsky (Seth Rogen). I genuinely could write an entire essay on their wonderful relationship and how he supports her & her career. Romantic and so so funny.

The 40-Year-Old Version (2020 – 123 mins – Netflix)

Another gem that Netflix plonked on the shelf rather than give it the fanfare it deserves. Radha (Radha Blank, who also writes and directs) is a down-on-her-luck NY playwright, who is desperate for a breakthrough before 40. Reinventing herself as rapper RadhaMUSPrime, she vacillates between the worlds of Hip Hop and theater in order to find her true voice. Intimate yet epic, scathing yet endearing – a gem that truly sparkles if you give it the chance it deserves.

Animals (2019 – 109 mins – Amazon Prime)

Based on the book of the same name by  Emma Jane Unsworth (who also wrote this screenplay), Animals is the story of best friends Laura (Holliday Grainger) and Tyler (Alia Shawkat) whose party-loving lifestyle gets tempered by Laura’s engagement to Jim (Fra Fee), disolving their friendship in the process. A beautiful, consistently funny yet devastating, mediation on modern love and friendship.

Perfect 10 (2020 – 83 mins – BBC iplayer)

One of the consequences of having a blockbuster-free summer (Tenet aside) was that independent cinema took over our screens, even if they didn’t get the large audiences they deserve. This film is the perfect example of one of those films you probably missed and need to catch-up on. 14-year-old Leigh (Frankie Box) is an aspiring teenager gymnast’s whose world is turned upside down with the arrival of the half-brother she never knew she had. Box’s debut performance is captivating and so full of depth in a wonderfully-told bittersweet story.

The Post (2017 – 116 mins – All4)

A cover-up spanning four U.S. Presidents pushes the country’s first female newspaper publisher (Meryl Streep) and her editor (Tom Hanks) to join an unprecedented battle between press and government. Another film that may resonate that bit deeper due to events of recent months/weeks/days, this is the cinematic equivalent of sitting in a really comfy leather tub chair with a dram of whiskey, a cigar and some comfy slippers. Steven Spielberg at his most solid historical best.

Dark Waters (2019 – 126 mins – Amazon Prime)

I’ll be honest, it’s only as I’m writing these brief comments that I’ve started to see an unintended link between some of these films. Dark Waters is about a corporate defence attorney (Mark Ruffalo) takes on an environmental lawsuit against a chemical company that exposes a lengthy history of pollution. It too will have an even greater resonance around now, seeing capitalism and it’s destructive influences. A fantastic central performance by Ruffalo, this is a film that will haunt you for a long while after. So now I’m going to cheer myself up and listen to this. See you next week….