A Love Letter to… Cinema Curtains

Back in January, when cinemas were closed and we had no idea if/when they’d reopen, as part of a project I was working on, I was asked to write a love letter to an aspect of cinema. I instantly knew exactly what I wanted to write about, Cinema Curtains! My next thought was ‘Why on Earth?!? What are you thinking?’ Once I got writing though, it really became clear.

There are few inanimate objects that can cause a hush to descend upon a crowd. One of the few exceptions are the curtains in a cinema screen, those undervalued and underappreciated and underseen beauties that command a presence most of us could only dream of having.


Of the many, many, many things I’ve missed these past ten months – my more-than-once-a-week cinema visits are towards the top. But, within that, the aspect I’ve most missed are those bloomin’ cinema curtains. The curtains at BFI, at Picturehouse Central, Regents Street and Prince Charles Cinemas – as mad as it sounds, I miss you all as much as I miss some of my friends. That’s because I miss what you bring us. Your opening, often accompanied in this blissful choreography with the lights switching  off, brings a stillness I’ve craved. A stillness I don’t think I’ve ever fully appreciated until now, and certainly one I need back again.


There’s a degree of liberation to be found when those curtains open, the lights turn off and the screen ratio adjusts. It’s a release of breath, a calmness takes over as we’re about to begin a pause from reality and an escape into another world. No matter how similar or dissimilar that world on the screen is going to be from our own, the very act of it being unveiled by those curtains makes us safe in the knowledge that the show can begin. For those 90+ minutes we shall find a freedom in fiction or a respite in reality. 


And, no matter how hard you try, it’s an experience near impossible to replicate at home. Since March 2020, we’ve spent our days plugged into screens of varying sizes, but rarely the one that reaches the heights we love. The big and beautiful screen hidden behind those curtains that connote intrigue, mystery and a journey about to begin. A journey most of us cannot wait to recommence once more. 

Stream On Vol. 10

Hope you’re having a great week. Welcome to volume ten of Stream On, where I recommend 5 things you could watch on some of your favourite streaming sites. Not enough for you here? Try the previous volumes – volumes 12345678 and 9.

Shrill (2019 – BBC iPlayer – 30mins x 22)

Aidy Bryant plays Annie Easton, a woman in her late twenties whose trying to change her life without changing her body. She’s in a 6 month long situationship with Ryan (Luka Jones), who is so ashamed of her that he forces her to leave out the backdoor of his home so his housemates don’t see her. Fran (Lolly Adefope), her best friend is desperate for her to realise she deserves better. The same also applies for her work, where her punk-rock editor Gabe (John Cameron Mitchell) has no idea how best to utilise Aidy’s writing. This wonderful show explores love, friendship, family and self-image so brilliantly. Full of fantastic moments, season 1 episode 4 features an iconic and empowering sequence sound tracked to Ariana Grande’s One Last Time.

Attack the Block (2011 – Now/SKY/Amazon Prime/ ALL4 – 88 mins)

This year marks ten years since Attack The Block burst onto our screens, with stars John Boyega and Jodie Whittaker becoming household names in the years since. With talk about a sequel, it’s the perfect time to return to this action-comedy about a teen gang defending their block from an Alien invasion.

Happy-Go-Lucky (2008 – Amazon Prime – 118 mins)

Written and directed by Mike Leigh, we follow a few chapters in the life of North London primary school teacher Poppy (Sally Hawkins) as she learns to drive. Possessing an irrefutable optimism that tends to exasperate those arounds her, Hawkins is a true joy to watch in this wonderful gem of a movie.

Tropic Thunder (2008 – Amazon Prime – 106 mins)

Remember the Frat Pack movies of the noughties? Comedies starring a recurring revolving door of actors who seemed to have as much fun filming as we had watching? This is top tier frat pack – when a group of actors (played by Robert Downey Jr., Jack Black, Jay Baruchel, Brandon T. Jackson and Ben Stiller) are forced to become the soldiers they are playing after a series of freak occurrences. Packed full of hilarious and infinitely quotable lines, it also features two scene-stealing performances by Matthew McConaughey and Tom Cruise.

Away (2019 – SKY/Now – 75 mins)

To say too much would spoilt it. A boy and a little bird are on a journey across a strange island trying to get back home- just spectacular.

The h-APP-ening

For over a month, I could sense something was wrong. Uncomfortable with myself and in my own skin, finding myself bursting into bleak tears on a bi-nightly basis – it really couldn’t carry on. Upon performing a self-assessment of my life, an overview of proceedings in a desperate search to find out the cause of the problem, I think I found it. Dating apps. Right now, for me, they’re causing more harm than good to my sense of self and my wellbeing. In fact, they were making me profoundly unhappy. After over 14 months where dating apps have been our main, and in some months only, source of meeting new people – I have been one of the many people dependent on them. Hooked on them. Desperate for them to work. Willing something, anything , to happen. And I’m only just realising how much I’ve been using them to emotionally self-harm.

As a society, we’re force feed a narrative when it comes to relationships and the role they play within our lives. As an enteral singleton, with brief spurts of dating and situationships that have been variable (mostly not-good) I constantly feel flawed. Broken. Unwanted. Clearly there must be something not right with me, otherwise I’d be with someone won’t I? Whether anyone actually thinks that about me, I neither know nor care. That’s a relatively new train of thought for me, and it feels so empowering that I’m starting to think, believe and finally feel that way.

What scares me is how I’ve lately found myself thinking that about myself. Using the last month as my main example – although I know it is has happened countless times in the past – I have induced a spiral of self-loathing within myself about myself through my experiences of the apps. For the past month I have alternated between Bumble, Hinge and Match.com to less than minimal success. To no success, to be frank with you. I have come out of May with precisely the same amount of romantic prospects – none. Zero. Zilch. Nada.

Logically I know there’s many aspects at play here that are fully out of my control. There’s the algatrium, that secret formula every one of these apps has that dictates the prospective love matches we see. It’s unquestionable this will incorporate a rating of attractiveness and eligibility (we’ll return to this shortly). There’s the fact we’re in a global pandemic and all of us are beyond shattered, fatigued and talking wounded – should we get a match, what are we going to talk about? Must we talk about all that has gone on, where we’ve had over a year of our fertility and youth stolen away from us? How about the fact some of these apps are time-sensitive, with matches expiring after a certain window of silence? Yes, Bumble, I may not have put my phone down since mid-March 2021, but it doesn’t mean I’m able to respond instantly to your notification that is intruding whatever I am currently doing – and what if life gets in the way and holds up his response to my undoubtedly witty first message. Hinge, you’re not so innocent either – your Rose system is total madness.

For those unfamiliar with it (and thank your lucky stars for that fact) every week a user on the app – with the basic version, not paying for additional extras – gets given one Rose to give to one of their matches. Using old money, it’s equivalent to a Superlike on Tinder; a way of showing your match that you’re not just keen on them. You’re very, you-must-show-them-instantly keen. But you’re only given one Rose a week, unless you wish to pay £3 for 3 more Roses. There’s two ways you can spend these Roses, whilst swiping through your suggestions list or you can visit the standouts section. Everyday you’ll be shown 8 prospects who are the Crème de la crème, the best of the best candidates who are more than likely what the app has identified (correctly or otherwise) as you’re type. These standouts never appear in your main feed, you’ll only see them there in that section. And they won’t necessarily be there tomorrow. And you can’t just ‘like’ them, the only means of contact is to give them that one Rose you have each week. And it’s this numbers game that is really horrific when you lay it out, and exposes the most toxic aspect that is fundamental to these apps. You’re given one rose a week, but at 8 candidates a day, that’s 56 candidates over the course of the week to spend that single rose on. Do you spend it on that person, with that funny bio or picture, or should you hold out just in case? What is someone better comes along? And what exactly is ‘better’ when it comes to these apps?

As someone who doesn’t tick the boxes for conventional beauty standards, it’s probably not me. At 181cm tall, I am roughly 17cm taller than the national average for a woman in the UK. But I’m not tall and willowy, with my clothing size on the high street varying from a sometimes 12 to an often 18. There’s also my mane of red hair, the colour of which I share with less than 2% of the world. These ‘differences’ about myself make me feel vulnerable, things I’ve rejected rather than embraced. In previous years of my dating life, this has resulted in my appearing in a certain type of person’s (ahem, man’s) dream venn diagram – a niche taste that has often resulted in uncomfortable festishisation and disturbing messages. I’m also 8 months into a journey of Long Covid, which has warped my connection with my body and made me feel like its tenant rather than its owner. And let’s not go down the rabbit hole of my various nerouses and self-image complexes – many of which have been worsened so, so much by this last month of dating app usage.

My tipping point this week was when this emotional self-flaggation, from how I was viewing myself combined with a lack of matches & messages, became terrifying levels of torture. I realised I was spending around 90 minutes a day swipping and hoping. And, within that accumulated time, there was no-one who liked me back. This formed the thought that I was therefore being rejected by every man I had swiped yes on – hundreds, thousands of rejections. No-one wanted me. I wasn’t good enough. I was undateable. I must be broken. No-one will ever want me.

Now, let me tell you, having my brain say that to me at 3.12am one morning was a stinging slap to the face and a cold stab to the heart. If I really felt that way about myself, what good would I be to anyone else. I would never, ever dare say that to anyone else. If someone I loved dare to say that about themselves, I would be devastated – therefore, how could I dare be saying that to myself and treating myself in this way?

That’s when I uninstalled them on my phone, there and then, and set myself a minimum of a two week enforced break with no exceptions and extreme likelihood of extension. I’m now on day four and, in all honesty, I wish I could say I don’t miss them. I feel weirdly ashamed to say I feel adrift without them, they’re addictive in a way that defies comprehension. It also feels like, as a result, I’m no longer ‘trying’ or ‘making an effort’ to meet someone. To preserve and protect myself, to try and heal from the damage I’ve inflicted on myself, I’ve essentially had to cut off the only way of meeting new people in the Covid-infested landscape that is 2021.

But right now, I just can not do it. As Mama Ru says – If you can’t love yourself, how in the hell can you love somebody else? Right now, I scarcely even like myself, so I’ve got a long way to go – so it’s about time I work on being my own cheerleader and work towards loving again the stranger who was myself.

Stream On Vol.4

You want movies? You got them! Here’s 10 suggestions, then click here for 5 more, here for 5 more and here for 10 more.

Rush (BBC/Amazon Prime) – 2013 – 1223 mins)

There’s been a lot of people finally discovering Daniel Brühl this week, especially because of these moves. If you’re looking for your next hit, this will do the job and then some. Chris Hemsworth is a charisma powerhouse playing Formula One racer James Hunt, Brühl is his rival Niki Lauda. What follows is a thrilling and finely crafted sports drama.

People Places Things (Netflix – 2015 – 85 mins)

Jemaine Clement plays Will Henry, a newly single graphic artist is left parenting both his young twin daughters and a classroom of students after his longtime partner leaves him for someone else. A gently funny tale of a man forced to rediscover himself at a time when he thought he was settled and explore the world of relationships once more. Offbeat and very charming.

Jellyfish (BBC – 2018 – 101 mins)

Being a young carer has forced Sarah (Liv Hill) to grow up far too soon and far too quickly. By chance her drama teacher spots her talent for stand-up comedy and encourages her to nurture it, but life continues to get in the way. An immensely compassionate and moving character study.

Eighth Grade (Netflix – 2018 – 93 mins)

Being a teenager is awful, a continuously mortifying nightmare of epic proportions. Writer-director Bo Burnham revils in that here, with a regularly funny often cringe-inducing drama that follows an introverted teen (Elsie Fisher) trying to survive her disastrous last week of middle school with high school on the horizon. A painfully wonderful and relatable movie.

The Last Tree (Netflix – 2019 – 98 mins)

After a happy childhood in the countryside with his foster family, Femi is brought back to London as a teenager by his birth mother. Samuel Adewunmi is fantastic as Femi in writer-director Shola Amoo‘s contemplative and moving drama. A stunning portrait full of ones to watch, in front of and behind the camera.

Papi Chulo (Netflix – 2018 – 98 mins)

Sean (Matt Bomer) is a lonely weatherman yearning for his ex-partner, but finding distraction in a friendship of sorts with a middle-aged Latino migrant worker (Alejandro Patiño). Quiet, slow-moving and utterly charming.

A Man Called Ove (Amazon Prime – 2015 – 116 mins)

I know I always recommend this one, but I rewatched it last night and it’s still fabulous and I still need you to watch it. Darkly funny, profound and moving. Just wonderful.

The Lincoln Lawyer (Amazon Prime -2011 – 118 mins)

Mick Haller (Matthew McConaughey) is an immensely successful lawyer gearing up to defend his new client (Ryan Phillippe) when he stumbles upon evidence that suggests not only is his client guilty, but for far more than he’s currently on trial for. A tense and gripping thriller.

Superbob (Amazon Prime – 2015 – 82 mins)

A charming British feelgood movie about an underdog trying to do the right thing – in this case the underdog in question is a lonely man looking for love (Brett Goldstein) who also happens to be the world’s only superhero. Heartfelt and very funny.

Adventureland (Sky/NOW – 2009 – 107 mins)

It’s the summer of 1987, James (Jesse Eisenberg) finds himself spending his first summer out of college working at an amusement park. It may not be the summer he ever planned or wished for, but it’s going to teach him a lot about himself and the world. An excellent supporting cast – Kristen Wiig, Bill Hader, Kristen Stewart, Ryan Reynolds – help make this a really charming coming-of-age movie.

Stream On Vol.3

You’re probably here because you’ve been here before. For the first timers amongst you, once a week I recommend a bunch of films across various popular streaming platforms in the hope you helping you beat the ‘Well, what should we watch now?’ slump. Here’s volumes 1 and 2.

A Beautiful Day In The Neighbourhood (2019 – SkyGo/NOW – 109 mins)

If I were to start a prescription service, offering films to cure various alignments, I’d suggest this one to the world-weary and jaded. This is an immensely cathartic watch restores my faith in humanity and the wonder of people, a partly-inspired by true story of a journalist’s (Matthew Rhys) encounter with children’s tv host Fred Rodgers (Tom Hanks). Make sure you’ve got your tissues, then dig out the companion documentary Won’t You Be My Neighbour? and the 1998 article that inspired it all. You can thank me later.

While You Were Sleeping (1995 – Disney+ – 103 min )

I call myself a romcom fan, but this was a first watch for me when I finally watched it 6 weeks ago – there’s few things better than finding a film that is very much your jam. This one is very much my jam, and then some. Sandra Bullock is a hopelessly romantic Chicago Transit Authority token collector who is mistaken for the fiancée of a coma patient (Peter Gallagher). Bill Pullman plays his plait-wearing, grumpy, carpenter cynic of a brother (aka my type in a nutshell…) Really sweet, romantic and very funny.

Kiss Kiss Bang Bang (2005 – Amazon Prime – 103 mins)

Without this movie, there’s a strong possibility the MCU as we know it may not exist – as it let to the return of Robert Downey Jr. and showcased his charismatic brilliance so wonderfully. A murder mystery brings together his thief-disguising-as-an-actor, Val Kilmer‘s Private Detective and Michelle Monaghan‘s struggling actress. Sublimely written and directed by Shane Black, this is a brilliantly dark comedy that needs to be seen!

This Is Where I Leave You (2014 – Amazon Prime – 103 mins)

Jason Bateman, Tina Fey, Jane Fonda, Adam Driver, Rose Byrne, Corey Stoll, Kathryn Hahn, Connie Britton, Timothy Olyphant, Dax Shepard and Ben Schwartz star in this immensely underseen indie drama about four children returning home as adults when their father dies. This one is such a gem!

Tucked (2018 – Netflix – 80 mins)

A small indie that is so charming and darkly funny. Jackie(Derren Nesbitt) is an 80-year-old drag queen, Faith (Jordan Stephens) is just starting out – both desperately alone, an unlikely yet wonderful friendship forms as they support each other and in turn themselves.

Arrival (2016 – Netflix – 116 mins)

One of the finest, if not the finest, science fiction movie of the 21st Century. An immensely profound and gripping look at what it really means to be human. Louise Banks (Amy Adams) is the linguist called in to work with the military to communicate with alien lifeforms after twelve mysterious spacecraft appear around the world. Go in knowing nothing else and leave forever changed.

Tina (2021 – Sky/NOW – 118 mins)

An honest and harrowing profile of one of the most iconic and recognizable voices in music. With a wealth of never-before seen footage, photos and accounts – this is an immensely personal and unvarnished account. Essential viewing.

Palm Springs (2021 – Amazon Prime – 90 mins)

This may just be the most perfect use of 90 minutes of screentime that we’ve seen in a long time, let alone the best use of a time loop/Groundhog Day narrative. Nyles (Andy Samberg) has been stuck at the same wedding for far too long, the sole guest who is trapped there, relieving the same day again and again and again. Until Sarah (Cristin Milioti) gets stuck there too…

Stardust (2007 – Netflix – 107 mins)

Based on the 1999 fantasy novel by Neil Gaiman, this is a love story like no other. Tristan Thorn (Charlie Cox) is set the task by the object of his affections, Victoria (Sienna Miller), to go collect the star that has fallen nearby. But nearby, in this instance is on the other side of the wall which borders the magical land of Faerie. Crossing it is prohibited as it leads to a magical realm where nothing is to be believed and no-one is to be trusted. Such a charming fantasy love story with an incredible cast and this banger of a theme song.

Rules Don’t Apply (2016 – ALL4 – 127 mins)

Written, directed and starring Warren Beatty (playing Hollywood eccentric and legendary billionaire Howard Hughes) this is a love story of sorts to the era of Golden Hollywood. A romantic-comedy-drama, it follows new-in-town Lily Collins a devout Baptist beauty queen under contract with Hughes’ film studio RKO Pictures, receiving $400 a week and living in a beautiful home with her strict mother Lucy (Annette Bening). Frank (Alden Ehrenreich) becomes Marla’s primary driver, taking her to singing and dance classes – a prohibited friendship between the pair quickly follows.

Pick of the Week #5

Looking for some more pics? Check out the back catalogue: #1, #2, #3 and #4.

Film: Arrival (currently £1.99 to rent on Amazon)

Great science fiction manages to reflect on the now and say so much about the human experience. Arrival isn’t just a great science fiction movie, it’s one of the finest science fiction movies in the 21st Century. When gigantic spaceships touch down in 12 locations across the world, Linguistics professor Louise Banks (Amy Adams) is called in to lead an elite team of investigators. A slow-burn thriller that is profound and beautiful. To say any more would spoil it, so go watch it!

TV: Inside No.9

An anthology of dark and twisted tales – all 31 episodes are currently free to watch on BBC iPlayer.  Each episode is stand-alone, you can pick and choose the premise that takes your fancy. Each features creators Steve Pemberton and Reece Shearsmith, but there’s a revolving door of incredible guests stars who need to be seen to be believed. This is a show so well written, you’ll start watching and can’t believe it took you so long…

Book: Andi Osho – Asking For A Friend (currently 99p on Amazon Kindle)

Andi Osho is a fantastic comedian I’ve loved for years, her humour is self-deprecating yet warm which works really well in his book – which is her writing debut.  It’s the story of three friends (on is in her 40s, the other in her 30s and the third in her 20s). They met at a comedy improv class ten years ago and became the very best of friends – the ride or die kind) They decide to tackle their love life disasters head on by ditching the dating apps and actually ask people out in real life…but only for each other. What could possibly go wrong? A laugh-out-loud romcom that shows that friendship is just as important as romantic love.

Music: Lady Percy by King Charles

One of the things I love most about Spotify is how I used to create a playlist that summed up my favourite tracks of each month, more often than not those songs become entwined with what was going on and how I felt at the time. This track is from my May 2012 playlist, a summer I look back on with a lot of sepia-toned warmess and nostalgia – summed up by this track.

Pick of the Week #4

Looking for some more pics? Check out the back catalogue: #1, #2 and #3.

Book: When The World Was Ours by Liz Kessler

This was one of the most powerful novels I’ve read in a long time. Very much inspired by a real story, we follow three young friends in 1936 Vienna. They’re 9 years old and their friendship is the most important thing in their lives, they have no idea of the darkness spreading across Europe that will cause their lives to go in drastically different directions. A masterpiece.

TV: Dead Pixels (All4)

Channel 4 just dropped all of series 2 on All4, which means you’ve now got 12 episodes of this really charming show to watch. It’s a sitcom about three gamers that’s as addictive as the game they’re playing. Although there’s a lot of poking fun at their obsessive gaming, it really does come from a place of affection as opposed to laughing at fandoms. It’s so well performed and with a script that’s as sharp & quotable as The It Crowd.

Film: Three Identical Strangers (All4)

Aged 19, Bobby Sharfran arrived for his very first day at college. Every single person he came across greeted him like an old friend, calling him by the wrong name and showing immense surprise that ‘he’d changed his mind and decided to come back for the new academic year.’ And that’s how Bobby found out he had a twin brother – the first of many incredible, shocking, and dark discoveries. An incredible documentary that has to be seen to be believed.

Song: Don’t Leave Me This Way by The Communards

The past week, I’ve really gone down a rabbit hole of 80s’ music. There’s something about that time period where the music really captured the same mood of now  – a desperation to find light within the darkness, how music can spark joy when it is most needed. That’s why I’ve gone for this banger, which I dream of once again booging away to on a dance floor – the aisles of my local Tesco really don’t count…

Pick of the Week #3

TV: Married at First Sight Australia Season Six (All4)

In all honesty, I think this show is the only thing getting me through Lockdown 3.0. My daily routine is watching an episode at 7.30pm on E4 and I’m not sure how I’d cope without it. The show follows 12 couples who literally met for the first time at the alter – after being paired up by ‘experts using ‘science’. There’s no way I can do what follows any justice by describing it to you, the dramas that occur are unlike anything I’ve ever seen before. This is total must-see television.

Standard Deviation by Katherine Heiny

When Graham runs into Elspeth, his first wife, after leaving her over a decade ago for Audra, his now-second wife, he finds his already overloaded life of day-to-day difficulties and delights of marriage and raising a child with Asperger’s is given another layer to worry about – How can anyone love two such different women? Did he make the right choice? Is there a right choice? Funny, feelgood and addictive reading.

End of Watch (BBC)

There are countless buddy-cop action movies, but this one really is a bit different. Longtime LAPD partners and friends, Brian Taylor (Jake Gyllenhaal) and Mike Zavala (Michael Peña) patrol one of the most dangerous neighborhoods in Los Angeles. When they run afoul of a vicious Mexican cartel, their lives and those of their loved ones are under threat like never before. The really impressive thing about this one is how it’s shot, placing you firmly in the action.

Mitski – Your Best American Girl

In July 2019 I was in a pretty grim place mentally. On one walk home I had Spotify on shuffle and this track, from the soundtrack of I film I love – Hearts Beat Loud – came on. I’d not really listened to it before, but it was everything I needed to listen to in that precise moment – a song about identity, self-expectation and self-acceptance.  It builds and soars, as jagged as it is graceful, starting off indie and going into punk with synths. Musical catharsis at it’s most pure.

What David Bowie Meant To Me

I first wrote this piece on the day David Bowie died, the January 10th 2016. I planned to share it again on what would have been his birthday, January 8th, but I couldn’t find it anywhere. Now I’ve relocated it, I’m sharing again as it’s one of the pieces I’m most proud of – mainly as it’s so heartfelt and personal. Enjoy!

What David Bowie meant to me. I know there’s going to be hundreds of these, thousands even, that was the power of the man. But I equally feel the need to remember and thank the man I never knew who made such an impact on my life.

My first memory of hearing his music was in the car (the origin of most of my musical findings) aged 9 on the journey from Eastbourne to Legoland. My dad put on what we’ve since identified to be a cassette of ‘Best of Bowie 1969/1974. That moment of hearing ‘Rebel Rebel’ for the first time. My confusion at who he was singing about, his alternating of pronouns. The fact that even though I didn’t know the words (and wouldn’t for years to come) I could still sing along with the chorus, ‘Doo doo doo-doo doo doo.” I demanded that we listen to it on the way home too.

That was it for a few years. My musical allegiances (for better or worse) were with the often-barren wasteland of Top 40. A brief stint of loyalty to dance music concluding ‘coincidently’ with my growing fear of school. I hated it. Even the thought of school filled me with total and utter dread (the irony that I’m now a school teacher is not lost on me!) I feigned sickness, pretending all manner of illnesses so that I didn’t have to go into school. My attendance during year 11 dropped to 60%. Only now do I realise I wasn’t faking illness, but the fact illness could be mental and not just physical was an unknown entity. That’s when Bowie, in the form of Ziggy Stardust, reappeared.

He looked just as a strange as I felt I did, and he had the same hair colour as me! I could plug into his music and be transported, healed by his words and drift away to a world that scared me a little less than the one I lived in.A musical obsession started to form as I delved deeper into his back catalogue and idolised every song, quote and image I discovered. I even renamed (and have kept) my phone’s bluetooth as Major Tom and my laptop as Ground Control. At University when my taste started to remould, and my a petulance for the 1950s emerged, there was The Thin White Duke. A late-in-life discovery of Labyrinth soon after.

Then came the first six months of 2014. They were the darkest days I had ever felt and they had come out of nowhere. It felt like an inescapable black cloud was above me, carrying around an incomprehensible weight on my shoulders, leaving me as an empty void. A shell of my former self. I was desperate. Scared. Hopeless. That’s when Bowie proved he still had more to give me- calling out “You’re not alone” during ‘Rock and Roll Suicide’. Recovering from that time in my life wasn’t made easier by that song, nothing can make that internal battle ‘easier’, but it was a bright speck, a light in a world that seemed so dark and so lonely.

So yes, I feel bitter and sad. Angry even, that I’ll never get to see him perform. The ‘what would I do if I met David Bowie’ fantasy no longer has the same relevancy or potency. But his music is still here. His art is still here. And I’m beyond thankful that I’m lucky enough to have found an artist who I connected with so strongly, who emboldened me when I felt that I couldn’t go on. Whose music possess the power to send me to the dancefloor no matter how sober I am or how empty the dancefloor is. We may have lost a legend but I, we, haven’t lost that legacy.

Dating Bio

A burst of inspiration made me decide to write a dating profile that most accurately represents me. Enjoy! Applications will be considered and very much appreciated.

Vacancy available for wintertime crush turned romantic interest. Option is available for the role to be undertaken virtually, until an in-person option is possible.

The potential love interest (who, from hereon in, will be referred to as PLI) you are applying to date is 6ft, has red hair, wears primarily vintage clothing, works in a secondary school and is obsessed with all things pop culture – primarily, but not exclusively, books, tv, music and films.

Things you should know about PLI:

  • Has a nifty ability to guess the song from just a few seconds of hearing, but also has an annoying habit of then announcing the name and artist to whomever they are with – even if that person has no interest in this information.
  • Is a massive fan of puns. Particularly bad puns. Has decided to keep track of their top five for reasons unknown.
  • Loves to Cross Stitch, has an impressive collection of crafting materials and constantly has all manner of them strewn about.
  • Is rarely spotted without at least one book on their person.
  • Is at their happiest in their natural habitat – cinemas and bookshops. However, PLI is also known to enjoy spending long nights at the pub with their nearest and dearest. The same applies for going to the theatre and comedy shows.
  • Is drawn to finding and trying the weirdest snacks possible. Has an usual compulsion to try blue food where possible – again, there is little apparent reasoning for this.

Should your application be successful, please bear in mind the following things that PLI must avoid at all costs (in order of causing most peril to PLI):

  • Wax Models
  • Bananas
  • Penicillin
  • Spiders

Thank you for reading this job description and for considering applying for the role. PLI looks forward to hearing from you and commencing a love affair for the ages.