Red, White and Royal Blue

‘It’s like there’s a rope attached to my chest, and it keeps pulling me towards you.’

Any regular readers of my reviews knew there’d be a strong chance that I’d like this movie, right? A based-on-a-book romantic comedy with the enemies to lovers trope? Sign me up! Based on Casey Mcquiston’s 2019 viral book sensation – arguably one of founding pillars of BookTok – it was inevitable that a film adaptation would follow. What would be less certain, however, is how good it would be. And the verdict? A rather charming adaptation that follows the heart (if, perhaps advisably, not the full plot) of the original novel.

Alex Claremont-Diaz (Taylor Zakhar Perez) is the son of the president of the USA, Ellen Claremont (Uma Thurman). The world’s eyes are constantly upon him, and they like what they see – he’s warm, witty and personable. The only person who is seemingly immune to his charms is Henry (Nicholas Galitzine) who happens to be a British Prince. The pair become a source of gossip at the wedding of Henry’s older brother, the heir to the throne, when a cake-tastrophe occurs. Their respective advisors decide the only thing to fix things would be to stage a friendship between the pair. False platitudes quickly become real, and something far deeper than either of them ever expected forms. But can their love really be possible?

Mcquiston developed the book during the 2016 US Presidential elections, and it’s not hard to see why. There’s a hopefulness in the story being told and the world in which it resides. This is not our world currently, but maybe it could be. One day. And, for the film’s two hours runtime, we get to immerse ourselves in a world that is supportive, optimistic and LGBTQ+ friendly.

The film’s central romance between Henry and Alex is so joyful to follow, believable how it grows from texts and emails (surely some of the most realistic representation of young people using phones we’ve had in a long time!) to a deep and supportive intimacy that both surprises and scares them. In an age where romantic comedies feel increasingly PG (this scene from 2019’s Isn’t It Romantic sums it up beautifully) there’s a wonderful tactile quality to proceedings here. The use of touch between them, form the quieter moments to some surprisingly tender and sexy sex scenes. The rapport between Zakhar Perez and Galiztine is key to making their relationship so believable, there’s a palpable want and desire between their characters which writer-director Matthew López‘s dialogue expresses so swooningly. It ‘s also fiercly funny as well as romantic, packed full of laughs and funny moments. MVP has to go to Sarah Shahi as the Chief of Staff, who steals every scene she is in.

All-in-all, this is a sugary cinematic treat and an excellent addition to the (much-needed) growing number of gay romcoms.

[3.5/5 stars]

Red, White and Royal Blue is available on Prime Video from Friday 11th August.

Something-to-watch Saturday #8

It’s the first Saturday of Lockdown 2: Electric Avenue. You want some movies to watch? Then you’ve come to the right place. What follows may just be the most eclectic mix so far, because you’re worth it. #1, #2, #3, #4, #5, #6 and #7.

Locke (2013 – 85 mins – Amazon Prime)

Tom Hardy on his own in a car for 85 mins may sound appealing for only a certain demographic – but you’d be mistaken. This tense and taut film follows Ivan Locke (Hardy), a dedicated family man and successful construction manager as he receives a phone call on the eve of the biggest challenge of his career. A call that will set in motion a series of events that threaten his carefully cultivated existence. Written and directed by Steven Knight (creator of Hardy-starring series’ Peaky Blinders and Taboo) is fantastic thriller. If you ever find yourself in ay doubts of Hardy’s acting prowess, rectify those thoughts by watching this.

Parasite (2019 – 132 Mins – Amazon Prime)

Parasite winning the Oscar for Best Picture may have been the only good thing to happen this year (so far… *wink wink*). If you’ve not seen it yet, now is your chance and hopefully you’re going into it completely blind – which is why I’ll hold back on any plot summaries. Pop it on and watch master director Bong Joon Ho at work.

Uncorked (2020 – 104 mins – Netflix)

I strongly believe we’ve only just scratched the surface when it comes to the power of Mamoudou Athie as an actor. With his scene-stealing turn in the wonderful Patti Cake$ and an underutilised role in The Front Runner, Jurassic World: Dominion might finally propel him to the forefront. Watch Uncorked to see what I’m going on about. In Uncorked he plays Elijah, a young man balancing his dream of becoming a master sommelier with his father’s expectations that he carry on the family’s Memphis BBQ joint. A quiet yet moving drama.

Assassination Nation (2018 – 108 mins – Netflix)

You know how a film can define a particular period of time? I reckon this will be one that defines the Trump era. A blistering – very much 18-age-rating – movie set in the perpetually American town of Salem, when a malicious data hack exposes the residents secrets, chaos descends and four girls must fight to survive, while coping with the hack themselves. This is the film The Purge wishes it could be – full of rage. If cinema holds up a mirror to society then this film lets us see what we truly are, which is UGLY*. (* Yes, the She’s The Man reference was intentional – adding a bit of light relief to the cold hard truth of this film…)

Spider-Man: Into The Spider-Verse (2018 – 117 mins – Netflix)

Seeing this film was my all-time favourite film watching experience. At a press screening at Leicester Square Imax, surrounded my by friends, seeing a film I’d heard a lot of hype about (the US reactions dropped earlier that day) but not quite believing. The hype was real guys. Teen Miles Morales becomes the Spider-Man of his universe, and must join with five spider-powered individuals from other dimensions to stop a threat for all realities. Beautifully animated and powerfully told – this is all kinds of wonderful.

Eddie The Eagle (2015 – 106 mins – Amazon Prime)

One of the most feelgood films of the past decade, Taron Egerton is almost unrecognisable as Eddie Edwards, the notoriously tenacious British underdog ski jumper who charmed the world at the 1988 Winter Olympics. Hugh Jackman plays his coach, a composite character inspired by figures Edwards met along the way of his infamous Olympic career. Dexter Fletcher‘s film is charming, funny and totally endearing.

Plus One (2019 – 98 mins – Netflix)

Jack Quaid is currently best known for his role in Amazon’s bloody comic book adaptation The Boys, but if you fancy seeing him do something different then this, my pick for underseen romcom of the week, is the one for you. Here he plays Ben, a longtime singleton who agrees to be the plus one to his friend Alice (Maya Erskine) at every wedding they’ve been invited to, in order to help each other endure a summer of wedding fever. This one feels less like a movie, than hanging with two friends you’re desperate to get together. Understated and really delightful. (Click here to read my full review for Film Stories)